Macbeth is Shakespeare’s shortest tragedy; this means that the play has no sub-plots and only concentrates on the story, and the disturbed mind, of the main character, Macbeth. The full focus on Macbeth himself emphasises his evil nature and thirst for power, portraying him as the ultimate tyrannical and disturbed character. “I have no spur to prick the sides of my intent, but only vaulting ambition, which o’erleaps itself and falls on the other” . The metaphorical language used as the reference to ‘spurs’, used to make horses go faster, shows that Macbeth feels his ambition to gain power is being limited by the king. Macbeth is shown to have great respect for the king and sees the king as almost a friend, so to describe him as a mere obstacle to overcome shows he has no moral boundaries, making him a disturbed character.…
Birds have a lot of symbolic significance within “Macbeth” due to how they were perceived at the time; after Lady Macbeth read her husband's letter about his encounter with the witches a messenger tells her King Duncan is going to stay the night at her castle. The first thing Lady Macbeth says to herself is, "The raven himself is hoarse / That croaks the fatal entrance of Duncan / Under my battlements". During the 17th century, different birds had various connotations; in this case, the raven is a symbol of bad omen, becoming hoarse from the multiple signs that show to Lady Macbeth that the king, Duncan, must be killed. Another example of the symbolic significance of birds is when Macbeth goes to murder King Duncan; she hears something: "Hark,…
In Macbeth, Shakespeare uses imagery and symbols in the play to present the uncertainty and doubt with Lady Macbeth. This is presented in the quote:…
There are many motifs in Shakespeare’s Macbeth, but one of the most important is the recurring disassociation of appearance and reality. The entire motif is introduced in the first scene when the witches say “Fair is foul and foul is fair” (1,i,12). This is then reiterated as important when Macbeth says, “So foul and fair a day I have not seen.” (1,iii, 39). Drawing parallels and comparing two polar opposites, such as foul and fair, sets the stage for the dissimilarity between appearance and reality. This motif changes as the characters change, however, and it moves from the main characters not knowing what to believe or trust, to the main characters using the variance to their own advantage and hiding their true motives, to finally causing the main characters to go insane. Throughout the entirety of Macbeth, what the characters have seen and what the readers know to be true have often times been contrasting. This divergence between appearance and reality grows and develops with the characters throughout the play.…
In the play Macbeth written by William Shakespeare, Macbeth and Lady Macbeth’s, relationship is affected by an act of murder placed upon Macbeth by his wife. Lady Macbeth after this scene shows a very controlling and unappreciative attitude for what Macbeth has done for her, kill King Duncan. She demonstrates in a metaphorical scene described by the Old Man, “A falcon, tow’ring in her pride of place,/Was by a mousing owl hawked and killed” (II. 4. 11-13). This quote is like Lady Macbeth’s unappreciative attitude for Macbeth’s deed for her. She is like the owl that is usual hidden away behind Macbeth, with Macbeth, the falcon who is usually the predator; she attacks him with the responsibility of killing Duncan. By controlling Macbeth, and making him go through with the murder she shows no sign of thankfulness. She tells him to “Go get some water,/And wash [the] filthy witness from [his] hands” after she has scarred him for life (II.…
In Act III of Macbeth, Shakespeare uses animal motif extensively to convey to the audience Macbeth’s thoughts and also to reflect the progress of the plot in general.…
Shakespeare has cleverly manipulated dark imagery into these words and the symbolism of a raven, which has been known for centuries to resemble death. “This shows the audience how Lady Macbeth is a significant and powerful character who will drive the action forward though deceiving and manipulating others for her personal gain,” (Tate, 2009). Further on in her famous invocation soliloquy, “she wants the spirits to remove from her any feminine attributes that will interfere with her plan to murder Duncan,” (Sir George Williams University, 2000) and shouts, “Unsex me here and fil me from the crown to the toe top full of direst cruelty,”(1.5.39). These words exhibit her desire to be the opposite of the traditional, stereotypical wife and mother figure, as “she seeks to subdue her feminine characterisitcs in order to become more masculine,” (Marotous, 2011). By calling upon the spirits rather than god, her invocation aligns her with witchcraft, challenging not only gender roles, but the great chain of being as well, sealing her fate for good.They also resemble the literary device of dramatic irony, “because Macbeth, who has excelled in military prowess, is conflicted about committing murder,” (Sir George Williams University,…
In this play there are many motifs. Such as ambition, water, and darkness. The motif that plays the biggest factor out of all of the motifs is ambition. In the play Macbeth, Macbeth's tragic flaw was ambition. Macbeth was to greedy to realize that what he was doing was exactly how the witches predicted.…
Macbeth, the play of a greedy man who achieves his goals through treachery and murder, is filled with figurative language. Its author William Shakespeare, used imagery such as light and clothing to interpret the characters or themes. He also repeated several words as motifs throughout the play. A motif is a recurring theme in a story. One of the main motifs that Shakespeare uses is the word: blood. Blood is used forty-five times in Macbeth. It is used in many different ways with many different meanings. In this play, blood symbolizes murder, guilt, kinship, and loyalty.…
Conceived in the play Macbeth are three symbolic views that are all recurring and Act 4 scene 2 presents all of these views. These three views are manhood, flight, and betrayal. The first begins in the beginning of the play, but is recognized in Act 4 scene 2 just like the rest of these symbolic views. To many this scene is seen as one of the most crucial parts of the play. Drawing on the major scenes of the play Macbeth it pushes for action and ultimate conclusion. Numerous times irony is displayed in this passage. Contained in one scene is three symbolic views that were presented at the beginning of the story leading up to this point,manhood, flight, and betrayal.…
As one of the very first lines of Macbeth by William Shakespeare makes clear, “Fair is foul and foul is fair”(I, i, 12-13). Contradictions exist throughout the play in numerous motifs and symbols, including birds. What birds represent in literature varies; they can mean a journey, freedom, positive omen, and everything humans quest to understand. In Macbeth they can mean different things depending on the kind of bird, one sees less menacing birds appear around the mention of children, and birds of prey are referred to around the time of bad tidings. Although birds may be interpreted as symbols of freedom and innocence, their roles in Macbeth are often the harbingers of death and destruction, as lady Macbeth sees the raven under her battlements, and an obscure bird shrieks the whole night of Duncan’s murder. Thus they come to embody and symbolize death and destruction.…
Toward the beginning of the play, Macbeth is portrayed off as a lion in comparison to a rabbit, an eagle in comparison into a sparrow, showing Macbeth’s courageousness and bravery; “…Yes’ as sparrows eagles, or the hare the lion. If I say sooth, they were as cannons overcharged with double cracks...” (Act I: Scene II: Line 35). This image only helps establish further the moral reversal and corruption throughout the play because, as a reader, Macbeth is here seen as a brave courageous man, a hero if you must. But as the play goes on, we drastically see a change in Macbeth as he grows more corrupt and following along with it, we see the change in animal imagery associated with Macbeth.…
Lady Macbeth and Macbeth go against their natures to commit evil deeds and how they handle it shows how evil they are. The technique used was symbolism of blood, which represents treachery,…
The actions of Macbeth and other characters show that appearances are misleading and Shakespeare created dialogue that constantly incorporates techniques that represent this duplicity. Equivocation is especially found in the line from Act 1 Scene 7: “False face must hide what the false heart doth know." Shakespeare uses repetition of the adjective false to link the appearance of the face and the heart. Macbeth’s facial expression is false as he is acting customary to the routine of everyday life, whilst in fact covering up the guilt of murder. Macbeth’s heart is false as he displays meaningful and authentic sorrow for the death of Duncan, a beloved King, when in fact he is the one who killed him and becomes King as a result. The word false links the face and the heart as aspects of Macbeth’s dishonesty. Another technique Shakespeare uses to create a sense of duplicity is irony, which is evident in the quote from Act 1 Scene 4. “There's no art to find the mind's construction in the face”. This was said by Duncan to his son about the courage of the Thane of Cawdor during his execution. Duncan makes this judgement quite casually and unemotionally, which is ironic for it is this very theory which is proved when Duncan himself is murdered. The irony is used to stress the significance of the issue of deception throughout the play.…
Macbeth’s murder is accompanied by a number of unnatural occurrences in the weather and in the behavior of animals. In Act II scene IV, Ross, a thane, and an old man discuss the strange happenings of the few days after King Duncan’s Death. It is daytime, but dark outside; “By th' clock ’tis day/And yet dark night strangles the travelling lamp” (II,IV.6-7)the sun, as if the sky is “troubled with man’s act” (2.4.5). The land is shrouded in darkness, and is therefore barren, no longer fertile and healthy; nothing can grow without the light of the sun. A falcon was circling high in the sky, and it was caught and killed by an ordinary owl that usually goes after mice; “A falcon, tow'ring in her pride of place/ was by a mousing owl hawked at and killed” (II,IV,13-14). And lastly Duncan’s well-trained horses behaved wildly and ate one another; “Beauteous and swift, the minions of their race, /Turned wild in nature, broke their stalls, flung out,/ Contending 'gainst obedience, as they would/ Make war with mankind” (II,IV,16-19). When Macbeth fights against nature and claims the throne, the land becomes `sick` as a result and the actions of the creatures are becoming as unnatural and twisted as his…