Depending on your age and personal experience, fairy tales like Cinderella can be perceived in several drastically different mindsets. As a young child, Disney portrayed Cinderella as a magical rags to riches tale where a poor maiden was swept off her feet by her Prince Charming and lived happily ever after. Complete with insightful talking mice, extravagant ball gowns and an extremely accommodating fairy godmother, the film was enough to make any little girl feel like a princess in her own rights. However, while reading a less charming version of Cinderella written by Anne Sexton many years later, most people would not get the same spellbinding vibe that they did as a four-year-old. Sexton’s take on the classic children’s story is significantly less alluring. The overall tone is upright and straightforward, leaving very little to the imagination. At the end, Cinderella and the Prince are described as “two dolls in a museum case...their darling smiles pasted on for eternity.” The diction used here is cold and empty, as opposed to the film where the shoe fits, the two are married in a divine ceremony, and share a kiss as they ride away in their elegant horse-drawn carriage. Sexton’s version lacks the enchantment we were drawn to as children, and this parallels with many
Depending on your age and personal experience, fairy tales like Cinderella can be perceived in several drastically different mindsets. As a young child, Disney portrayed Cinderella as a magical rags to riches tale where a poor maiden was swept off her feet by her Prince Charming and lived happily ever after. Complete with insightful talking mice, extravagant ball gowns and an extremely accommodating fairy godmother, the film was enough to make any little girl feel like a princess in her own rights. However, while reading a less charming version of Cinderella written by Anne Sexton many years later, most people would not get the same spellbinding vibe that they did as a four-year-old. Sexton’s take on the classic children’s story is significantly less alluring. The overall tone is upright and straightforward, leaving very little to the imagination. At the end, Cinderella and the Prince are described as “two dolls in a museum case...their darling smiles pasted on for eternity.” The diction used here is cold and empty, as opposed to the film where the shoe fits, the two are married in a divine ceremony, and share a kiss as they ride away in their elegant horse-drawn carriage. Sexton’s version lacks the enchantment we were drawn to as children, and this parallels with many