Berlioz enjoyed a successful career as a conductor, garnishing international success in England, Germany, and Russia. Some of his major works as an author, writer, and critic are Treatise on Modern Instrmentation and Orchestra, and the autobiography, Memoires. He was awarded the prestigious Legion d’honneur in recognition for his accomplishments. In 1844, Berlioz’s marriage to Smithson ended. Ten years later, following her death, he married Recio, a singer. In 1869, he passed away and was buried with both wives. As a non-pianist, Berlioz had the luxury of exploring orchestral writing on his own terms, unrestricted by pianistic conventions. He was highly individual and had an original approach to orchestration, expanding its size and make-up. He was influenced by Shakespeare, Goethe, and Victor Hugo. Programmatic writing is evident program symphonies and concert overtures. He also advocated “Music of the Future” with Wagner and Liszt. Some of Berlioz’s symphonies include Symphonie fantastique, Harold in Italy, and Romeo and Juliet. He also wrote concert overtures including King Lear as well as the song cycle Les nuits d’ete. His operas include Les Troyens, Beatrice et Benedict, and Benvenuto Cellini. His choral works include La damnation de Faust and Requiem. He also composed the oratorio, L’enfance du
Berlioz enjoyed a successful career as a conductor, garnishing international success in England, Germany, and Russia. Some of his major works as an author, writer, and critic are Treatise on Modern Instrmentation and Orchestra, and the autobiography, Memoires. He was awarded the prestigious Legion d’honneur in recognition for his accomplishments. In 1844, Berlioz’s marriage to Smithson ended. Ten years later, following her death, he married Recio, a singer. In 1869, he passed away and was buried with both wives. As a non-pianist, Berlioz had the luxury of exploring orchestral writing on his own terms, unrestricted by pianistic conventions. He was highly individual and had an original approach to orchestration, expanding its size and make-up. He was influenced by Shakespeare, Goethe, and Victor Hugo. Programmatic writing is evident program symphonies and concert overtures. He also advocated “Music of the Future” with Wagner and Liszt. Some of Berlioz’s symphonies include Symphonie fantastique, Harold in Italy, and Romeo and Juliet. He also wrote concert overtures including King Lear as well as the song cycle Les nuits d’ete. His operas include Les Troyens, Beatrice et Benedict, and Benvenuto Cellini. His choral works include La damnation de Faust and Requiem. He also composed the oratorio, L’enfance du