This transformation is apparent in Lucy, who is at first a sweet little girl. After each encounter with Dracula, Lucy’s “canine teeth grow longer and sharper than the rest” (Stoker). Lucy begins to develop traits of an animal when she loosens her sexuality each time she ventures out into the night to meet Dracula. Lucy’s metamorphosis into a grotesque vampire is meant to discourage sexual women, since Lucy begins to look repulsive when she crosses the line of sexual propriety. Also, it becomes evident that hypersexuality dehumanizes a woman. The vampire woman “licks her lips like an animal” and laps it against “her white sharp teeth” in order to seduce Jonathan (Stoker). The three vampire sisters that prey on Jonathan are mesmerizing but possess animal-like qualities that are associated with hypersexual women. A woman that is too promiscuous turns into a bloodthirsty beast, a reason why her sexuality must be repressed. In addition, critics state that the way Stoker describes sexual women suggests that they are not true women. Stoker portrays sexual women as “Un-Dead, fragmenting them into disembodied physical features” (Swartz-Levine). A woman’s sexuality is what turns her into a vampire, stripping her womanhood from her. Therefore, as women unveil their sexuality, they transform into monstrous beings that stray from the standards of Victorian
This transformation is apparent in Lucy, who is at first a sweet little girl. After each encounter with Dracula, Lucy’s “canine teeth grow longer and sharper than the rest” (Stoker). Lucy begins to develop traits of an animal when she loosens her sexuality each time she ventures out into the night to meet Dracula. Lucy’s metamorphosis into a grotesque vampire is meant to discourage sexual women, since Lucy begins to look repulsive when she crosses the line of sexual propriety. Also, it becomes evident that hypersexuality dehumanizes a woman. The vampire woman “licks her lips like an animal” and laps it against “her white sharp teeth” in order to seduce Jonathan (Stoker). The three vampire sisters that prey on Jonathan are mesmerizing but possess animal-like qualities that are associated with hypersexual women. A woman that is too promiscuous turns into a bloodthirsty beast, a reason why her sexuality must be repressed. In addition, critics state that the way Stoker describes sexual women suggests that they are not true women. Stoker portrays sexual women as “Un-Dead, fragmenting them into disembodied physical features” (Swartz-Levine). A woman’s sexuality is what turns her into a vampire, stripping her womanhood from her. Therefore, as women unveil their sexuality, they transform into monstrous beings that stray from the standards of Victorian