Donnelly in the book Experimental British Television, the Magical Mystery Tour film should be seen as an experimental pop promo for television, rather than, misleadingly, a musical film. Its production was partially inspired by Paul McCartney’s interest in experimental film, and the cinéma vérité sequences in Magical Mystery Tour were similar to the style being used at the time by American filmmakers such as the Maysles brothers.” The Beatles, apparently, also intended that the film be received as art, since a NEMS Enterprises press release referred to Magical Mystery Tour as an experimental film. Regardless of the reception and whether it was intentional or not, the film incorporates elements of formalism and specificity, which are both defining characteristics of experimental art of the 1960s. Despite cutting-edge drama and satirical shows having entered the public dialogue, most people still preferred the familiar storytelling of shows like The Man from UNCLE or Dr Finlay’s Casebook. Magical Mystery Tour, however, largely lacked a traditional linear narrative and favored experimental visual effects over familiar production design. Despite criticism of this, Paul McCartney explained, “I think the younger people would get it, the people who knew what was going on in society, and the older people, who were expecting Morecambe and Wise or a British variety show, wouldn’t get it and rightly would be annoyed. It was like they’d been cheated out of their …show more content…
Not only that, but the death of Brian Epstein and the domino-like decisions to follow force one to consider the inevitability of this Fab Four flop, or if not this, then something else. Despite being considered a disaster at the time, this project was crucial in not only keeping the Beatles together and productive following the loss of Epstein, but in forging the path for their artistic