The capitalist world system was challenged by a slave group who rejected the imperial logic. This is a break with a system. One of the prominent Haitian historians, Leslie Francois Manigat, argues that the break with the system was so unprecedented and unexpected in his victorious radicalism, that this revolution was seen as immature, which explains its cyclical uniqueness, its initial uniqueness and isolation (Manigat , L. 2001, 200). This historian speaks of revolution-mother and a "large regional first" to show that represented a radical change in the history of the continent. Despite the different permanent revolts in colonial times, there was never as successful as the movement of Haitians. Haitian slaves were not afraid to risk his life for their freedom. The driving force of history is the struggle for recognition, a struggle that is made from risk and endangerment of his life. The slave can achieve freedom if not afraid of death, struggle and confrontation. In Haiti, this dialectic leads and leads to the creation of the first truly free State of …show more content…
He began to study architecture, but did not finish the race. He began working as a journalist and to participate in leftist political movements. He was imprisoned and his departure into exile in France. He returned to Cuba where he worked in radio and carried out important research on Cuban popular music. He traveled to Mexico and Haiti where he was interested in the slave revolts of the eighteenth century. Alejo Carpentier was obsessed with the theatrical dimension of history, as his work offers this wonderful metaphor of revolution as a theater in this representation of the impact of the revolution in Guadeloupe. That magical image of the collision between history and fantasy, the real and the surreal, can offer a useful picture to examine the events that occurred in Haiti. The scenario of the bicentenary of the Haitian revolution gives us a platform of a tragic scene that leads back to the events that led to the declaration of independence of Haiti in 1804. Haiti is invariably the static space of racial agony in Caribbean literature. Alejo Carpentier uses images of pure blackness and religious rites to evoke mythical Haiti in The Kingdom of this World. Toussaint is never mentioned in this novel of revolutionary Haiti, in which a decadent France faces a vigorous Haiti. Evoking the nightmare of history, others see the Haitian revolution in terms of a fatal arrogance. The