Therefore, it is true that the past can be seen most fully by studying
Therefore, it is true that the past can be seen most fully by studying
Cited: Byers, Michael. “Monuments to Our Better Nature.” 75 Readings: An Anthology. Eds. Santi V. Buscemi and Charlotte Smith. New York; McCraw-Hill, 2010. 58-62. Print.…
In the article Rock Shelter Painting by American Indian likely circa 1000-1600 the author Morgan Simmons informs the reader of the discovery of an ancient Native American cave painting in Tennessee. Throughout, Simmons utilises ethos and pathos to illustrate her understanding and credibility on the subject. By conferring with a cave specialist, an anthropology professor at the University of Tennessee, and by examining the beliefs and traditions of Native American tribes found in the Cumberland Plateau, Morgan Simmons creates an in-depth understanding of the importance of Native American cave paintings. To being with, the author emphasises the titles and professions of individuals included in the article. An example of this includes Cory Holliday,…
He appeals to the shared experiences of the veteran audience by recalling, “We stared with a kind of reverence at the horizon, as thunderheads and dancing rains moved with us. We held our little plastic cars against the glass and pretended that they, too, were racing toward some unknown destination. We considered the past and dreamed of the future, and watched it all go by in the blink of an eye.” (67-74) Louv joins in this time of reverie in order to mourn for one last time a romanticized age - an age when man and nature were locked in inseparable unity - that had long since died, drowned in an unforgiving sea of luxury cars and backseat television monitors. This recollection of memories gone past conveys a wistful and mournful tone that signals to the audience that the short halcyon days of man, side by side with nature, have retreated to the annals of history forever. Louv’s nostalgic recollections of the past mourn the passing of an age where people did not wish to sever the ties between them and nature.…
Charred wood from this feature was radiocarbon dated to sometime between 2010 B.C. and 1850 B.C. (more on this below). It had also been suggested that there may be a house foundation somewhere on the site which would more than likely date to the historic past (Wiegand, personal communication, 2002), and about 75 artifacts from the late 18th and 19th centuries, such as nails, redware, saltglazed stoneware, whiteware, and glass, most of which were found in the top 20 cm of soil, may support the idea that there was definitely such a structure on the site. But these analyses are not included in this report; we are more interested in what happened…
Having grown up in Chandler Oklahoma I assumed that I knew all about small towns. How they operated, what the people were like, how quickly news spreads and so on; however, Siloam Springs has pleasantly surprised me. Rather than feeling uncomfortably small and suffocating like I was expecting, I have found that over all it is very cozy. When I am immersed in the general environment I am reminded of a warm bath or the feeling I get when I come home after a long trip, an essence of contentment and relaxation. At first glance, the buildings are timeworn and tattered from use but it is apparent that they are still well cared for. They make a fascinating subject or framework for photography, and I had quite a bit of fun exploring the area nestled…
When reflecting on the past image of his generation's childhood, Louv aspires to truly slow his readers down and to fully grab their attention. "We were fascinated with roadkill, and we counted cows and horses and coyotes and shaving-cream signs, " he recalls. Louv deliberately establishes these images in his readers' heads, in a succession-like manner. To his audience, these pictures pass through the mind as he lists them simultaneously, almost as if we are driving by this sequence of events, while looking out the window of a car. By doing this, Louv hopes to define and give life to specific instances of the respect for nature that we once had. By focusing on memories, he shows us the current state of our nation: we have forsaken the natural world as a source of subtle but long-lasting inspiration for, electric stimulation of our…
Without the pyramid-like shape and strong diagonal line, the photo may have ended up covered in dust just as Lowery’s. So how exactly did Lowery’s picture stack up against Rosenthal’s perfect snapshot? Why is his not as actively discussed as the later of the two? Does collective memory play in a role in the reasoning behind these two questions? Many have made the argument that yes, collective memory – a powerful term in itself – does play a role. As the photo has appeared in many formats, so has the story associated with the…
In Alice Walker’s “Everyday Use”, Walker dramatizes the “use and misuse of the concept of heritage”. (Christian). The three main characters each have their own meaning of what heritage means to them. Some individuals embrace and build upon their heritage. However, others may choose to preserve it and move in a different direction.…
Many of Rosalie Gascoigne’s artworks are centred on her surroundings and the experiences and emotions associated with them. She often uses materials (eg. Drink crates, road signs, wood, iron) that have been worn down naturally by the environment, to emphasise the age of the particular site which the artwork is representing, thus showing the vast amount of memories and experiences occurring there. This is also used to illustrate the effects of time and the process of change.…
eyes. In the 19th and early 20th centuries, archaeologists and other prehistorians understood these images to be fertility objects or pornographic toys. But over…
Spring flowers Fall leaves. Crunch of gravel under feet Printed paper towels. a random baby in the store that smiles at you the outfit that makes you feel invincible. Hearing your favorite song on the radio…
The need for their conservation begins with the romantic tradition of enthusiasm for ruins which also create a sense of stability and anchor for people to the place and its past. The writer puts the argument that 'everything, every-event and every-person is historic' and the idea of preserving all of it is life-denying in itself. Depending upon the formation of personal connection between the environment and individual/ collective self, the aim and the manner of conservation changes. There should be plural attitude towards the environmental remains for where it is scientific study, recording and archiving are permitted, where education- play acting and communication, where enhancement of self-value and sense of Flow of time- creation of temporal collage, creative demolition and addition & where personal connection -there selective and impermanent making & retaining of imprints on the environment should be the way…
We as humans usually have the need to gather and preserve knowledge. Remarkable events in the civilization of mankind are known to us in contemporary times through the records, written or visual, that were left by people from past times. Such instances prompt the need to preserve historical collections in a specified location and time period. Sources of natural history are held with importance by enthusiasts as well as scholars because they shed light on questions posed in modern times. It is here that terminologies like Cabinets of Curiosities become significant due to the activity of preserving historical significance in large rooms built specifically for this purpose.…
In this article, I felt that the writer uses imagery to show the difference between the environments after much abuse by the humans that inhabit it. It describes the life that the environment would have prior to the neglect and also describes the effect of years of abuse. It describes the surroundings as “…prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color…” It included the countless birds and how people once traveled to have a chance to see them and also to fish the streams.…
While a vacation back to your childhood home may not be feasible or desirable for everyone, for those who can, visiting ancestral homes and landmarks is an unparalleled way to give younger generations of your family a sense of history, and to recapture that sense for yourself. Such a visit could help tremendously when you tell your story for future generations. With the facilities for photography, film, and audio recording more accessible than ever before, you can capture your past while walking through the rooms where you slept as a child, or through the hallways of the schools you attended…