The object being analyzed is the Railing Pillar Yakshi on display at the Norton Simon Museum in Pasadena. The object depicts a yakshi, traditionally a fertility spirit, usually associated with a tree, standing on top of a gremlin or imp-like figure in relief. Above the yakshi is another smaller figure in which only the torso is shown. The second smaller figure is surrounded by columns and appears to be in something like a chaitya hall. The yakshi has a similar purpose to others surrounding such places as a stupa, however, it is much less ornate and a tree is not depicted with it.…
1 Examine the funerary sculpture from Upper Egypt, 2200-2000 B.C.E., on page 54 of your textbook…
As I was touring the Museum of Fine Arts this past Monday, I was drawn to the statue or sculpture of King Menkaura (Mycerinus) and his queen. For a moment, I was able to relate with Ben Stiller and how he felt in the movie Night at the Museum. I genuinely felt the textbook come alive and I was able to relate with the artwork since it was covered in class. (Figure 1-29) Although having encountered other artworks that were covered in class, for some reason this artwork resonated with me the most. However, when I started looking around I found a similar artwork that caught my eye even more. A greywacke sculpture from Giza known as the Triad of King Mycerinus and two Goddesses that dates back to the period of the Mycerinus Dynasty, 2548-2530 B.C. I would not have found this sculpture as interesting if it had not been placed next to the sculpture of King Mycerinus and one of his wives. The contrast between the two statues brought out the beautiful differences between them, that raised a lot of questions, but at the same time informed me of what may have been the purpose of such a statue to be sculpted.…
Statues come in many different forms, sizes, styles, and reasons. After watching our online video and I saw a statue from “The New Kingdom” of the infamous Pharaoh Akhenaten. I was intrigued by the unusual features of this statue. They were unlike the traditional features on a statue I am accustomed to. My research was to find out a little more about this Pharaoh and why he was featured so radically different from the typical statues I was accustomed seeing from ancient times including that of ancient Egyptian tradition. I took a look at some historical facts to see if they may help put the pieces of the puzzle together.…
For India I chose music the artifact is Raja Abheri. Abheri is one of the most attractive, popular ragas known in India and Abheri is known for its attraction offering unimaginable settings for imagination. Beauty is represented in the Raga Abheri because the instruments are matching or imitating the voice. It has its own ascending and descending down and it comes together. Beauty is also represented because of her voice, creative expression in carnatic music. Her music is known to flow straight from the heart. The big picture raga was used as the melodic basis for all art music. It is the way of communicating.…
For the first assignment in Dr. Crawford’s Art 100 class, the students have to visit the Brooklyn Museum’s Egypt Exhibit. From which we pick a artifact we thought was interesting and write a paper about the artifact; the artifact that I have chose is the Kneeling Statue of Senemut. The reason I found this artifact interesting, is because Senemut isn’t a person from royalty and what’s even more interesting, he was a official to a pharaoh whom was female.…
Fist, the “Seated statue of Gudea” is from 2150–2100 B.C. the Neo-Sumerian period. It is a 44cm tall Diorite statue. The description at the museum mentioned that this sculpture belongs to a series of diorite statues commissioned by Gudea, who was a Mesopotamian king. He rebuilt the great temples of Lagash and installed statue of himself in the temple. The posture of this statue is, an upright seated way on a throne like chair. It has its hands folded on its lap. It also is wearing a turban looking headwear with curls. It has a calm expression, large almond shaped eyes. It is wearing a draping robe. It has Sumerian inscription which lists the various temples that Gudea built or renovated in Lagash and names the statue itself, "Gudea, the man who built the temple; may his life be long."-Metropolitan Museum. The proportion of the figure seems to be odd. There is no neck, awkward sized feet, and the head is too large compared to the…
The image I have chosen to present is of a contemporary Egyptian style vase made in 1990. The vase is an exquisite piece done in lapis blue porcelain and lavished with 24 karat gold. The “Palette of King Narmer” which is the class example bears more contrast than similarity from the contemporary vase. As opposed to the vase, the palette is an actual ancient artifact that depicts the Egyptian culture of its time. The vase on the other hand is merely an artistic piece that aims to depict version of the ancient Egyptian culture. The similarity in the two pieces is that they both have hieroglyphs marked on them purposefully to tell a story. However, the hieroglyphs on palette specifically serve as historical records of King Narmer’s reign.…
Cairo. The sculpture is a sculpture in the round, meaning that it is a three dimensional…
The Ottomans and the Mughals are two of the greatest and most powerful civilizations of the modern period. Their moments of glory in the sixteenth century represent high points in human creativity and art. They built empires, which were the largest and most influential of the Muslim empires of the modern period, and their culture and military influence extended into Europe. Most of the triumphant moments of the two empires came during the reigns of Suleyman I the Magnificent in Ottoman Empire and Akbar the great Mughal. Just as the reigns of these two leaders marked highpoints in the growth of their empires, their deaths marked starting points for the decline of their great empires.…
Art is not just a means of expression, but a view into our past; a preservation of what was before us. Through paintings, carvings, statues, and architecture, we travel almost as if through a time machine, into history from thousands of years ago. By the careful observation of pieces of art that have been left behind, we can learn immensely about a culture and its lifestyle. A piece of art that expresses the history and culture from which it comes, very strongly, is the Statuette of Queen Ankhness-Meryre II and her son, Pepy II. When accessing this piece one clearly identifies a theme of strength. Pepy was a king who had one of the longest reigns in world history…It is apparent through this statuette that he was given a description and appearance of being highly powerful from the innocent age of six at which he became king.…
Over the years, throughout the world there are being discovered important art pieces created by known, unknown artists or simply by people who want to pay tribute to someone in particular, who has different and special elements behind. Around the world, investigators have discovered millions of beautiful and significant pieces that symbolize some important events in the lives of a culture, of a people or a civilization. Such is the case of the discovery of two statues of great goddesses; Nike of Samothrace and Coatlicue, both have strong similarities as well as differences, they had different cultures and myths, and also had artistic and symbolic elements.…
Williams, Joanna. "Gupta Sculpture, Indian Sculpture of the Fourth to the Sixth Centuries A.D. (Book Review)." Art Bulletin 59.1 (Mar. 1977): 119. Academic Search Premier. EBSCO. [Library name], [City], [State abbreviation]. 14 Apr. 2009 http://search.ebscohost.com.vortex3.uco.edu:2050/login.aspx?direct=true&db=aph&AN =5306911&site=ehost-live.…
While having a lighter pigment then most, the Buddha is covered in multi-colored, flowing and intricately detailed jewelry. Next, the sculpture of Avalokitshvara, is regal, organic, and flowing, yet, it has a powerful and celestial look. Continuing to stroll down the cyber halls of the museum, I came across a 9th century sculpture from India. The Crowned Buddha appears to be celestial, having a muscular and hefty body type. While being intricately sculpted, the Buddha also appears to have a simplistic, soft and tranquil feel. Through his Jewelry, he is marked as a Buddha who occupies heaven, “maybe he is Shakyamuni in his cosmic form as Vairochana” (Metropolitan Museum of Art, n.d.). Proceeding with my pilgrimage through the museum, I came across the sculpture, Akshobhya, Akshobhya also known as the Immovable One, is a meditative sculpture. The sculpture is thought to have been chiseled out of Terracotta, in the 16th or 17th century in Nepal. While having a soft body type with intricate detailing, the clothes are more organic and flowing. Despite these more down to Earth descriptions, the piece of art reflects power. Returning to what, in my opinion, is the most captivating…
In this essay I will compare and contrast two ancient head sculptures. The first is a female head (Inanna) from Uruk, (modern Warka) Iraq. The artist is not very sure about the head that belongs to Inanna. The marble head dates back to c.a. 3200-3000 BCE, and is comprised of marble. The second image is the head of an Akkadian ruler, from Nineveh (modern Kuyunjik), Iraq, c.a. 2250-2200 BC, and is constructed of copper.…