Mikhail Bulgakov
Andrew Wright
‘The Heart of a Dog’, written by Mikhail Bulgakov in 1925, is a satirical parable illustrating the provincial failures of the Russian regime, post-revolution. According to S. Fusso, Bulgakov’s allegory is not, unlike Orwell’s, “simple or naïve”,1 but one that offers an exploration of various different themes, from the ethical implications of eugenics “that so fascinated the scientific community during the 1920s”,2 to the farcical revolution of 1917 and its misguided attempt to create a new Soviet man. The novella chronicles the life of a stray Moscow dog, Sharik, who, upon being rescued by a seemingly benevolent surgeon, Philip Philipovich Preobrazhensky, finds himself subjected to a gruesome operation in which both his pituitary gland and testes are replaced with those of a proletarian by the name of Klim Chugunkin. The new creature, insisting that he be addressed as Polygraph Polygraphovich Sharikov,13 gradually transforms into the repellent proletarian whose corpse was used in the operation, behaving outrageously, interfering in the professor’s affairs, and, finally, denouncing his former benefactor to CHEKA. The tale 's conclusion witnesses the Professor and his assistant, Ivan Arnoldovich Bormental, put an end to Sharikov’s machinations, performing a final operation that reverses the procedure, transforming Sharikov, the “man with the heart of a dog”14 into Sharik. Mikhail Bulgakov’s reputation as a major 20th century satirist is, however, posthumous, with this particular novella being his first to be banned outright after having being read to a small group of writers and critics, among them a secret police informer. The informer comments on Bulgakov’s thinly veiled criticisms of the Soviet regime, concluding that “this book will never see the light of day”3; a comment that was to ultimately foreshadow his total disappearance from print within a few years, with none of his prose being printed or
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