In this, personification is given to the rock, implying that it be capable of "cry out". It gives the figment of your imagination that the rock is conversation to the person and informing them that it is there for the individual to use as "ground" to place on, but not as a guard. The rock says that he is here to help struggle, but not to conceal the person from their fate. Angelou also writes "Yet, today I call you to my riverside, if you will learn fighting no more. Come, wearing clothes in peace and I will …show more content…
chant the songs." (Courtney-Clarke, 2000) With this she exemplifies the river.
The river is saying that it will sing a song, nonviolent song, to help the person forget about conflict, prejudice, etc.
It is saying that it wants to be there to keep them calm and help them through all the hard times that they will be faced with, and that if they just listen to it, they will be guided to peace. "They hear. They all hear the speaking of the tree. Today, the first and last of every tree speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river, is another form of personification used by Angelou. (Hagen, 1996, Williams, 1996) The tree is also talking to the people, asking them to plant themselves beside it. It is saying that it is there to hold the person up, to be used at strength, something to lean against, in order to fight away all the hatred in the world. It is there for the person if they are true to themselves and the world & want to keep
peace.
Maya Angelou s deciding to use personification in her poem "On the Pulse of Morning" portrays the rock, the river, and the tree s suffering with the way people are existing on Earth. She gave them the human personalities such as the capability to speak and sing to convey their approach towards the human race and how they are here to help them. Her selection of this constituent of literature is excellent for getting crossways the consideration and subject of her poem.
References:
Lisandrelli, Elaine Slivinski (1996) Maya Angelou; More Than a Poet. Springfield, NJ: Enslow
Courtney-Clarke, Margaret (2000) Maya Angelou: The Poetry of Living. Foreword by Orah Winfrey. New York: C. Potter
Hagen, Lyman B. (1996) Heart of a Woman, Mind of a Writer, and Soul of a Poet: A Critical Analysis of the Writings of Maya Angelou. Lanham, MD: University Press of America, 1996
Williams, Mary E. (1997) Readings on Maya Angelou. San Diego: CA: Greenhaven Press