La Belle Et La Bete Research Paper

Before Germany had taken over France notable influencers had already left the country including Rene Clair, Michele Morgan and Jean Renoir. Surprisingly the production of film was not stopped under German occupation. The Germans understood the importance it had to the economy and were allowed to create films with some freedom. This lean way allowed directors to add discrete messages of anti-Nazism. Some films made in this period are still considered classics including LAssassinat du Pere Noel(1941) and La Main de diable(1943). The years after the war were hard on the industry as electricity was being strictly rationed. By 1946 films were steadily being made once again. The year also saw the release of the influential La Belle et la bete created by Jean Cocteau. The government agreeing to allow more American films to be screened in order to pay off a debt brought the ticket rates for French films down once again.
The pictures were still of high quality with sufficient plot, acting and editing, but there wasn’t an artistic push from most directors. The first critique to note this was Francaise Truffaut, he coined this qualite francaise and spoke of how a director should be the chief artist not merely a manager, the name for such a driving director an auteur. Although there were seemingly few creative and differing pieces did come from this time thanks to some creators. Robert Bresson brought intricate moral themes to his dramas that include Journal dun cure de campange(1951). An interesting film of the era would be Les Yeux sans visage by George Franju as it’s a horror film which as a genre has been