His uncle was a photographer and Karsh helped in his uncle’s studio. Nakash saw potential in Karsh, and sent him to apprentice with John Garo in Boston. Most of Karsh’s training came from apprenticing under John Garo, but he also briefly attended evening classes at art school. Garo taught Karsh artificial lighting techniques; this helped him gain his signature lighting for his portrait photographs. Karsh returned to Canada in 1931, where he established his own art studio with the financial help of his uncle. He became affiliated with Ottawa Little Theatre and took pictures of the actors. His photographs started showing up in Canadian periodicals, and even Illustrated London News. His big breakthrough came when he photographed the meeting between United …show more content…
Karsh was a portrait photographer, which meant his photographs were portraits of people. He used studio lighting to capture his photos, and he would often light up his subject’s hands separately. His photographs captured emotion very well. Karsh’s process of taking photos was to get his subject into position, and then make any adjustments he needed, such as removing Winston Churchill’s cigar. He would then use his lighting technique to light up his subject as he wanted. Karsh’s works were mostly of notable people, such as Dwight Eisenhower, Albert Einstein, Muhammad Ali, Alfred Hitchcock, Pablo Picasso and more. Karsh was very important because his photographs portrayed notable people during important times in their lives, such as Martin Luther King Jr. during the Civil Rights movement. He also photographed notable people who had been famous for quite some time, like Picasso. Last of all, Karsh took many photographs in his life, but some more famous than