The Baroque was a strong time of great art. The lighting and drama worked well with the style from the Renaissance period. Most of the influence came from the bible and religious background.…
Impressionism is a historical art period that took place during the late 19th century in France. Paintings from this period were usually of everyday outdoor scenes. The artists of this period wanted to develop their own technique where what was painted was not the actual focus of the art, but light itself was considered to be the focus. (Janaro & C, 2009) Paintings from this period were done in quick movements and with vibrant and light colors. Impressionist also used thick strokes of paint and left brush strokes adding a new dimension to the art. The first artists recognized as Impressionist include Claude Monet, Edouard Manet, and Paul Cezanne. (Impressionism, 2000)…
Our first period and style of art we will look at will be Realism. Realism art is generally defined as attempting to represent a subject in a very straight forward and truthful matter. Artist work to avoid artificially rendering an object, misrepresenting elements, or provide implausible circumstances. Realism was a movement that began in France in the 1850’s as a form of art to reject the Romanticism movement. (Wikipedia) Realism prided itself in portraying the truth, whether ugly or sordid, and paint a picture of daily life and its struggles. The tough living conditions and lives of the masses really contributed to the movement in Realism as many individuals could not relate to the Romanticism period and art styles.…
The Baroque period of the 17th century had both incorporated and rejected the ideals of the antecedent High Renaissance art. Like High Renaissance art, Baroque art focused on making idealized and natural artwork. However, Baroque art introduced a way of involving the viewer into the artwork that was new and differed from High Renaissance art, which instead kept the viewer at a distance. The composition and diagonal movement in the space are two of the features of Baroque Art that originated intense emotional responses in the viewers. These features are reflected in Bernini’s David and they contrast Michelangelo’s David. While the realism and dynamism of Bernini’s David make it a typical Baroque work, Michelangelo’s David high idealization and more static and solid pose make it a typical work of High Renaissance art.…
The Dadaism art movement is part of history now. The movement began in Zurich and New York around the time of the First World War. ("Dada," n.d.) Dadaism was aimed at the artists who felt art created spiritual values. There was a focus on the failure of this by the endless days of war, the art of previous era’s had done nothing to create spiritual values in the followers mind. Dada was a protest against what they felt was the root cause of war. Dada was an “anti-art” according to Hans Richter, one of the founders of this movement. Dada was used to offend people; it ignored aesthetics and was generally preposterous in form. Many of the art displays were made of different mediums such as urinals, garbage, bus tickets, even snow shovels. One of the more known pieces from the Dadaism period is from Marcel Duchamp “Fountain” in 1917 it was simply a urinal. This shows us that with Dadaism they were able to create art even from objects that would normally not be considered art.…
Originating in Italy in the 17th and 18th century, Baroque art quickly spread to Europe, North America and South America. Baroque art showed mingled emotion with high volumes and large structures. One of the largest influences was religion, which also helped with the success of this type of artwork. (Cannon, 2002) Supported by the Catholic Church during a time when Protestantism was growing, and gave a dramatic flair to the Catholic faith when represented in art. Many of the Baroque subjects were representative of Biblical characters and stories. Rich color pallets coupled with the exaggeration of light and shadows allowed the artists to show movement in their works. This movement was often focused upward toward the Heaven. This is demonstrated in the painting by Peter Paul Rubens, “The Elevation of the Cross” (Web Gallery, n.d.). The baroque techniques, a biblical subject, deep rich colors and light and shadows create a very dramatic effect. During this time the new science of astronomy was beginning to evolve. Astronomy became a large topic of conversation among the artists and many of their works show how this influenced them.…
In this life, there are many forms of art or art “movements” to speak of. How we interpret art is a very subjective thing. What a person sees and feels when looking at art greatly depends on their upbringing, their values, and even their mood at the time of viewing. Could something dark and lacking color be art? What about a comic strip in the newspaper or the billboard down the street? Again, interpretation and taste in art is individual. I elected to explore into the two art movements I like the least to potentially better understand them, and to potentially link them together.…
Baroque architecture is the building style of the Baroque era, begun in late 16th-century Italy, and lasting in some regions, notably Germany and colonial South America, until the 18th century. It had its origins in the Counter Reformation, when the Catholic Church launched an overtly emotional and sensory appeal to the faithful through art and architecture. Complex architectural plan shapes, often based on the oval, and the dynamic opposition and interpenetration of spaces were favored to heighten the feeling of motion and sensuality. Other characteristic qualities include grandeur, drama and contrast (especially in lighting), curvaceousness, and an often dizzying array of rich surface treatments, twisting elements, and glided statuary.…
Roughly around the 1600s to 1750s, the Baroque period came to life bringing heightened nature, and more personal and emotional expression to art. It originated in Italy and spread out like a plaque throughout Europe, the Americas, and Spain. Everything from art to literature and even music was more theatrical and was given more emotions. Catholicism was generally being reflected off of the Baroque arts. Dramatic religious paintings were being made…
Known as “the two greatest and most influential periods of Italian art…”, the Renaissance and the Baroque periods were ones that relied heavily on the Classical art style, along with its ideals (Mules, n.d.). It affected art all the way through the 1700s, up until a new wave of artists decided to get brave and try new things.…
But the most important event in my opinion was the newly created baroque style is because by looking at the pictures you can see technical brilliance. All paintings, sculptures, and architectures seems too harmonically joint together but what’s most interesting is this new three-dimensional effect never seen before which makes the paintings look both real and illusionary with remarkable visual effects. Baroque art seems to engage the viewer, both physically and emotionally by creating a highly developed naturalistic illusion’s. For example paintings and sculptures are added a dramatic lighting effects which creates a unique sense of almost theatricality effect just by looking at their movement of their…
The Baroque was an era of great changes in religion, politics, science, and economics. The Baroque Era began with the Counter-Reformation and ended with two types of revolutions, political and industrial, that changed the world. The baroque was also a period of scientific innovation led by the discoveries of Descartes and Galileo. Science was no longer based on Greek ideals or religious dogma, but on reason and empirical laws.…
Baroque music highlighted the use of rhythm and melody. Baroque music was written for listening pleasure and the glory of God. It was sacred with universal appeal. The interest was growing in secular music. Opera was a major artistic innovation of the 17th century. It was a play that was sung, not spoken. It had an audience of aristocrats and middle classmen. There was also a new focus on instrumental music and instrumental accompaniment to voices. There was also new emphasis put on chords and the use of BASSO CONTINUO.…
The baroque period was by far the most interesting to me, in particular was Giani Bernini’s. Bernini’s style created dynamic compositions and his sculptures were meant to be viewed from all directions drawing the viewer in and making them a part of the scene. In his sculpture Apollo and Daphne, we are captured by the action and the emotion displayed in his subjects, he paid a great deal of attention to texture, from the luxurious curling locks of Daphne’s hair, or meticulously veined leaves, or the roughness of tree bark, or the supple softness of skin. think his combination of sculptures, architecture and painting created a new idea of what art work could encompass.…
For starters, many French artists drew inspiration by traveling to Italy for work and looking at the styles of their art. French art was an expression of absolute rule since many art pieces were of government officials showing power. The French baroque period is very similar to the High Renaissance in Italy with qualities of balance and limits on form and subject matter. The composition in figure 21.7 of the Landscape with St, John on Patmos by Nicolas Poussin suggest the physical rational arrangement of a spiritual, eternal, ideal world which is a concept of Baroque Classicism but this art has a more mythological landscape blend of this feature. A difference in the both styles are that the French did preliminary drawings like figure 21.6 with wash while Italian did more on the spot from nature for example still-life with models. In architecture we too can see an influence in figure 21.11of the East front of the Louvre, Paris with the use of paired columns along the sides like seen in Rome, Italy. In architecture as well we see a similarities in interior’s with large mirror making, starting in Venice then later brought to France as seen in sample 21.14 of the Galerie des Glaces in the Palace of Versailles. The interior in the French Classicism time are more extravagant as single strong pieces where as Italian interiors are taken as beautiful pieces as well but taken as a…