Antigone’s passionate monologue portrays her character as a compassionate sister possessing considerable honor and admirable morality. As she awaits her inevitable execution at the hands of king Creon, Antigone muses over her willful decision to properly bury her brother, Polyneices. King Creon had made…
The most significant theme in Sophocles’ Antigone is whether or not the law of man conquers divine law. Amidst the play, the newly crowned king Creon proclaims that the body of Polyneices will not receive a proper burial, but instead will be publicly shamed and left to be preyed upon by wild animals. Upset with Creon’s mandate, Antigone mourns the death of both of her brothers, Polyneices and Eteocles, and gives Polyneices a proper burial so he can move on to the afterlife.…
When Antigone asked her sister Ismene to help bury their brother, Ismene denies, saying that she “shall obey to those who are in authority (Sophocles line 67).” However, Ismene changes her mind later on and wants to share the punishment with Antigone for keeping her plot a secret. Ismene admits, “I share in bearing the responsibility (Sophocles 537).” Antigone’s courage inspires Ismene to join her, even though she wants Ismene to stay away, which shows that Antigone is a credible leader. Ismene, not Antigone, was then in control of her own…
In the play Antigone by Sophocles, Ismene is shown to be in great contrast to Antigone, who is her sister. She is portrayed as a gentle and passive while Antigone is depicted as an aggressive and headstrong woman. In the prologue, Antigone and Ismene are shown discussing what has transpired since their leave and subsequent return to Thebes. In this scene Antigone asks her sister in line 6-7 “have they told you of the new decree by our King Creon?” which Ismene then responds that “I have learned nothing. I know that two sisters lost two brothers, a double death in a single hour, and I know that the Argive army fled in the night; but beyond this, nothing” (Sophocles 0:7-9).…
Antigone proves herself to be a very loyal family member when she states, “That must be your excuse, I suppose. But as for me, I will bury the brother I love” (Pro. 64-65). She cares not of the law set forth by Creon when it conflicts with her beliefs concerning loyalty to loved ones. She chose the law of the gods above all other decrees, disregarding that the cost is her life. Even after the body’s guards brush off the thin layer of dust to negate the effect of the prompt burial given by Antigone, the heroine risks life and limb to see that Polynieces receives a proper burial, and she is arrested in the process. Her retort to Creon’s accusations was, “I do. I deny nothing.” Antigone is confident in her choice at this point. She even stands up for Ismene’s fraud confession, and she will “not have [Ismene] help” because Antigone’s loyalty to her family is too great (1. 132).…
In his famed work Antigone, Sophocles does what most authors fail to do. Unlike the general crowd, Sophocles uses positive personality traits to bring conflict to his characters. He breaks normal organization of works and pushes the use of character flaws out of view. With this, persuading irony is formed—an irony which immortalizes the play just as a proper burial would immortalize Polyneices. Standard positive traits result in Creon and Antigone’s disgraces.…
In the tragedy Antigone, there are two central characters who serve as foils for one another. The main protagonist and heroine, Antigone, defies the wishes of the king of Thebes, who is also her uncle named Creon. Beginning as a man devoted to art patronage and falling into a position of power after the death of his brother, Creon begins the play with a declaration that says Polynices, one of Antigone’s brothers, cannot have a proper burial. Antigone disregards Creon’s law and covers Polynices in dirt, sending his soul to the underworld. The author Sophocles’ uses Antigone’s defiant actions to show Creon’s obsession with maintaining the subordination of women. However, it’s important to note that Creon’s obsession may not just pertain to having power over women, but also power over everyone in general.…
Ruler of the Thebes, the fictional kingdom in the play Antigone, Creon in his speech argues that Polyneices, son of the late ruler Oedipus ought to have no burial. He supports his clam by first appealing to false authority, then using sentimental appeals, and lastly by comparing Polyneices to his brother, Eteocles. Creon’s purpose is to make sure nobody disobeys him in order to seem powerful in the eyes of his citizens. He adopts a demanding tone to assure he is well respected.…
Ismene and Antigone differ in their opinions for burying their brother. After attacking Thebes against his brother, Polyneices died, his body left to the birds and bugs in the middle of the woods. Creon then declared whoever buries Polyneices, will die by stoning in front of the public. Antigone goes to her sister with concern for her brother and says, “Ismene, I am going to bury him. Will you come?” (Sophocles 693). Ismene then got upset and responded, “I must yield to those in authority. And I think it is dangerous business to always be meddling.” (Sophocles…
The social conventions of the ancient world are not widely known, making it more difficult to truly grasp and appreciate Antigone. If one is accustomed to life today, the more relatable or understandable factor in the play would be state oppression and civil disobedience. That is not to say that there is complete gender equality, but it has advanced considerably since the Classical Era. That is why my considerations of the work were enhanced. The oral elaborated on some of the customs and roles that women occupied and the work they carried out. How they were always with an appointed ‘guardian’ who controlled most aspects of the woman’s life, to make sure that she behaved, whilst the men could do as they pleased. Or how, an heiress would not…
Sophocles creates a strong sense of devotion and resolve through her actions as she is seen as a martyr for her cause. Antigone follows what is just in the world that Sophocles creates. He does not reflect that same quality in his portrayal of Ismene. Ismene is more fearful of Creon’s laws, she holds reverence towards her brothers, but is not as eager as Antigone to sacrifice herself to uphold a divine law. This is shown when she responds to Antigone’s call to action, “We are only women, We cannot fight with men, Antigone! The law is strong, we must give in to the law” (191-192). In her response Ismene expresses her lack of strength and fear, Sophocles portrays her as less righteous than Antigone. Although Ismene later retracts her refusal, Sophocles still frames this act in relation to Antigone. The nobility in Antigone’s conviction to the law of the gods is further shown through Ismene’s change of…
Ismene’s view of life is biologically impacted. Although she loves her brother, Polyneices, it is against the law to bury him according to Creon. Creon having set law that anyone to touch the corpse to be stoned to death publically causes Ismene’s view of life to become a problem. With her and Antigone being the last two members alive within the family, they must stay alive to continue the family bloodline.…
Due to the previous actions of Oedipus had lead his family to have a curse, and now it is has reflected onto his children. The first conversation of the play is between Ismene and her sister Antigone and we see that they both discuss the “heavy hand of god is upon us” that has been placed on their family. Antigone wants to change the town’s people’s minds on how they see and think of their family by trying to do the right thing by the God’s and have a burial for her brother Polyneices like everyone at that point in history should have been. Sophocles tries to persuade the readers by making the prologue of the play the conversation between the two sisters by showing us that Antigone is doing the right thing by wanting the burial to take place and he always shows how Ismene is a perfect example of the role and attitude of many of the women in ancient Greece “we are women; it’s not for us to fight against men” and showing that she is afraid to do anything in case she is looked at by people like her father was. Whilst Antigone was wandering city to city with her father Oedipus she…
The well-known play, Antigone, is a representation of classic tragedy written by Sophocles. The story’s protagonist, Antigone, is portrayed as a tragic hero whose efforts to keep her family close quickly backfire on her. When Antigone’s brother dies, she wants to face the consequences and do the right thing in order to respect her brother and properly bury him. Antigone’s sister, Ismene, also displays the heroic qualities that Antigone does when she attempts to save her sister for being prosecuted. The classic qualities of a tragedy are displayed in the story, and these can also be found in many other tragedies later in literature. The important qualities that a tragedy always has can help analyze other novels and stories later are the heroism of the protagonist and the emotional connection the audience will sympathize for the protagonist.…
During the course of Antigone, written by the playwright Sophocles, we come to find that the feud between Oedipus’ sons Polyneikes, the elder, and Eteokles, the younger, results in the death of both men. Polyneikes had rebelled against Thebes, while Eteokles remained loyal to his family’s home. Kreon, Uncle to Polyneikes, Eteokles, Antigone and Ismene, has seized the throne and as a result of Polyneikes’ betrayal, declared a law that he shall not be buried nor shall he be honored. Antigone and her only remaining sibling, Ismene, have reacted completely differently to this decree; Antigone reacts with reckless abandon, and Ismene simpers in the face of her new King.…