Cited: Johnson, Marilynn A. Louis Comfort Tiffany: Artist for the Ages. London: Scala, 2005. 8-46.
Cited: Johnson, Marilynn A. Louis Comfort Tiffany: Artist for the Ages. London: Scala, 2005. 8-46.
Frank Lloyd Wright (1867-1959) is a renowned American architect, interior designer, writer, and educator credited with the completion of more than 532 amazingly designed buildings. Wright a devoted naturalist felt man-made structures should coexist with humanity. For instance, his organic approach to architecture implemented many beautiful characteristics of nature such as water, stone, and wood into his designs of, schools, churches, museums, hotels and office buildings.…
My dining room has white walls, a wood table that is a lighter shade, and white cabinets that hold little detailed plates. The room needed a pop of color, and the painting by Pamela was the perfect fit. The painting isn’t distracting, so it doesn’t take over the room in any way. I love how simple it is! The viewer can see the painting in many different ways because it is not that…
The title of Ada Louise Huxtable’s book is not the only thing that alludes to Louis Sullivan’s article in 1896, “The Tall Office Building Artistically Considered.” Sullivan’s article is concerned with how “form follows function”. However, the overarching question within Sullivan’s article asks: What type of decoration or façade should these steel skeleton multi-storied office towers be wrapped in? Huxtable believes that this very question is one that needs repeating. Huxtable not only gives us a look back, but also offers her expectations for the future in the answering of this very question.…
Jean Rosenthal is considered to be one of the pioneers of theatrical lighting design. She not only mastered the technical side of lighting, but the poetic aspect as well. She did this by using light’s form, color, and movement to express the intention of a piece. She was inspired by the paintings of Rembrandt and Monet. One of Jean’s major contributions was her elimination of shadows. She did this by using floods of upstage lighting and controlling angles and mass illumination to create contrasts without shadows.…
Kerry Phelan is continuing to influence 21st century style in a significant way. While she designs beautiful, creative and venerated spaces, it’s the considered planning and rigorous detail are necessary in a Kerry Phelan design to ensure the design will stay relevant and well-loved for longer than a standard fit out. It is now her mission to create design with much more than the average five to six years of wear and to alert us all about the waste in…
Kahn’s buildings, such as the Yale Art Gallery, expressively impacted those confronted them due to his design and wisdom of space and light which worked through the building, similar to Richards medical labs as he combined visual captivating spaces that differed under the renewing light during different intervals of the day. The implication of his works abled Kahn to explore the notions he had about renovating the concept of modern architecture that to him required the ‘monumental and spiritual’ essences of prehistoric buildings. From the ideas discussed above, about his works and in relation to his Medical Labs in Philadelphia to modernism as a whole, it is evident that Kahn was successful in his hopes of reinventing…
In the age of decadence and authenticity, William Morris stood out from the artists and designers of the time by creating works based upon good quality raw materials, hand processing and natural dyes. The walls of most Victorian homes, with few exceptions, were deeply colored, profusely patterned, draped with printed cloth, or heavily hung with pictures. Especially in the rising middle classes, to whom the industrial revolution had made available all means and variety of object and tool up until then enjoyed only by the wealthy (In cheaper, machine made versions). There was a taste for mass and detail and a passion to display. Plain white walls were especially unpopular. (Mccolgan 142) [See figures 2,3]. During the Gilded Age, William Morris’s style could be described as the opposite of decadence. His vision was to link art to industry by implementing aspects of fine art into his production of commercial design. Morris’s belief was that any designer should have a working knowledge of any media they were using,…
The dull, blank wall behind the woman draws your eye to the more colorful woman and her work, not distracting you in the least. Even though her dress is bright in contrast to the blue of the fabric and cushion near her, it is still dull in comparison to brighter works of the time. There are some brighter colors in the work, such as the red thread on the cushion and the woman's dress. However, they fit well with the other colors in the work, not contrasting too greatly, thus not drawing too much attention to themselves. This creates a lack of vibrancy, energy or movement in the…
The purpose of this Essay is to discuss an example of design from the late 1800s, I will relate it to the social, economic, technical and cultural context of that time. . I intend on delivering details of the artist and his life experiences as well as his style and possible interests. I will also evaluate the subject with my own opinion, likes and dislikes, with comparisons of work and artists from within that period up to the present date…
As a registered nurse, I have been tasked with providing care to patients suffering from various medical conditions, but now I am ready to provide a different type of care in the form of beauty and art. Despite finding my current profession immensely gratifying, I always knew my true passion was in interior designing and decorating; hence why I have made the ambitious decision to go back to school for a new career in interior design. I have always enjoyed working with colors, patterns, and personalizing my home with DIY projects, such as remodeling a storage room into a guest bedroom and tearing down a wall to create a larger living room. I find myself constantly glued to home improvement shows and going through home magazines to find new ways of decorating,…
Both Lydia Mendoza and Selena Quintanilla Perez are well known as “the queen of Tejano”. In a music heavily dominated by man, Lydia Mendoza was the first star of recorded Tejano and Norteno music. According to Lydia Mendoza: the first lady of Tejano, the author explained thanks to her 12-string guitar and her clear, heartfelt voice which made her become a sensation throughout Latin America in the 1940s and 1950s. She is representation of the early recording industry researched pockets of regional music across the United States to record traditional musicians and market music to diverse audiences, thus she played many genres from blues to polka, hillbilly to klezmer. Lydia Mendoza’s voice is beauty, repertoire, and virtuosity that made her an important artist who fluidly combined popular and traditional culture. She reached a large audience of devoted fans over several decades. Lydia recorded “Mal Hombre” for Bluebird Records in San Antonio and earned sixty dollars for the song. This event marked the first Tejano music track ever recorded making by Lydia Mendoza for the first Tejano music recording artist. Her song became a hit with the people along the Texas-Mexico border. "Lydia Mendoza is a true American pioneer," Clinton said, "and she paved the way for a whole new generation of Latino performers who today are making all Americans sing." Moreover, in the article “Quintanilla Perez, Selena”, the author says that Selena inspired a generation of Chicanas to rebel against the confines of their families’. She had energetic and stunning while she was on stage. Her song make people singing and dancing along with her. By the late 1980s Selena was known as "la Reina de la Onda Tejana" ("the Queen of Tejano music") and "una mujer del pueblo." Her popularity soared with annual awards from the Tejano Music Awards for Female Entertainer of the Year in 1987, and eight other Tejano awards followed. Also, he signed a contract with EMI Latin Records in 1989. At the 1995…
Utopia suggested that architectural designs should be able to communicate thus it can be applied in developing meaningful architectural designs. One of the main roles of utopia is to spark imagination in the social context. On the other hand, modern architectural designs must be able to take advantage of imagination and technology to develop exemplary designs. In a town setting, buildings must have an arrangement that can create a message in the social space. The setting of such structures should be able to create an impression of what people of a certain area think. It is technically a social manifestation through a physical appearance in space. This is one ideology of utopia that did not find a place in the past. However, modern day’s planners and architects tend to come up with communicative designs of buildings and roads. One can brand the modern day architects as decorators but truly, it is a manifestation of utopia in the modern architectural designing. Utopia puts in more emphasis on patterns and arrangement that will match with the social sphere of a particular region.…
Something in particular that I loved was the real chapel and windows that Tiffany made. One part of the chapel exhibits this pair of beautiful leaded windows (windows are formed by glass being fitted into flexible lead beams). Since both were part of the chapel they had religious scenes depicted in them. The first is called A Lamentation and the second called Madonna and Child. These windows were different from all the others…
Paul Goldberger stated, “Interior space will almost always provoke a greater emotional response than the building’s façade.” An individual would better understand the concept of the architectural design by experiencing, feeling, and seeing the space from within. Through this, space creates an emotional aspect within a person. Since different people experience the space, no two people perceive a certain space the same way. A person’s perception varies based on the impact and impression given by the space. Each and every individual who enters the space would have their own opinion on the emotional element their surroundings stipulate. Space can make you feel small, big, restricted, confortable, welcome, isolated, warm, cold, and so on. Although everyone experiences spatial impressions, not everyone is consciously grasped by it. It creates various emotions that only you can interpret. Royal Ontario museum’s space can be interpreted in several ways. Some people feel awkward and restricted with the space the irregular form creates. They find the crystal structure a way to waste of space. However, some people find its unusual space quite interesting. The massing of the structure allows the natural light to come in making the space look larger than it is. Adding to that, the light that comes from the window creates an “ascending” feeling; at the same time provides an overlooking view of the street. Frank Ching’s Architecture, Form, Space & Order thoroughly explained how placing windows in the corners established to capture a desirable view or brighten a darker corner of the…
The “Pimpernel” wallpaper was designed by William Morris in 1876. It is assumed to be one of Morris’ personal favourite designs as it hung in the dining room at the Kelmscott House (William Morris Pimpernel (1876) wallpaper [sa]). This classic design of Morris is of a “floral trellis with circular shapes and a strong symmetrical pattern with the leaves” (Morris Archive Wallpapers [sa]). The following analysis of the “Pimpernel” wallpaper design deal with the elements of design in order to highlight the principles of design used and how this relates to the aims of the Arts and Crafts Movement.…