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Ludwig Van Beethoven's Third Symphony: The Middle Period

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Ludwig Van Beethoven's Third Symphony: The Middle Period
The greatest composer who ever lived was Ludwig van Beethoven. He knew music spoke to the heart, creating emotions, no other language could. Beethoven conveyed his feeling through the power of his music and wasn’t scared to enter unfamiliar territory when it came to his work. People weren’t used to the type of music he brilliantly composed during his time and succeeded against all odds when he lost his hearing. One of my favorite time periods was from 1803 through 1814 which was referred to as “the middle period”. This was a time period Beethoven experimented with his music leading him to change his composition style by incorporating more Romantic ideas leading him to compose songs like Symphony Number Three Eroica and One of my favorites Fifth Symphony.
In the year of 1803 Beethoven composed his Third Symphony considered to be his first Romantic song named Eroica. It is said he dedicated his song to a person he admired named Napoleon, but when he found out Napoleon crowned himself emperor, he re-titled his work in anger. The beginning of Symphony Number Three, Eroica starts off with an allegro tempo which has a dramatic entrance that states, “I am here.” As the song continues I hear the beautiful
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It was composed in the year of 1804, but due to having several other projects he had to postpone his writing. It wasn’t until about 1808 that he premiered the song along with symphony Number Sixth in which he dedicated to Prince Lobkowitz and Count Andreas Rasumovsky. The tempo of this specific song is allegro and involves four movements. The first movement of the song has a dramatic yet potent feeling to it. It made me imagine something terrible was about to happen to someone leaving me in suspense of what was about to come. When Beethoven wrote this song he had strong feeling which defiantly showed in the first movement of this

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