He arranged works by many notable French composers including Lully, Berlioz, Franck, Bizet, and Fauré, and among his transcriptions and orchestrations were “a number of Debussy’s works including Petite Suite.” (Kelly) Büsser wrote many organ and piano pieces, masses, vocal pieces, and other chamber and orchestral pieces, but some of his most important works included his ballet La ronde des saisons and his five operas: Jane Grey, Daphnis et Chloé, Colomba, Les Noces corinthiennes, and Le carosse du Saint Sacrement. Kelly writes that these dramatic works “betray Wagner’s impact in both their form and their use of the orchestra. The influence of Debussy….is also evident in certain harmonic procedures and in an acute sensitivity to orchestral colour.” In general Büsser’s style was deeply “rooted in the French 19th-century tradition. [His] symphonic and choral writing is indebted to Gounod and
He arranged works by many notable French composers including Lully, Berlioz, Franck, Bizet, and Fauré, and among his transcriptions and orchestrations were “a number of Debussy’s works including Petite Suite.” (Kelly) Büsser wrote many organ and piano pieces, masses, vocal pieces, and other chamber and orchestral pieces, but some of his most important works included his ballet La ronde des saisons and his five operas: Jane Grey, Daphnis et Chloé, Colomba, Les Noces corinthiennes, and Le carosse du Saint Sacrement. Kelly writes that these dramatic works “betray Wagner’s impact in both their form and their use of the orchestra. The influence of Debussy….is also evident in certain harmonic procedures and in an acute sensitivity to orchestral colour.” In general Büsser’s style was deeply “rooted in the French 19th-century tradition. [His] symphonic and choral writing is indebted to Gounod and