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Comparative study between Blade Runner & Frankenstein
“the fallen angel” and “daemon”
Victor’s attitude is reactionary and domineering as he ostracises the Creature and employs diabolic epithets towards him such as ‘daemon’, completely disregarding the value of responsibility prevalent in Shelley’s era the perpetual darkness enveloping the ambient world echoes the ecological concerns of deforestation and global warming of the 1980s and thereby Blade Runner parallels Frankenstien insofar as both Shelley and Scott admonishes the disregard for nature as a reflection of shifting values toward artificial compromise.
Pathetic fallacy of ‘the dreary glaciers are my refuge’ mimics the Creature’s isolation to convey the inherent role of nature in Shelley’s Romantic context as weather supplements his emotions. gothic conventions of heightened emotions are embodied with the Creature’s exaltation anthropomorphised nature ‘My spirits were elevated by the changing appearance of nature’, which values the sublime’s ability to inspire spiritual renewal. intertextual ‘Immortal Game’ where Roy outplays Tyrell, symbolic of Tyrell’s eventual demise as a ramification for usurping God’s omnipotence. rapid technological progression of the 1980s forward, to represent a society where empathy has been replaced by pervasive commoditization. Scott incorporates the idea of people as commodities suggested by Roy labelled as a ‘prize’ embodies a cautionary message through a foreboding biblical reference to Lucifer, “you seek knowledge…may be a serpent to sting you’ to reinforce the irony of Victor’s prolonged toil of pursuing more knowledge with little benefit. Hence, Victor’s unchecked scientific investigation is depicted as ultimately self-destructive and to that end, Shelley induces us to appreciate the need for moderation by exposing the complications of intellectual extremism.
‘I ought to be thy Adam, but I am rather the fallen angel’ Here, the Creature’s rational lexis is
“the fallen angel” and “daemon”
Victor’s attitude is reactionary and domineering as he ostracises the Creature and employs diabolic epithets towards him such as ‘daemon’, completely disregarding the value of responsibility prevalent in Shelley’s era the perpetual darkness enveloping the ambient world echoes the ecological concerns of deforestation and global warming of the 1980s and thereby Blade Runner parallels Frankenstien insofar as both Shelley and Scott admonishes the disregard for nature as a reflection of shifting values toward artificial compromise.
Pathetic fallacy of ‘the dreary glaciers are my refuge’ mimics the Creature’s isolation to convey the inherent role of nature in Shelley’s Romantic context as weather supplements his emotions. gothic conventions of heightened emotions are embodied with the Creature’s exaltation anthropomorphised nature ‘My spirits were elevated by the changing appearance of nature’, which values the sublime’s ability to inspire spiritual renewal. intertextual ‘Immortal Game’ where Roy outplays Tyrell, symbolic of Tyrell’s eventual demise as a ramification for usurping God’s omnipotence. rapid technological progression of the 1980s forward, to represent a society where empathy has been replaced by pervasive commoditization. Scott incorporates the idea of people as commodities suggested by Roy labelled as a ‘prize’ embodies a cautionary message through a foreboding biblical reference to Lucifer, “you seek knowledge…may be a serpent to sting you’ to reinforce the irony of Victor’s prolonged toil of pursuing more knowledge with little benefit. Hence, Victor’s unchecked scientific investigation is depicted as ultimately self-destructive and to that end, Shelley induces us to appreciate the need for moderation by exposing the complications of intellectual extremism.
‘I ought to be thy Adam, but I am rather the fallen angel’ Here, the Creature’s rational lexis is