Roman Polanski’s 1965 thriller film, Repulsion, follows the character of Carol Ledoux, a single manicurist living in London with older sister Helen. The film captivates Carol’s transition from a serene woman to a psychotic who falls victim of insanity Her illness causes her to break apart from reality, endure personality changes, and experience hallucination all leading up to the death of two men. Through the arrangement of mise-en-scene, visual elements, the film helps filmmaker’s captive audiences. The specific combination of acting, sound, and lighting in Repulsion work together to construct tension and terrorize audiences.…
Following her childhood, Leni Riefenstahl became a brilliant dancer in the 1920s, during the time of the Weimar Republic. There was a free attmosphere at this time where many oppurtinities were available. Leni used this time wisely and took advantage of the careers she was intereted in. Also, her great, physical body (cult of the body) promoted her dancing career. She was an expressionistic dancer who was open to experimentation and improvisation. However, due to a knee injury during her career, she was unable to continue and left dancing for good.…
Louise Erdrich was a concessioner at the Gilles Theater in Wahpeton, North Dakota at the age of fourteen. At her workplace, she could watch the movie after the completion of her assigned work. She had watched every movie again and again; nothing was good to her except Costa- Gavra’s Z, a French film in 1969 that changed her life, regarded as the best movie in her life. She had changed herself in many ways: She realized that her parents were right about her career, she practiced to be success and engaged in work. She also knew life is more than the stag leap, or the flying T. The phrases “The forces of greed and hatred cannot tolerate us” was stuck in her mind after the third viewing of the movie.…
Her persona, a supporter of Genocide and admirer of the real ‘grit’ and ‘resolve’ it takes, is so filled with these ideals of what defines a superior person and how it synonymises with the act of Genocide, she could almost be Hitlers favourite Aryan child.…
This analysis will examine the following focal points, panopticism, scoptophilic instincts, and visual pleasure. First, the analysis will examine panopticism in relation to embedded “secret politics” within the film, The Day I Became a Woman. Second, the analysis will compare both scoptophilic instinct with visual pleasure.…
Bruce was asked why a choreographer might include human rights themes in his work, particularly as there is a view that the arts should only be concerned with creating beauty. He replied that, for himself, social and political themes emerge naturally as a reflection of his own concerns, although his aim is always firstly to create a piece of dance, rather than to make a statement. Nevertheless, he does not see a conflict between creating interesting movement and tackling difficult issues. He believes that there is much beauty in Ghost Dances and similar works, just as in the First World War poems of Wilfred Owen. Turning to propaganda pieces, such as the work of filmmaker Leni Riefenstahl for the Nazis, he explained that a touchstone is whether there is some underlying truth behind the piece, inspired by a desire to promote civilised behaviour, rather than just an attempt to shape opinion.…
Female accomplices of the Holocaust were put in a peculiar environment. These accomplices embodied the symbol of the female but were voluntarily at sites of extreme violence. This proved to be troublesome for SS officers because they were under the assumption that they needed to protect these women. Instead, these women embraced the violence. One example of this environment was when Vera Wohlauf, a wife of an SS officer, was present at the liquidation of the Miedzyrzec-Podlaski ghetto. Wohlauf enjoyed being at the liquidation and made other officers uneasy because she was pregnant and they wanted to set a boundary between home and violence.…
In her book, “Smoke Over Birkenau”, Liana Millu writes a short story about two sisters, Lotti and Gustine. In this short story, the reader learns that one of the sisters, Lotti, signed herself up to work in the Puffkommando, German for camp brothels. In this paper, I will provide background information the use of brothels in concentration camps, with specific emphasis on the brothel in Auschwitz I, offer details about what women worked in the brothels, and conclude with the consequences of working in the brothel for the women, by offering examples from the text and additional resources.…
Riefenstahl and her staff didn’t uses very professional camera angles , only to improvise with telephoto lenses; though the results are often more dramatically impressive than the up-close-and-personal approach taken by contemporary TV cameramen. Riefenstahl added icing to the cake with a richly evocative powerful soundtrack!…
▪ Mademoiselle Reisz often cautions Edna about what it takes to be an artist—the “courageous soul” and the “strong wings”…
She traveled all over the globe and captured moving pictures that impacted the way people viewed the world. She was the eyes for the American public, and her photographs allowed the viewers to see what was actually happening in this world in which we live in. To this day, the photographs taken by Bourke-White tell a story of the suffering and pain that innocent people were forced to endure. Through her photos, Bourke-White hoped to bring people a new perspective. She takes this photos to communicate to those who weren’t able to see the aftermath of these horrendous tragedies in person. They allow her with the opportunity to see the impact that war and violent occurrences have on humans. While documenting Buchenwald, Margaret Bourke-White said “Difficult as theses things may be to report or to photograph, it is something we war correspondents must do, We are in a privileged and sometimes unhappy position. We see a great deal of the world. Our obligation is to pass it on to others” (White, Margaret. Portrait of Myself). Bourke-White knew what her purpose was a photographer. She had the skill to communicate a message through a camera lens and use photography as both an art and a social commentary. In Margaret Bourke-White’s photographs, she discovers the desolation this world can have by capturing moving moments to provide social commentary on World War…
Cabaret, directed by Bob Fosse, reveals a variety of stories to present the central theme of power. Through the employment of characters Maximilian Von Heune, Fritz Wendel, Natalia Landauer and The Emcee, Fosse establishes their distinct positions among society. The power of money is actively explored through Max’s role, while the influence of the Nazi party becomes progressively evident as the story of Fritz and Natalia is revealed. Equally, the Emcee’s omniscient role is employed to contrast fantasy and reality.…
Oskar Schindler’s legacy of saving over a thousand Jews during the Holocaust still remains today as one of the most discussed topics around the world. Why did he do it? Why did he spend his entire fortune trying to keep them safe? Why did he risk everything he had in order to protect what was really only a handful out of millions of Jews? No one has the answers to these questions, but his actions have earned him the distinguished title of “righteous gentile” by the State of Israel, and several award winning books, movies and documentaries to his name. However, it is arguable that Schindler was nothing more than an opportunistic entrepreneur who cleverly took advantage of the oppressed Jews as an army war profiteer. While others remain certain that this unlikely hero was truly a saviour and virtuous gentile who risked his life to do what no other German man had the courage to do.…
Thesis: Today I will discuss the young and short life of one of the most well known Jewish victims of the Holocaust. Anne Frank was acknowledged for her quality of writing. Her diary is one of the world’s most widely read books and there has been many plays and films written on the basis of her story.…
Hence, this paper has these films examined through the eyes of a spectator, and relates that analogy to Bernal’s own philosophies as an auteur.…