Mixing locations and time periods allowed Díaz to create a novel with high political and cultural significance. The characters challenge the social norms of their place and time, for example Lola presenting herself as a “Banshees-loving punk chick” to the dismay of her mother, and in a completely different time period Lola’s grandfather doing the unspeakable and challenging the rule of the Dominican dictator (54). For characters like Beli and Abelard, Oscar and Lola’s grandfather, their storylines draw on the impact that the government, especially the ruthless ruler, Trujillo, has on their lives. Further down the line though Oscar, Lola and Yunior do not have to live under a harsh dictatorship in the Dominican Republic, they do have to cope with the always-increasing social pressures of growing up in America as Hispanic immigrants, exhibiting the deviations in social and cultural aspects of life as time…
African-Brazilian Culture and Regional Identity in Bahia Brazil written by Scott Ickes takes the reader into a history of the Northeastern Brazilian state of Bahia and the cultural politics the state faced between the years of 1930 through 1954, a time period that the nation of Brazil was going through a major change; Getulio Vargas, with some help, turned the government into a dictatorship. The people of Bahia, especially the African-Brazilians, actively sought to change the narrative of the culture of Brazil. Ickes uses a number of events to help cultivate the narrative of the establishment of African-Brazilian culture, to be the regional identity of Bahia. Among these events included the employment of African-Bahian cultural practices such…
Allowing the reader to re-experience the Mirabel sisters lives, in their point of views gives a better understanding on what happened during the era of Trujillo's dictatorship in the Dominican…
In the historical references located at the end of the novel titled “The Postscripts,” Julia Alvarez explained in detail that although she had extensively researched the Mirabal sisters and the regime of Trujillo, some of the characters and dates were changed in an attempt to make the readers mind travel into what it could have been like to someone who was not there (Alvarez 323-324). Alvarez was the speaker behind the sisters, therefore she was their interpreter, their voice, she did not have enough accurate information to write a biography, and therefore she added fictitious elements to liven their spirits. The spirits of the Patricia, Maria Theresa, and Minerva will always be remembered by many because of their tremendous efforts to resist Trujillo’s regime and to restore a democracy that would enable many more liberties amongst the Dominicans.…
The characterization, in The House on Mango Street, of Esperanza’s great-grandmother and Rafaela is used to convey how women were inferior to men in Esperanza’s society. According to Esperanza, her great-grandmother was a very wild woman. That is why she refused to marry until a man “threw a sack over her head and carried her off” (Cisneros, 11). This shows how unimportant women are, of that time, that a man could kidnap a woman and she could do nothing, no matter how wild she was. Also, despite her wild personality, Esperanza’s great-grandmother shows how women could be forced into marriage without a say in who they marry. Like Esperanza’s great-grandmother, Rafaela has many hopes such as dancing at the dance hall or bar. However, she never…
De Vaca’s journey as depicted in his narrative offers an in-depth look into the lives of the natives who he calls Indians throughout his writing. Being European, he found the behavior of the Native Americans as peculiar and interesting and goes ahead to discuss it in his narratives. De Vaca speaks of how the native Americans who he calls Indians greet each other. This he sees in how they greet him and his entourage after he returns. The welcoming and greeting was a huge celebration of dance and music accompanied by a celebratory mood, which De Vaca did not understand at first and even believed that they were going to be sacrificed.…
It just happens that the author uses Felicia’s story to not only make a comment that is relevant to the identity of Felicia, but rather a comment that reflects the identities of all the characters and that can be applied to all of our lives. Garcia is using the stories of her characters to make a statement on the idea of identity. Garcia’s depiction of Felicia’s death mimics how one’s identity can be irregular and undefined. Garcia’s inclusion of the death of Felicia allows her to add layers of meaning to the novel. Garcia uses the death of Felicia to symbolize the novel’s theme of uncertainty and irregularity in identity. The author uses Felicia’s story to make a comment on how identities are always going to be distorted or tainted in a way, and that there is no such thing as a perfect identity. All in all, Foster’s ideas in his chapter “It’s Never Just Heart Disease...And Rarely Just Illness” are relevant in the novel Dreaming in Cuban as author Cristina Garcia uses disease and death to paint a revitalized picture of identity in addition to making a strong statement on the idea of uncertainties in…
Identity, as defined by the Oxford Dictionary, is “a group of characteristics, data or information that belongs exactly to one person”. To try and identify oneself is innate, self-analysis is what defines individuals. However, people of the same religion, same ethnicity, or even the same hair color are subject to stereotypes. “The Myth of the Latin Woman” embodies what it is to be a Hispanic woman in America trying to find and embrace her identity while defying stereotypes. Author Judith Ortiz Cofer uses a personal narrative essay to tell the story of the life of a Hispanic girl trying to assimilate herself while still holding on to her culture and traditions. By analyzing the different parts of this essay such as the narration mode, cause and effect model, the descriptive mode, and the language, we can understand better understand the essay.…
Death is a word associated with loss, grief and sadness, but in the novel In the Time of the Butterflies we see death in a whole new perspective; martyrdom. Strong, independent, caring, honest, and having firm beliefs are all characteristics we see in a martyr especially in Patria. In the novel we explore the wonders of Julia Alvarez’s writing and get to witness Patria as a martyr and an individual who fought for the right of women against a dictator: Trujillo.…
Judith Ortiz Cofer and Ishmael Reed are the same as they have both been judged for their ethnicity. Being predisposed to racism and stereotypes just because the color of their skin. It his the thought that they have the similarity in their pre judgement because they have different American experiences.…
The Caribbean presents an unrealistic facade to outsiders; this region is the vacation hot spot with many beautiful tropical islands, perpetual sun, and clear waters – a place to rid yourself of all worries, and unwind. But there are many underlying issues in this region that most people are unaware of. In The Oxford Book of Caribbean Short Stories, written by Stewart Brown and John Wickham, there are many depictions of the difficulties that people experience in the Caribbean. A common theme amongst many of these short stories is identity. In postcolonial societies, for example, the articulation of identity frequently becomes an upsetting process because of a historical, antagonistic relationship of domination and subordination that ruled the interaction of the diverse cultural groups within the colonial experience. Furthermore, domination still operates through a set of economic, cultural, and ideological mechanisms (otherwise known as neocolonialism). Also, the portrayal of resistant subjects asserting their…
CLAIM/THESIS: Through the use of characterization, Paulo Coelho illustrates the character of Paulo as he experiences an internal struggle of wanting to pursue his pleasures versus the fear of unknown and losing his happiness/everything he loves and cares for. He does this by using shifts in point of view as Paulo’s wife experiences this journey with him.…
The 19th century was a period of "foundational fictions" (in critic Doris Sommer's words[citation needed]), novels in the Romantic or Naturalist traditions that attempted to establish a sense of national identity, and which often focused on the indigenous question or the dichotomy of "civilization or barbarism", for which see, say, the Argentine Domingo Sarmiento's Facundo (1845), the Colombian Jorge Isaacs's María, Ecuadorian Juan León Mera's Cumandá (1879), or the Brazilian Euclides da Cunha's Os Sertões (1902). Such works are still the bedrocks of national canons, and usually mandatory elements of high school curricula.…
Joseph Andrews was initially written as a parody of Samuel Richardson’s “Pamela” but as the story develops and grows we realize that the story is entering into another genre and is naturally following a different pattern. As the events unfold and the ripple effect of the occurrences spans through we feel that the genre the novel is entering into is somewhat picaresque. The picaresque tradition belongs to Spain and is derived from the word “Picaro” meaning rouge or a villain or a rascal. The word picaro started to first appear in Spain with the current meaning in 1545. In 1554 the novella “Lazarillo de Tormes” is credited with founding the genre and the expression Picaresque novel was coined in 1810. Before giving arguments to support whether or not Joseph Andrews is a picaresque novel, it becomes necessary here to first get a clear idea as to what a picaresque novel is and what are the paradigms and parameters that define a…
The physical structure of this poem has been altered from the original layout in the text.…