Preview

Homosexuality In Bram Stoker's Dracula

Good Essays
Open Document
Open Document
973 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Homosexuality In Bram Stoker's Dracula
During the Victorian era, sexually transmitted diseases were rampant because of the prevalence of prostitution. This outbreak provoked a feeling of consternation amongst people, and there grew a stigma around women's sexual expression. In Dracula, Bram Stoker addresses this issue and suggests that women should remain chaste and suppress their dangerous sexuality, which wreaks havoc if unleashed. In the novel, Mina’s innocence is juxtaposed to Lucy’s coquettish behavior. The characters reflect how the loss of a woman’s virginity transforms her into a monstrous being. A sexually aggressive woman poses a threat to society and a man’s dominant role. Nevertheless, a woman must be punished for being overtly sexual and stepping out of her expected …show more content…
This transformation is apparent in Lucy, who is at first a sweet little girl. After each encounter with Dracula, Lucy’s “canine teeth grow longer and sharper than the rest” (Stoker). Lucy begins to develop traits of an animal when she loosens her sexuality each time she ventures out into the night to meet Dracula. Lucy’s metamorphosis into a grotesque vampire is meant to discourage sexual women, since Lucy begins to look repulsive when she crosses the line of sexual propriety. Also, it becomes evident that hypersexuality dehumanizes a woman. The vampire woman “licks her lips like an animal” and laps it against “her white sharp teeth” in order to seduce Jonathan (Stoker). The three vampire sisters that prey on Jonathan are mesmerizing but possess animal-like qualities that are associated with hypersexual women. A woman that is too promiscuous turns into a bloodthirsty beast, a reason why her sexuality must be repressed. In addition, critics state that the way Stoker describes sexual women suggests that they are not true women. Stoker portrays sexual women as “Un-Dead, fragmenting them into disembodied physical features” (Swartz-Levine). A woman’s sexuality is what turns her into a vampire, stripping her womanhood from her. Therefore, as women unveil their sexuality, they transform into monstrous beings that stray from the standards of Victorian

You May Also Find These Documents Helpful

  • Satisfactory Essays

    Comparative Literature: The comparison between the book Dracula to the movie is that in the movie starts with legend of Vlad the impaler which is not in the book. In the movie Dracula has a shadow that operates separately from his body movements. Character of Dracula is less threatening initially in the book than in the movie. In the movie, Dracula appears as a wolf rather than the wolf escaping from the zoo being controlled by him which is not in the book. Lucy does not seem very ill compared to the description in the book. Dracula only appears as a bat briefly at the end of the movie in the abbey scene, not at the windows of the house.…

    • 124 Words
    • 1 Page
    Satisfactory Essays
  • Satisfactory Essays

    Bram Stoker’s book Dracula begins with a journal entry by Jonathan Harker. Harker is an English lawyer traveling to Transylvania, an Eastern European country, to meet with Count Dracula for business purposes. In his first journal entry, Jonathan records his trip to Dracula’s castle. Along the way local peasants warn him not proceed on to his destination especially so late at night. The worried peasants keep repeating the word “vampire” and give him crucifixes to ward off evil. Harker does get a bit scared but he still decides to continue on to the castle. When Jonathan arrives to his final destination, the friendly and gently Count greets him. During his stay at the castle, Harker feels more and more uncomfortable as certain events take place.…

    • 209 Words
    • 1 Page
    Satisfactory Essays
  • Powerful Essays

    Stoker’s Dracula, by contrast, is refined and enthralling. He has transmutated from a monster of sorts to a mysterious seducer, from a coldhearted “beast” of incontestable evil to a complex human arousing a strange sympathy and blurring the lines between good and evil. Count Dracula is now an attractive, sophisticated aristocrat who moves about easily in polite society. Dracula’s motivation throughout the film is the pursuit of his lost love, reincarnated in Mina Harker.…

    • 1427 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Lucy, who one would ultimately define as a “New Woman” is very sweet, yet Demetrakopoulous believes that her sweetness ultimately makes Lucy “not very bright, hysterically emotional, and easily had” when it comes to men, therefore making her ditzy and desirable personality a crime against society. As a “New Woman”, Lucy makes clear her desires and needs, and is unafraid to appeal to multiple men at once, as she did to Quincy, Andrew, and Dr. Seward. Due to the fact that Lucy represents the mere image of the “New Woman”, she was literally displayed as a vicious blood-sucking beast by Stoker himself. When Dracula turns Lucy into a vampire, her free expression of her sexuality offends and disgusts her husband. In fact, on the night where Andrew and the other men spot Lucy for the first time after her transformation, Andrew states “the sweetness was turned to adamantine, heartless cruelty, and the purity to voluptuous wantonness” (Dracula 417). Andrew’s total love for Lucy turned to rigid hatred after just one glance at his previous bride because she was not ashamed to express herself. Stoker, who clearly loathed the “New Woman”, made sure to demonstrate the “New Woman” in a negative lightning to try to avail to everyone that when women took control of their desires, they were bound to eventually overpower the…

    • 1185 Words
    • 5 Pages
    Good Essays
  • Better Essays

    These women can suddenly take the male prerogative to instate an encounter that is inherently sexual, and penetrate their victim (with their fangs). This destabilisation of gender roles is not limited to female people receiving phallic symbols however; the vampire itself completely reverses the stereotypical roles of men and women in the Gothic story. The women become predators, dangerous creatures to be hunted and feared; the men are the prey and they crack under the pressure and become hysterical on several occasions, the “stalwart manhood seemed to have shrunk somewhat under the strain of his much tired emotions” [Stoker, p.181]. After Lucy is killed, Dr. Seward must comfort Arthur Holmwood in the funeral parlour when he “suddenly [breaks] down, and threw his arms round my shoulders and laid his head on my breast, crying,” [Stoker, p.181]. Whereas when Mina is told of Lucy’s death, she shows “courage and resolution in her bearing” [Stoker, p.240], and is determined to tell the full story of their fight against Dracula, even if recording the death of her friend upsets…

    • 1817 Words
    • 8 Pages
    Better Essays
  • Powerful Essays

    “The monster is not outside but within…,” said John Paul Riquelme. Riquelme’s quote gives the impression that there are always two sides to every coin. Each individual is more than their outer appearance. Humans are an imperfect mixture of both good and bad. According to Jean Baudrillard, simulacrum or simulacra is essentially the representation of something or even a certain person. In Bram Stoker’s Dracula, Dracula himself can be seen as a simulacra for humanity because he represents the bad side of humanity while the human’s simulacra is a representation of both good and evil. This idea of what good and evil exactly…

    • 1508 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    In Bram’s Stoker’s Dracula (1897), one of the main motifs present throughout the whole piece is Catholicism. Catholicism does not only appear as a motif but also as a major theme in the novel. On the books, Broker was known to be a Protestant, however after releasing his novel Dracula, he was considered of being “a closet Catholic cloaking his dangerous views in a relatively safe literary medium” (Starrs, D. Bruno). Even though the novel portrays Anti-Christian values and beliefs, Bram Stoker was able to use different methods in his novel to show how the Catholic beliefs were useful as a protection towards evil, and to be able to compare the powers between good and evil.…

    • 604 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Jonathan, Lucy, and Mina are all tempted by lust. Vampires as “bad boy/bad girl” appeal to him…

    • 552 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Sexual Objects In Dracula

    • 334 Words
    • 2 Pages

    The frequently used concepts in Dracula to objectify women as sexual objects, gives the reader an insight into Stoker’s ways on implementing the Victorian male imagination and society’s extremely rigid expectations for a female. In the Victorian era, the women had only two scarce choices to choose from, either be a virgin – which basically consisted of being a role model of purity and innocence – or a respected wife and mother. If women did not met these socially acceptable standards they were either seen as a harlot who had no self-respect or did not deserved any respect whatsoever. Men commonly in the Victorian era, as Bram Stoker regularly refers to, strongly believed to have a higher stand that any other women, Limiting women was very common…

    • 334 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Despite this quality, they still do not think that she should come along with them on their trip to seek out and kill Dracula. Instead, they leave her at home to sit in her room and wait to hear if any of her friends have been harmed or killed. They also ask that she acts as the secretary during their meeting, a job which she most likely brought on herself by volunteering to write up everyone’s journal entries beforehand. Mina does seem to think of herself in these same sexist ways, although she does her best to turn away from it. When Quincy accidentally shoots the window to try and kill the bat, Mina is the first to cry out, and she shames herself for being such a coward. Despite these leanings toward sexism, I feel that Stoker did a pretty good job at creating a strong female character given the time period that he wrote…

    • 561 Words
    • 3 Pages
    Satisfactory Essays
  • Better Essays

    The Victorian era’s patriarchal ideals rooted on fear of female empowerment influenced Joseph Sheridan Le Fanu’s lesbian vampire novella, Carmilla. The social ambience created by patriarchy at the time limited women to be objects of desire to be owned and controlled by men. In hopes of defying this social construct Le Fanu creates Carmilla, a vampire who feeds on and loves other women. Her independence from and disregard for the patriarchy challenges male kinship. The novella Carmilla is an attempt to threaten patriarchal kinship, by trying to shift dominance from males to females. Yet it fails to deliver an overarching anti-patriarchal message due to a heavy presence of male dominance in the form of valuing women for their beauty, by keeping…

    • 1189 Words
    • 5 Pages
    Better Essays
  • Good Essays

    Other than being remade into other forms such as movies and cartoons, Dracula was a relatively new concept during the time of its publication and had a major impact to its surrounding society. Today, the novel’s uses of multiple unique elements of writing such as dramatic irony, the everyman, and suspense/mystery continues to speak to interests of readers. In addition, the character itself, like any other supernatural beings including ghosts and witches, naturally intriguing us just based on many people’s love of getting scared; Dracula is portrayed in the novel as a completely evil and manipulative character that feasts upon the lives of mortals for his survival. Throughout the course of “Dracula,” Stoker used an epistolary form of writing not only for its prevalence in the Victorian era, but also for its effectiveness in portraying first person point-of-views and first-hand accounts for multiple characters. By doing so, he was able to make readers feel as if they themselves could have been in the characters’ shoes. Because it was an epistolary format and readers knew exactly what each character knew and did not know, his application of dramatic irony became clearer than other literary pieces as well. Dramatic irony was used in the course of the novel in multiple ways. The Victorian readers already knew of the vampire concept by the 18th century and Dracula was written in the early-mid 19th century. As they read the novel, they generally would have known what Dracula was, and had a similar idea to what we think now, before Jonathan Harker’s realization of Dracula’s intentions (Stoker 22). Another way dramatic irony was added in the novel was the placement of each journal. For instance, readers were notified first of Jonathan’s experiences in his journal and then Mina’s journal was revealed with her wondering about the condition of her finace (Stoker 27,…

    • 1029 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Lucy In Dracula

    • 558 Words
    • 3 Pages

    She is a paragon of virtue and innocence, qualities that brings three suitors to her. Lucy differs from Mina in one aspect, she shows her sexuality. Lucy’s physical appearance captivates each of her suitors, and she displays comfort or playfulness about her desirability that Mina never feels. Stoker amplifies this faint whisper of Lucy’s insatiability to a monstrous volume when he describes the undead Lucy as a wonton creature of ravenous sexual appetite. With Stoker’s concern with female chastity and virtue, it is hard to imagine him granting his female characters the degree of sexual freedom. Lucy’s wounds suggest a virgin’s first sexual encounter. She escapes into the night and is penetrated in a way that makes her…

    • 558 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Once Dracula turns her into a vampire, Lucy is unleashed from her Victorian laces causing her sexual desires to erupt, and she is portrayed as an untamable pedophile. Stoker emphasizes immoral behavior through his portrayal of vampire-Lucy when describing her in the act of preying on innocent children and how “with a careless motion, she [flings] to the ground, … the child that up to now she had clutched strenuously to her breast, growling over it as a dog growls over a bone. The child [gives] a sharp cry, and [lays] there moaning” (Stoker 211-212). With these details, Stoker illustrates how the “New Woman” would serve as an unfit mother and as well as a profane wife. She is described as wild and animalistic; the fact that Lucy assaults multiple children discredits her even more as she is the one to seduce the children and want them coming back for more to play with the “bloofer…

    • 771 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Count Dracula Analysis

    • 1009 Words
    • 5 Pages

    While Count Dracula is prominently reckoned as an opposition within a methodical society, he can somehow exemplify a potential alteration for oppressed women against the Victorian’s standardized expectations. In the primary introduction of Mina and Lucy’s appearance, the two female characters express a vast ideology of obedient and pure Victorian women. Both of them desire to wholly love and marry whomever they want without feeling oppressed by the expectations that society imposes on them. After Count Dracula corrupts Lucy to become a vampire of her own, her sexual desire commences to expand, and she deviates herself from the norms within the Victorian society. In chapter 15, Dr. Seward anxiously states, “She still advanced, however, and with…

    • 1009 Words
    • 5 Pages
    Good Essays