Jing-mei (June) Woo, the character, is a symbol herself of Westernization of Chinese-Americans. Once she travels to China to visit her deceased mother, she realizes what Chinese culture is all about and what she has been culturally unaware of all this time. Jing-mei and the other daughters always identified themselves as Americans, but often doubted whether or not they should be speaking the Chinese language to keep their cultural identity alive within themselves. Additionally, Jing-mei is representative of Chinese and American comparisons in culture. The mothers in this novel maintained high expectations of their daughters, emphasizing filial obedience and giving constructive criticism all the time. These experiences clashed with American virtues of free speech and free will. After her visit to China, Jing-mei resolves the missing cultural values of herself and the Joy Luck Club and
Jing-mei (June) Woo, the character, is a symbol herself of Westernization of Chinese-Americans. Once she travels to China to visit her deceased mother, she realizes what Chinese culture is all about and what she has been culturally unaware of all this time. Jing-mei and the other daughters always identified themselves as Americans, but often doubted whether or not they should be speaking the Chinese language to keep their cultural identity alive within themselves. Additionally, Jing-mei is representative of Chinese and American comparisons in culture. The mothers in this novel maintained high expectations of their daughters, emphasizing filial obedience and giving constructive criticism all the time. These experiences clashed with American virtues of free speech and free will. After her visit to China, Jing-mei resolves the missing cultural values of herself and the Joy Luck Club and