Shakespeare uses various methods to make the “taming” of Kate comical. For example, when Petruchio and Kate first meet in Act 2, Petruchio toys with Kate by doing the complete opposite of what she wants and says. For instance, when Petruchio calls her “Kate”, she replies with “They call me Katherine that do talk of me” (2.1.180) After Kate has stated that she does not wish to be referred to as “Kate”, Petruchio continues to disobey by calling her “Kate” a further 10 times. A modern audience may find this scene amusing as Kate has not been physically hurt, but teased and mocked which is common within modern comedies.…
Petruchio never does anything like what Patrick does. Patrick has to impress her in order to date her petruchio doesn’t have to do anything for Kate, he just has to impress her father for permission which proves to be easy giving him no chance to see the beauty in her. Pertuchio tames Kate so she will do what he says and be more what he wants her to be. Patrick never tames kate if at all only in order for her to love him but either way he over all falls in love with who she really is and always has…
At the beginning of the story she is the very definition of a shrew, a woman of violent temper and speech; termagant, (from dictionary.com). This was the case because she was jealous of her sister, who was more beautiful and sought after by suitors than she, this causes her anger. Her father Señor Baptista, would not marry her younger sister, named Bianca, until Katherine was married, but none would marry her. Which continued to cause her more anger, especially at her sister and father for the situation constantly reminds her of her lack of self worth.…
Meanwhile, as the story progresses, Kate continues to grow as a wife, who is wholly committed to learning about completely satisfying her macho man, and continuing to uncover what secrets he holds onto. Her earnest efforts also leads to her…
Kate really does change. She shows us that she changes at the end of the novel when…
Taming of the Shrew is a romantic comedy written by William Shakespeare in the 1500’s. It takes place in the city of Padua, presumably during the Italian Renaissance. The major conflict of the play is ‘taming’ a hot-headed woman named Katherine and to overcome the rule her father holds on his two daughters where the eldest marries first. The script brings up a lot of attention in the feminist theory. But, Shakespeare’s play reflects on the archetypes of characters, situations, and symbols. These connections are made in the play to make the audience familiar with the text and provide a deeper understanding.…
I can see that in Taming Of The Shrew, petruchio thawts Kate with his powerful traditional marriage sense of the elizabethan times, whereas in Then Things, a more liberal modern production, Kat actually gets the chance to challenge patrick because women actually have rights within this time period. But the outcomes are still different. She does end up loving Patrick and they do genuinely want to be together, but the same cannot be said for Kate and Petruchio. The two clearly don't like each other. Take it all into consideration, at what point do you see Kate lusting or not trying to escape from Petruchio? Never. The theme of masculinity and femininity has such a strong message in today's society, Ten Things is a fantastic representation of our reality now, but for Kate, we can see the truth in what came before our times. Both productions clearly outline the difference now with femininity and…
In 'Taming of the Shrew' a bad wife is portrayed as loud, doesn't do immediately as husband bids, is hostile, and uncooperative. One can say that Katherine's actions are understandable due to her being pushed aside by her father and forced into an unwanted marriage with Petruchio, him as the sole beneficiary of the agreement (or disagreement) due to his bet. The concept of marriage as a whole is treated as a joke in the play. The end of the script concludes with Katherine's long speech informing the two other wives about the joke they are told to act.…
In the beginning of "The Taming of the Shrew", some say Shakespeare portrays Katherina as a very shrewish figure. Others may argue that she is not shrewish but just a very strong willed person. At the end of the play some people say she is transformed into a very kind and gentle person, while again others will argue that she is not "tamed" but just putting on an act to "show up" her younger sister Bianca, whom has always been more beautiful and charming. Kate is "like a wasp, like a foal, like foal that kicks from his halter; pert, quick and determined, but full of good heart." 1. This statement made by one author, shows clearly that he does not see her as shrew-like, even at the beginning of the play. The same author states that at the end of the play she has not really transformed, rather she has just fallen in love with Petruchio, in essence she is free from torment because she is no longer seen as the shrew.…
Imagine a world where women have a very little amount of rights, where women being hired was rare, and where only women cleaned. The only reason our world isn’t like that anymore is because of Betty Friedan, and others like her. Betty Friedan experienced having little rights her whole life, and one day wondered if other women felt the same way she did.…
Her personality at the beginning of the play was mean, snobby, rebellious and rude. These descriptions are seen in Act 2 Scene 1; Kate has multiple snaps back at Petruchio in a flirtatious conversation. Petruchio playfully says “Thou hast hit it. Come sit on me”(pg 89), and Kate answers back “ Asses are made to bear, and so are you”(pg 89). This shows Kate at the beginning of the play and shows her as a very rude, snobby girl. Her personality is quite distinct, and Petruchio picks up on that and he sees an opportunity for change. Petruchio then acts on that vision little by little each day to “Tame the Shrew” as in…
Both Beatrice and Kate are female leads in each of their respective plays, and are written to be intelligent, witty, strong, and outspoken women (Greenblatt 316). In “Taming of the Shrew” and “Much Ado About Nothing”, Kate and Beatrice are categorized by each of the Shakespearean play’s other characters as a “shrew”, “being shrewish”, and “acting in the manner of a shrew”, noting of both of the female characters implied the negative connotation during the time period for women, as an insult, and basically stating that both Kate and Beatrice are unreasonable and ill-tempered woman (Greenblatt 125). Leonato further stresses this concept about Beatrice to his brother Antonio, in “Much Ado About Nothing” on page 330 in the book: The Norton Shakespeare: Based on the Oxford Edition: Essential Plays and Sonnets, during Scene I of Act II, where Leonato states, “By my troth, niece, thou wilt never get thee a husband if thou be so shrewd of thy tongue (2.1.16-17)”…
5. Katerina resents her because of her haughty nature and blames the declination of her more elite invitees on her haughtiness.…
In Act 2, scene 1, Bianca and Katherine enter. However, Bianca’s hands are tied together! “Dear sister, it’s unfair to me—and unfair to yourself—to turn me into a slave. That I won’t stand for”. - (2.1.1-2) “What I want is for you to tell me which of your suitors you like best. And don’t lie.” - (2.1.8-9). Katherine goes on to attack her with questions about suitors and soon strikes Bianca! Quickly afterward, their father, Baptista interrupts and scolds Katherine. “What in the world is going on! (to KATHERINE) Young lady, where do you get the nerve!—(to BIANCA) Get behind me, Bianca.—Poor girl, she’s hysterical!—Go do some sewing. Don’t even talk to her. (to KATHERINE) You monstrous, good-for-nothing fiend! Why would you want to hurt your sister? She never did you any harm! When has she spoken even one cross word to you?” -…
The Taming of the Shrew examines the "natural" order amongst the sexes, as understood by the English of the late sixteenth century. It explores the traditional role of the dutiful daughter and dutiful wife. At a time it was written, Queen Elizabeth proved that a woman could reign strongly and effectively. However, worried that Queen Elizabeth might provide a role model for women, and seeking to assure themselves that some aspects of their lives remained unchanged, men moved decisively to affirm their "rightful" place as master of their home domain. By which Petruchio "tames" Katherine in The Taming of the Shrew were so mild by the Elizabeth standards as to be considered comedic to audiences of the day.…