Hector Berlioz's Symphonie Fantastique

Hector Berlioz was born in France. After he surprised his parents abandoning medicine to study music, he became identified early on with the French romantic movement. He was well known as an innately romantic by his experience when he was a child and later in with his love affairs. Berlioz is best known for the piece Symphonie Fantastique, which was inspired in his love for Henrietta Smithson. With five different movements, Berlioz tried to show all episodes of an artist life and he followed his own program notes.
The movement that most called my attention was the fifth movement, "Songe d'une nuit du sabbat" / "Dream of the Night of the Sabbath." At first, when I heard the first instruments I recognized it from a horror movie, it brought me the feeling of a dark and scary story. Then, I read the program notes when I saw I was right, it was about ghosts, monsters, strange noises, bursts of laughter, and distant cries. He was very good in showing that because since the first melody of the first instrument I could notice the story he was trying to show in the piece, so I believe
The violins and violas were essential to produce a clattering sound and creating an eerie effect of skeletons dancing. When playing together, the instruments show the drama, the dark, and the scary part of the piece "The belove melody appears again, but it has lost its character of nobility and shyness," "it is she, coming to join the sabbath.—A roar of joy at her arrival.—She takes part in the devilish orgy.—Funeral knell, burlesque parody of the Dies irae, sabbath round-dance. The sabbath round and the Dies irae combined." Berlioz was unbelievable when we wrote this piece. Every time I heard I imagined myself running away from the ghosts in a dark house. He made the listeners feel in the same situation that he was when he wrote the