Jones and Mclune
A Summary of “Hip-Hop’s Betrayal of Black Women” “Baby Mommas, Chicken Heads, or Bitches,” (McLune 214) are some of the most misogynistic words found in Hip-Hop today. Jennifer McLune, a librarian, activist, and writer - living in Washington. D.C. - is taking a stance against the misogyny. “Hip-Hop’s Betrayal of Black Women” by Jennifer McLune is a response article to Kevin Powell’s article, “Notes of a Hip Hop Head.”
In his article, Powell poses poverty as the explanation for the sexism found in hip-hop today. McLune believes that, Powell’s explanations of hip hop are one way to silence those that are critiquing it. McLune begins to explain that Kevin’s argument, “completely ignores the fact that women, too, are raised in this environment of poverty and violence, but have yet to produce the same negative and hateful representation of black men” (McLune 214).
McLune believes that Artists and role models should take more responsibility with their music and what they represent. McLune argues that a lot of conscious artists, such as Common, are too eager to gain acceptance by popular mainstream artists. Thus, causing them to forsake their morals and commend mainstream artists for their accomplishments.
Mclune goes on to say that artists should embody respect between genders through their music. She argues that Black female rappers are just as much to blame as their male peers. She encourages women to speak in a collective voice, as to defend themselves, instead of being “hyper feminine and hyper sexual to please men.” (McLune 215)
Powell adds that hip-hop has created a way for black people to “win,” by creating something out of absolutely nothing. McLune follows with a rebuttal stating if sexism is the route to mainstream acceptability, and that is what it takes to win, than all black women are the losers.
McLune demands acknowledgement from apologists, acknowledging that black women are in fact black people to. She said, when someone attacks a woman in the
In his article, Powell poses poverty as the explanation for the sexism found in hip-hop today. McLune believes that, Powell’s explanations of hip hop are one way to silence those that are critiquing it. McLune begins to explain that Kevin’s argument, “completely ignores the fact that women, too, are raised in this environment of poverty and violence, but have yet to produce the same negative and hateful representation of black men” (McLune 214).
McLune believes that Artists and role models should take more responsibility with their music and what they represent. McLune argues that a lot of conscious artists, such as Common, are too eager to gain acceptance by popular mainstream artists. Thus, causing them to forsake their morals and commend mainstream artists for their accomplishments.
Mclune goes on to say that artists should embody respect between genders through their music. She argues that Black female rappers are just as much to blame as their male peers. She encourages women to speak in a collective voice, as to defend themselves, instead of being “hyper feminine and hyper sexual to please men.” (McLune 215)
Powell adds that hip-hop has created a way for black people to “win,” by creating something out of absolutely nothing. McLune follows with a rebuttal stating if sexism is the route to mainstream acceptability, and that is what it takes to win, than all black women are the losers.
McLune demands acknowledgement from apologists, acknowledging that black women are in fact black people to. She said, when someone attacks a woman in the
Cited: Jones, Gerard. “Violent Media is Good for Kids.” Perspectives on Contemporary Issues: Readings Across the Disciplines. Ed. Katherine Anne Ackley. 6th ed. Boston: Wadsworth, Cengage Learning, 2009. 230-233. Print. Males, Mike. “Stop Blaming Kids and TV.” Perspectives on Contemporary Issues: Readings Across the Disciplines. Ed. Katherine Anne Ackley. 6th ed. Boston: Wadsworth, Cengage Learning, 2009. 00-00. Print.