However, the motivation behind their deceit differs in each text. In Othello, the opening scene shows Iago talking lengthily with Roderigo about his dislike for Othello. He reveals his intentions to falsely appear loyal to him in order to gain his trust and manipulate him without being suspected. It should be noted that he also fails to use Othello by his name, referring to him as ‘he’, ‘the Moor’, ‘his Moorship’ and as a ‘Barbary horse, which show his disrespect for Othello and the grand magnitude of his malevolence.…
The production of Othello was put on by the Shakespeare Theatre Company, located in Washington, D.C. The setting occurred in Venice at the time of war between Venice and Turkey, later moving into the island of Cyprus. Though the play is originally set in the late sixteenth century this adaption was portrayed in post WWI. The change in the time made it possible for a changes in costume and more modernized battle scenes.…
Iago has the ability to manipulate and hurt many characters for his personal gain throughout Othello. Iago uses flattery to Brabantio to stir bad emotions. Iago desires for Brabantio to seek out his daughter and separate her from “the Moor.” In order to achieve this, he must convince Brabantio of his honesty. Iago twists the truth and says to Brabantio, “I am one, sir, that comes to tell you your daughter and the Moor are now making the beast with two backs” (Shakespeare 5). Iago gives a sense of offense and rudeness, making Brabantio feel uncomfortable. Iago manipulates the situation and turns Brabantio feelings towards Othello bitter. Iago uses racist and animal imagery to relate to Othello, which he knows will stir anger in Brabantio. This…
Shakespeare has created the character of Iago as the villain of the play. He drives the plot as he schemes and manipulated other characters. He fascinates and terrifies the audience with his revengeful plotting which he has no real motivation for.…
Many characters in the Shakespearian play, Othello, are deceived by the clever and flattering Iago. Early on in the play, Iago is trying to get his plans against Othello into motion. He meticulously chooses vulnerable characters to help carry out his vengeful scheme. Roderigo is one of the many susceptible characters who fall for Iago’s tricks. Iago catches Roderigo in a very vulnerable state and carefully plants his own scheme into Roderigo’s mind. Iago wants Roderigo to keep fighting for Desdemona despite her marriage to Othello. He tells him “Seek thou rather be hazed in compassing thy joy then to be drowned without her” (1.3 353-355). Iago flatters Roderigo by making him believe he has a chance with Desdemona and to fight for her using…
If black rams and jackdaws are the bestial transmutations of Othello, then hens and baboons become the objects with which Iago verbalizes his misogyny. Iago’s dehumanization of the love shared between men and women adds another component to Iago’s possible queer identity: “I have never found / man that knew how to love himself. Ere I would say / I would drown myself for the love of a guinea hen, I / would change my humanity with a baboon” (1.2.355-58). Iago clearly holds the gender dynamic between the sexes in utter disdain. Like the jackdaws, the specificity of Iago’s animal metaphors also beg commentary. Both the guinea hen and baboon are creatures that are foreign to Europe, hence Iago’s insult gains an added exclusionary valence in association…
Iago’s contribution to an unstable mood shapes the theme of jealousy taking over or acting as a consumer because Iago illustrates that jealousy can be the driving force behind abhorrence as it grows bigger and bigger. Iago continues to exact revenge on Othello and other people are being affected negatively as they fall with Othello. As Iago and Roderigo are fighting, Iago steps aside and says: “ Now, whether he kill Cassio,/or Cassio him, or each do kill the other,/ Every way makes my gain. Live Roderigo,/ he calls me to a restitution large/ of gold and jewels that I bobbed from him/… If Cassio do remain,/ he hath a daily beauty in his life/ that makes me ugly. And Besides, the Moor/ May unfold me to him.” (V.I.13-22) Iago is thinking of killing Roderigo because he might be a threat…
Bastards, scorn sisters, vengeful family members and numerous amounts of deaths, what a tragedy. Shakespeare’s play “King Lear” allows the audience to watch as two families are torn apart by greed for the same reason, power. Among the themes developed through animal imagery, the most notable ones would be those of Madness, Family and Nothingness. In the well renowned play “King Lear”, animal imagery is used throughout the play to give thorough insight to the themes of Madness, Family and Nothingness.…
Othello also starts to use animal imagery in his speech, he says things such as “...as if there were some monster in his thought”, “exchange me for a goat” and “I’d rather be a toad!” All of these are meant to show that Othello hates the idea of being jealous and his wife sleeping with someone else, this shows us that he still loves Desdemona at this point. This could also be showing us how Othello is becoming more and more like Iago, Iago uses a lot of animal imagery in his disturbed mind, now Othello is starting to use it, showing that Iago’s plan is working and Iago is gaining more power over Othello.…
In the opening scenes, Shakespeare portrays Othello as a noble character. Othello maintains his calm behavior until Iago taunts him with lies. Othello’s language transforms him into a monster due to his jealousy. "Oh, beware, my lord, of jealousy; It is the green eyed monster which doth mock" At first, he simply doubts his wife's loyalty. Othello starts to use the animal imagery that Iago used throughout the play (3.3.407).…
One of the most repeated sins in Othello is wrath which in Iago’s case goes well do to his revenge on Othello. Iago’s wrath goes but it doesn’t justify his actions. Iago doesn’t think thqt Cassio experience in field doesn’t compared to his. Iago doesn’t think Cassio deserves to be lieutenant. Iago expresses the anger he feels towards Othello’s choice for Cassio over himself for lieutenant in his soliloquies, comparing his hatred to “hell-pains”. This is a biblical illusion that can compare Iago to Satan, also known as the accuser and the illustration of the sin wrath. Satan tempts humans to sin or commit evil deeds; Iago does the same by challenging Othello’s faith in Desdemona and later accuses Othello of sleeping with his wife Emilia, without any concrete evidence. Iago is now looking for an excuse to get even with Othello, and instead of an eye for eye it is “wife for wife”. So in retaliation for the wrath he feels, Iago taints Othello’s image of Desdemona’s purity to reflect that of a “strumpet”, to ruin their relationship.…
In many of Shakespeare’s plays he explores the ideas of racial tensions, Othello is an example of one of these plays. Othello’s racial background, although not entirely clear provides a platform for exploring ideas of racial conflict. He’s clearly an outsider to the Venetian society and of African descent, thus he’s is often subjected to racial stereotypes. When Iago first explains to Barbantio that his daughter is married to a Moor he says “…you’ll have your daughter covered with a Barbary horse…” (I.I.125), referring to Othello as an animal, “Barbary” is a region of Africa therefore implying Othello’s homeland. He also tells Brabantio “I am one, sir, that comes to tell you your daughter and the Moor are now making the beast with two backs.” (I.I.129-131), Othello is once again compared to an animal, indicating that since he is of African descent he is not considered to be on the same level of respect as someone who born into the Venetian culture. He’s viewed as uncivilized because he cannot control his passions, these associations serve to perpetuate stereotypes of Africans and others of different ethnic identity. This also portrays Iago’s clever chose of words to alter Barbantio’s emotions, particularly knowing that Barbantio holds a racist viewpoint. A predominant fear during that time period was colored men sexually corrupting the white women of the Venetian society, which would explain why Othello’s relationship with Desdemona is described in…
In the beginning of the play, when Iago talks to Roderigo, he explains that he is jealous to Othello, the Moor, gets a higher position than him. Again in Act 2 scene 1, Iago says “For that I do suspect the lusty Moor hath leap'd into my seat; the thought whereof doth, like a poisonous mineral, gnaw my inwards”(2.1.317-319) to restates that he thinks that Othello takes his position. Shakespeare uses “poisonous mineral”(2.1.319) to show Iago’s strong jealousy to Othello which he cannot get rid of. This foreshadow the evil thing Iago will do to Othello later in the play.…
Due to his skin colour, he is considered to partake in witchcraft causing him to be seen as untrustworthy. Furthermore, Othello is often referenced to be a “savage” or an “animal” even though he is eloquent and displays courteous manners than most of the men in Venice. When Iago tells Brabantio about Othello’s elopement with…
The satanic character of Iago is depicted well though different types or imagery. His sadist intend is depicted through suffocating imagery "I'll pour pestilence into his(Othello's) ear" (II iii 356) says Iago in a soliloquy in as he is outlining his malicious intent and nature. This continues throughout the play with lines such as "The Moor already changes with my poison" (III iii 322) and "Not poppy nor mandragora, | Nor all the drowsy syrups of the world shall medicine thee to that sweet sleep | Which thou did owdest yesterday" (III iii 327-30). His malicious character is likened to a snake through this imagery of poisons like a snake has and then Lodovico calls him a "Viper" (V ii 281) which indicates how Iago's character is that of a snake, and in those times a snake was considered a…