The 1990s have seen Jane Austin novels become more popular than ever. Hollywood, as is its custom, has followed suit, bringing to the screen several Oscar-nominated films faithfully based upon the author's works during that decade. Why would our modern society still be charmed by these novels, written by a woman who never married or even traveled outside England? How can these 200 year-old stories be relevant to our jaded culture? Probably because, despite all the radical social changes that have taken place since Jane Austen's time, people haven't really changed all that much. Heckerling’s film Clueless, an adaptation of Emma, shows that although society’s values have changed, the status quo still exists and is just as rigid nowadays as it was in the nineteenth century. However, because Clueless is set in a different time to Emma and because Heckerling uses a different medium to Austin, there are bound to be changes between the two texts.…
In A Tale of Two Cities by Charles Dickens, Madame Defarge knits a registry of all the people who are against her and the revolution. As Madame Defarge adds names to the registry the Jacques or revolutionaries…
Next, forced change in “A Tale of Two Cities” is also showed in different ways. It is shown in one example when Madame Defarge’s sister is raped, and a more cruel side of her is shown. “I care nothing for this Doctor, I. He may wear his head or lose it, for any interest I have in him; it is all one to me. But, the Evrémonde people are to be exterminated, and the wife…
When she was 12 years old, Dix was forced to leave her parents household and made to stay in Boston with her grandmother. Being a wealthy, societal woman Madame Dix was disappointed with her granddaughter’s propensity for charity for the less fortunate and sent Dix to live with her aunty in Worcester. Inspired to become more “lady like” so that she could return home to her brothers, Dix did her best to comply with her aunty and grandmother’s wishes (Bumb,…
The French Revolution was a time of great chaos, violence, and trouble during the late 1700s. Many sacrifices were made out of freedom, loyalty, morality, and love. Throughout Charles Dickens’ A Tale of Two Cities, the theme of sacrifice in the name of love is developed through the characters Miss Pross, Doctor Alexandre Manette, and Sydney Carton.…
The two women are similar in the sense that they are both very strong and determined. Miss Pross’s total devotion to Lucie is her driving force, while Madame Defarge is driven by her complete hatred of the Evrémondes and the aristocrats. The conflict of Miss Pross and Madame Defarge also symbolizes England and France. They are both very patriotic. “You shall not get the better of me. I am an Englishwoman,” Miss Pross says at one point. In contrast, Madame Defarge is very loyal to the French Republic, and is proud of being a part of the resistance effort.…
Madame Defarge is first introduced as “knitting”, until Dickens truly reveals her b taking her “knitting” one step further. As opposed to Lucie…
Madame Defarge de-humanize’s herself. Others describe her as an animal, she is thinking “It was nothing to her, that an innocent man was to die for the sins of his forefathers; she saw, not him, but them. It was nothing to her, that his wife was to be made a widow, and his daughter an orphan; that was insufficient punishment, because they were her natural enemies and her prey, and as such had no right to live,” (Darnay 359). This animal was no longer considered any bit of a human. She was the predator, the Evrémonde her prey.…
She was very quiet when I saw her and she sat in the corner and knit all day. When remembering Madame Defarge I think of her characteristics as “ Madame Defarge was a stout woman of about his own age, with a watchful eye that sold them seem to look at anything, A large hand to heavily ringed, a steady face, , strong features, and a great composure of manner”( Dickens 31). This shows Madame Defarge's physical appearances and that she was well respected. She had a confidence in her that no one could back down from. When thinking about Madame Defarge’s personality and how she related to the world “Only one soul was to be seen, and that was Madame Defarge- who leaned against the door-post, knitting, and saw nothing”(Dickens 47). As Madame Defarge is knitting she seems to be unaware of her surroundings and seems exceptionally innocuous, but in reality she is causing deaths. When Madame Defarge adds John Barsad to the registry she says “Eh my faith. It is a portrait! He shall be registered to-morrow” ( Dickens 171). Therefore, Madame Defarge does not take anyone's feelings into consideration since she is laughing and taking the deaths of people's lives as a joke. Madame Defarge is a cruel and murderous human that deserves to be punished for all the harm she has…
In Charles Dickens', Tale of Two Cities, the author repeatedly foreshadows the impending revolution. In Chapter Five of Book One, Dickens includes the breaking of a wine cask to show a large, impoverished crowd gathered in a united cause. Later, we find find Madame Defarge symbolically knitting, what we come to find out to be, the death warrants of the St. Evremonde family. Also, after Marquis is murdered for killing the small child with his horses, we come to see the theme of revenge that will become all too common. The author uses vivid foreshadowing to paint a picture of civil unrest among the common people that will come to lead to the French Revolution.…
Darnay’s return to “The Loadstone Rock” is a fulfillment of fate due to the fact that he’ll be considered a noble and treated this way. Darnay is considered a noble, because he is “the nephew of the Monsieur the Marquis, for whom Gaspard was exalted to that height of so many feet” (142). How Darnay will be treated is hinted at by behaviors of revolutionary leaders, Madame Defarge and Jacques Three, who demonstrate their heartlessness, potential for cruelty, and ruthlessness towards other nobles. Madame Defarge is “immoveable” in the sense that she is an under the radar strong leader and person, especially, when she whips the women up into a frenzy during the storming of the Bastille and when “the…
Displacement is the state in which you are not where you belong. The time, the place or with whom you are can greatly affect how you feel, given that humans seem to always lean towards their comfort zone. In The Awakening, a novella written by Kate Chopin, the protagonist, Edna Pontellier, is a displaced person in the Creole world. She feels uncomfortable and out-of-place amongst the Creole women on Grand Isle because of their different cultures. Edna also seems to be ahead of her time, as she submerges herself in an identity crisis, and a system of ideas new to the 19th century. The protagonist struggles with her displacement, causing her to act irrationally. She becomes daring and simply self-destructive. The novella proves to us that displacement takes a lot of courage to overcome. If one fails to conquer their displacement, overwhelming feelings may surface, and self-destructive actions may occur.…
As the saying goes, “a woman’s work is never done,” but today’s women live a far different life than their predecessors. The women of the revolution were courageous and brave-hearted. The obstacles of their time were far more difficult to overcome than those faced by women in this day and age. Whether it was slavery, war, or racial prejudice, these women kept their heads held high and worked to break down these barriers and create change for the future. On top of having to deal with these hardships, the women of the revolution had families to take care of, mouths to feed, houses to clean, and wounds to heal. For many women of the revolution it was all about taking a stand for their rights and being noticed in society. Women like Margaret Corbin and Mary Postill wanted to show society as well as themselves that what they said was valuable and important. Today’s women enjoy so many more rights and privileges due, in large part, to the efforts of the women of the revolution.…
Doctor Manette does not let his struggle with vengeance control his life, while Madame Defarge is driven by the force. Instead of coping with her angst like Doctor Manette, Madame Defarge chooses to keep her feelings inside and acts out in violent ways. The need for retribution is inevitable when a person has been victimized. Dickens understands the impact of the tyranny and how it works when it comes to revenge. “Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seed of rapacious license and oppression over again, and it will surely yield the same fruit according to its kind”(385) When Doctor Manette finds out that it was Charles’ family who locked him up in prison for eighteen years, his initial spite is understandable. However, Manette learns to sacrifice his past malice in order to move on to the future. Madame Defarge can never get over the fact that she was scorned in her early years, and she decides to blame the whole class of the aristocracy for her oppressed childhood. Dickens clarifies her behavior when he laments, “It was nothing to her, that an innocent man was to die for the sins of his forefathers; she saw not him, but them. To appeal to her, was made hopeless by her having no sense of pity, even for herself.” (376) The behaviors of Doctor Manette and Madame Defarge are striking contrasts. Doctor Manette is ultimately at peace, while…
"She was a very well educated woman who had the options available to those in her class with her intellectual ability, but she chose to devote her life to organizing the poorest of the poor, women who worked in fields, who sold vegetables, who were domestics, who struggled to eke out a living for themselves…