True war is exclusive, true war is not read from or watched, true war is only told by those who have faced it dead in the eye. Although experiences like these will never be truly known to the outside world, Tim O’Brien uses juxtaposition, allowing his readers to undergo the next best thing. In the chapter “How to Tell a True War Story,” O’Brien explains his take on what a real war story should look like. In it he uses juxtaposition to emphasize points and reveal the emotions of characters. An example of juxtaposition comes when the platoon encounters a water buffalo in the mountains.…
Though Ernest Hemingway’s “Soldier’s Home” (1925) and Tim O’Brien’s “How to Tell A True War Story” (1987) were written about sixty two years apart and portray different experiences after the war settling back into everyday American society, both works have similar situations, a setting of war, and experiences. In “Soldier’s Home”, Harold Krebs, a nineteen year old soldier, fought in the Belleau Wood, Soissons, the Champagne, St. Mihiel, and in the Argonne battles of World War I, while the soldier in “How to Tell a True War Story” is deployed during the Vietnam War. Both of the stories have protagonists who are both returning veterans. “Soldier’s Home” and “How to Tell a True War Story” have soldiers who have a tough…
In the short story, “How to Tell a True War Story,” the implicit problem that is created about the story by its first line, “this is true,” is that the readers may think the line is sarcasm and not believe the information being said. The readers will question if the story is true or not. Throughout the story the narrator says how many war stories are not true so I do not know what to believe. The author, Tim O’Brien, says that nothing can be believed to be true, which makes the story ironic. He says, “In war you lose your sense of the definite, hence your sense of truth itself, and therefore it’s safe to say that in a true war story nothing much is ever very true” (95). I would think that this story is not true after that being said.…
Tim O’ Brien’s “How to tell a true war story” construes the relationship between the war experiences and the ways of storytelling. O Brien’s story telling as a narrator shows that the storyteller has the power to form his listener’s experiences and opinions. His way of describing situations are unique because his story distorted the reader’s perceptions of beauty and ugliness by making different situation and scenes seem pleasing, even though it contains improbability…
“How to Tell a True War Story” describes the death of Curt Lemon, Rat’s, Bob Kiley’s, best friend, in depth. After the death of Curt, Rat authors a “very personal” (64) letter to Curt’s sister. Despite “pour[ing] his heart out”, Curt’s sister “never writes back” (65) making a new “sin” that is “fresh and original”(76) for Vietnam. Insisting that there is no “point” (78) in war, “How to Tell a True War story” proclaims that war is “never moral” (65). Even “in miniature”, war has “no…
When one thinks of war, the general thought is that it inspires acts of patriotism and heroism. No one really looks deeper into the topic to find that along with patriotism and heroism there are often feelings of shame and loneliness. In The Things They Carried it is clear that most of the soldiers in the war do not come back with a sense of pride or honor. Most come back wishing they had never gone at all. Tim O'Brien reveals that because Vietnam precipitated such traumatic experiences, his storytelling is a great way to cope with his shame and loneliness, emphasizing that the war experience is not one of patriotism and heroism, but one of loneliness and guilt.…
According to O’Brien, “a true war story is never moral” (O’Brien 68). The war stories that have morals are often fabrications of the truth. The mark of a true war story is the difficulty in telling the difference between what happened and what seems like it happened. The details of a story can be vague, something that cannot be understood, and can still be considered a true war story. Believably of a war story must also be taken into account when discussing its credibility. Some scenarios, O’Brien says, are too far-fetched to be considered true, and yet those are the stories are the ones that could not be further from the truth. The author’s stance on this subject is that, “in many cases a true war story cannot be believed. If you believe it, be skeptical.”(O’Brien 71). A war story that is mundane is often times the ones that have falsities in them. As seen by Mitchell Sanders, it is his drive to make the other soldiers believe his story that makes it believable. O’Brien gives an outline of how to tell a proper war story in this chapter, so that the common pitfalls in storytelling can be subverted. He condones the seemingly useless nature of stories by saying that, “a true war story is never moral.”(O’Brien 68). It is less about the quality of the story and more about its accuracy of what seems like it happened, that separates a true war story from one that is…
I am sitting by the fireplace and just thinking about life in general when memories from elementary school come flooding back. I am writing this letter to you, because I feel very guilty when thoughts of your son cross my mind. To this day I wish I knew better and stood up for your son when I needed to, because I could have saved an innocent life. Not trying to make excuses, but when I was in elementary school I knew nothing better, except the fact that, you go with the flow or else you become an outcast. I could still clearly remember the first day Matthew started going to my elementary school, and just because he looked different all of us decided he did not belong. He would come to the kids and ask them in such a nice and polite way if they wanted to play with him, and in response kids would say something nasty, no elementary kid should ever say. I remember boys throwing rocks at him during recess, and a bunch of girls standing by and laughing. Yes, I also did stand by and watched, but I never encouraged the boys on or laughed, because I was thought better by my parents. My parents tell me all the time no matter how the person you come in contact with acts, you show your best side to them, because at the end of the day were all the same and no one person is better than another. One day in particular, I remember Matthew needed to go to the bathroom during recess, and the immature boys decided to take advantage of this situation. They ran to the bathroom, and blocked him from going in. He begged so much, I can still hear his voice so clearly in my head to let him go. Not being able to hold it in any longer he did it his pants, and the situation became even worse. There…
In How to Tell A True War Story Tim O’Brien goes on about all the indications of what a true war story is. “Its difficult to separate what happened from what seemed to happen.” When Lemon got blown up it seemed that he was lifted up by the sunlight and was carried up into the trees full of moss and white blossoms. In reality he had just gotten blown up all over the trees.…
In the essay, “How to Tell a True War Story,” Tim O’Brien tells several stories of war to illustrate to his readers the criteria for truth in storytelling. O’Brien offers his readers a guide to telling and determining war stories that are true, for the author, true does not necessarily mean actual or real. Instead, O’Brien tells us what a true war story is, but his requirements are not always clear precise—a true war story “never seems to end,” (O’Brien 273) “embarrasses you,” (270) “are contradictory,” (275) and have an “uncompromising allegiance to obscenity and evil” (270)—they are defined and given context by the author through the telling of his own accounts. The essayist Jon Krakauer offers up his own version of a war story, of sorts, in his telling of the story of Chris McCandless, a young man not participating in a war of nations, or a conflict with others; he, in his own words, was involved in “the climactic battle to kill the false being within and victoriously conclude the spiritual pilgrimage” (Krakauer 207). The battlefield for McCandless was not a booby-trapped jungle, saturated with enemies and soldiers for the opposition; no, McCandless’s battlefield was the Alaskan frontier. Like a soldier going to war, McCandless knew that where he was going was dangerous. Krakauer remarks that “he was fully aware when he entered the bush that he had given himself aperilously (emphasis added) slim margin for error. He knew precisely what was at stake” (Krakauer 219). One can draw many parallels between the essays, or war stories, of Krakauer and O’Brien; they are both provocative, and both use descriptive language and paint vivid pictures in the minds of their reader, they both write of young men in the midst of a conflict—emotional or physical—but the stories differ as well. O’Brien presents his ideas of what makes a true war story; based on these ideas, we can determine that the war story told by Krakauer is not a true war story because it is committed to…
Many authors have written war stories and about the effects of war on a person. Two of these writers are Tim O'Brian and Ernest Hemingway. O'Brian wrote "How to Tell a True War Story"; and Hemingway wrote a short story called "Soldier's Home". Both of these stories illustrate to the reader just what war can do to an average person and what, during war, made the person change. The stories are alike in many respects due to the fact that both authors served time in the army; O'Brian in the Vietnam War and Hemingway in WWI. However, the stories do have differences due to the slightly different themes and also the different writing techniques of the authors.…
Have you ever been through a traumatic experience? How did you explain your feelings during it? Did you want the other person to feel the same way you did? A few years ago, a drunk driver ran a red light and crashed into my vehicle. Surviving the accident with no marks, bruises, or scrapes, I had no visible proof of what I had been through. But mentally, I was hysterical, frantic, and upset. My family did not understand my reason for being distraught since I had not sustained any injuries. Wanting them to understand what I had gone through and how I felt, I exaggerated and gave extra details in an attempt to prove that my experience was detrimental and distressing. Tim O’Brien, the author of the short story How to Tell a True War Story, used symbolism and polysyndeton to convey that people often exaggerate after experiencing something profound, emotional, or traumatic in order to communicate unthinkable sensations and feelings.…
O’Brien plays with the idea of truth, his story may not have actually happened in real life but the raw emotion and ideas are still there. O’Brien prefaces this story by saying that it is true. In the chapter “How to Tell a True War Story” O’Brien claims that a true war story is not moral and tells us that we should never believe a story that seems moral.…
O’Brien tells his story when he was in the Vietnam War though books that he has written. For example in “The Things They Carried” there is a character named Tim. One of the interviews from Library of Congress Tim O’Brien states that “he goes back and forth about Vietnam and also about his first girlfriend.” He was in 4th grade when he was in love and that using his girlfriend as an example that Vietnam was not that easy like losing his girlfriend at nine years old. In the story Bob Kiley was known as Rat. O’ Brien points out that Rat that had a good friend with him in the Vietnam War. They both were good soldiers and when Lemon would volunteer Rat would volunteer as well. He lets people know that his friend and he were goofing around like always. Lemon showed Rat that the war can be fun but also very serious. There will be times to goof around and there will be times to be services during the war. He tells people that when they were goofing around they felt like kids again. Lemon and Rat “were giggling and calling each other motherfucker”. They would go a nature hike in the woods and started messing around. They heard a noise and next thing a bomb killed his friend. Rat had taken his friend back with the other soldiers. Hs friend named was Curt Lemon. He told Sander and the other soldiers what happen to Lemon.…
In the story “How to Tell a True War Story”, O'brien helps to define exactly what a true war story is. He states that a true war story does not have moral, instruct, encourage virtue,…