By Alfred James A. Ellar
Graduate Student, Department Of Philosophy De La Salle University – Manila April 2011
ABSTRACT
Michel Foucault’s History of Sexuality Vol. 1 provides a contemporary feminist analysis of Japanese women and anime in terms of the relationship of identity with fundamental feminists’ themes such as sexuality, power and resistance. As such, I will argue that there is indeed a transformation of identity through anime and cyberspace which can be viewed as a social apparatus to produce and reproduce identity of women in cyberspace; that female sexuality is a power depicted in mostly of Japanese anime is a form of recuperation of identity status Japanese women; and that cyberspace as capitalist-oriented technology is domain for the proliferation of virtual violence. Consequently, from the above arguments, I resolve the issue of identity production and reproduction by concluding that anime exhibits: (1) female sexuality is a social in cyberspace; (2) androgyny is illustrated in the production and reproduction of identity as power relations in anime; (3) cyberspace is a domain of power and resistance; and (4) violence is a form of is misalignment of sexuality, power, and resistance.
Keywords: Michel Foucault, Japanese Anime, Identity, Sexuality, Power, Resistance, Social Apparatus, Cyberspace
INTRODUCTION Japanese Anime, especially films and videos, has been a dominant social interest in cyber media for nearly a decade. The term Anime is popularly associated with a typical Japanese animation featuring different characters with unusual powers and identities in different themes – adventure, action, romance, sexy, erotic, and even violent. Common settings of anime themes vary from market, street, park, school, home, neighborhood, outer space, and still some are highly fictitious out-of-this-world 1
locations. In all these themes, female characters
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