The reading passage is about the Chevalier de Seinagalt and her memoir, it gives some examples to prove that these note are not necessarily based on facts but are distorted by the writer, whereas the lectur challenges this view.…
The book starts off with Monsieur Meursault’s mothers’ death and he received a telegram from the home he put her in saying, “Mother deceased. Funeral tomorrow. Faithfully yours.” (3) He responds to the telegram saying, “That doesn’t mean anything.” (3) This makes the reader think that he doesn’t really care for his mother and maybe he didn’t like her especially since when he asked his boss for a couple days off and his boss looked angry he said “it wasn’t my fault” (3) and “I didn’t have anything to apologize for.” (3) Even when he was offered to see his mother’s corpse for the very last time he refused simply because he didn’t want to.…
The notion of Bertrande de Rols in The Wife of Martin Guerre as having good intentions suggests not only that she was mindful of her own feelings in her pursuit of the truth, but also of the feelings of others. However, Bertrande's intentions were to cleanse her soul and absolve herself from sin by indicting the impostor, Arnaud du Tilh. Yet, she undertakes this task considering the despair it would inflict upon the mesnie. These actions also are detrimental to Bertrande in causing her perhaps the most anguish and grief of all. Bertrande intends to uphold the status quo, yet she has due knowledge that pathway to the greater good will be harmful to her and the Mesnie.…
The fact the she is ignorance to the risks of burying her brother, reflects the age of Antigone. She is very ignorant and actually scarifies her own life to burry her brothers. Another example of her age is expressed is by her resistance in the male dominated world. Although her sister admits that there is nothing a woman can do in the male dominated world, she refuses what her sister says and starts arguing that her actions were reasonable because of her loyalty to her family. In fact, she is a very emotional woman, which is typical for a young people. Additionally, young people are very idealistic which is also shown by the act of burying her brothers. She does not think that she has anything to lose. However, she still has a fiancé and a…
In “The Lais of Marie de France: Les Deus Amanz” Marie de France uses affections of the heart and mind to contradict one another. Two of the main characters each have fatal flaws that become the cause of their demise. The king and the noble young man acted selfishly by following their hearts instead of their heads, causing problems that could have been prevented. It is seen that using your mind would benefit more than going by the feelings in your heart.…
Monsieur Rouault visits Charles the day following his wife’s funeral in order to to deliver him his payment for the medical treatment he had received, and he gives his condolences. He tells Charles to come and visit Les Bertaux again; he happily accepts the invitation. Rounalt cheers Charles up; he soon forgets all about his wife, everything starts to look better for Charles. Charles likes living without his wife, he doesn’t have someone there dictating his every move, he can eat when he wants to any never has to explain himself to anyone. Her death proved to be beneficial for his business, since all the townspeople feel now bad for his loss. Charles keeps on visiting Les Bertaux. Later, he sees Emma by herself, and she asks him to have some…
Meursault’s reactions are rarely what the reader envisions as appropriate. People feel disconnected-- disheartened and confused-- when Meursault claims his Maman’s death “doesn’t mean anything” (3). The level of indifference he feels and the actions he performs: making excuses to his boss, having lunch at Celeste’s, going to swim and a movie with Marie, all have the readers questioning Meursault’s character. This displeased feeling continues through the first half of the novel with Meursault’s uncaring and robotic behaviors of watching “families out for a walk… the local boys [going] by… the shopkeepers and the cats” (21-22). One then starts to wonder. One…
Baz Luhrmann’s Moulin Rouge presents a dilemma for viewers as this movie displays the consequences of mixing obligations with personal interests and values. We see this with Satine as she is caught between two worlds in her role as a courtesan of the Moulin Rouge and also as Christian’s lover. She is obliged by her duty as a courtesan to protect Zidler’s interests, yet she also wishes to embrace the Bohemian values of Christian, those values being beauty, freedom, truth and most importantly to Christian, love. Luhrmann effectively portrays the Duke as the realistic aspect of the two worlds Satine is caught between, as he is the chief investor of ‘Spectacular Spectacular’ and owner of the deeds of the Moulin Rouge. In order for Satine to realistically fulfill her dreams as an actress, she must first escape her fantasy of love with Christian.…
She begins to see France as a country with its own problems that “the third world can’t see… [because] it’s blinded by its own” (Diome 26). Even the man from Barbés, who enjoys exaggerating his story of France to Madické and his friends, admits to himself that “his flood of tales never hinted at the wretched existence he led in France” (Diome 59). The man from Barbés is just one example of the many people who know France is a lie and choose to continue to perpetuate the perspective that France is a perfect paradise. This continues the cycle of youth who would do anything to reach France, which wastes their youth on a false dream and keeps them in a state of poverty; the lie of France causes their dream becomes their greatest obstacle. France and its meaning of hope and prosperity becomes slowly degraded over the course of the novel as older and wiser characters reveal that France is not paradise, but rather a another country with its own problems that are invisible to the third…
As a poet Maupassant made his debut with Des Vers (1880). In the same year he published in the anthology Soirées de Medan (1880), edited by E. Zola, his masterpiece, "Boule De Suif" ("Ball of Fat", 1880). During the 1880s Maupassant created some 300 short stories, six novels, three travel books, and one volume of verse. In tone, his tales were marked by objectivity, highly controlled style, and sometimes by sheer comedy. Usually they were built around simple episodes from everyday life, which revealed the hidden sides of people. Among Maupassant's best-known books are Une Vie (A Woman's Life, 1883), about the frustrating existence of a Norman wife and Bel-Ami (1885), which depicts an unscrupulous journalist. Pierre Et Jean (1888) was a psychological study of two brothers. Maupassant's most upsetting horror story, Le Horla (1887), was about madness and suicide.…
To me, the foods that the girls eat are the embodiment of the delusion of acting "wealthy." For example, the "meat patties" that the girls choose to eat, the ones that were "sweating beads of inferior oils," sound like a disgusting attempt, on their part, to eat foods they associate with wealth. This nauseating creation of a poor man's foie gras (I assume the "pale, stiffening sauce" is supposed to be an even more…
A main concept of the novel Silence of Stone, by Annamarie Beckel, is the protagonist, Marguerite de Roberval’s hunger, appetite, and desire for indulgence. This concept may be viewed and studied both literally and figuratively. Throughout her experience in the new world, she manifests her craving for love and must survive with very limited resources when she is stranded and left to her own devices on the Isle of Demons. In this essay, the literal meanings of hunger and appetite will be examined. Their alternate figurative meaning, that of the sexual, romantic, and love-related sense, will also be discussed.…
This poetical study will define the theme of social deviancy, taboo sexuality, and the quest for beauty through the dualistic meaning of “spleen and ideal” in The Flowers of Evil by Charles Baudelaire. In these poems, Baudelaire is attempting to find beauty in the most malignant and ugly aspects of life. The first section of the book entitled “Spleen and Ideal” defines the ugliness of death, disease, and other malignant aspects of life in the “spleen”, and the way that the “ideal” attempts to extract beauty from life through eroticism, drinking, and drug usage. These deviant ways of viewing life in France created a social outcry against Baudelaire, which exposed the ugliest and deviant aspects of French life to the reading public. The governmental…
At their first meeting, Mrs. Baroda had quite liked Gouvernail. She became vexed by him only after he "made no direct appeal to her approval or even esteem." From what her husband Gaston had told her, Gouvernail was a bright man with a lot of potential. Mrs. Baroda saw none of this potential from Gouvernail and so she gave up. She was generally confused by his behavior, and wished he was more like other guests that she had housed. With this confusion, Mrs. Baroda decided to leave her home and head to the city until Gouvernail had officially left. At this point Mrs. Baroda has mixed feelings for Gouvernail. She wants to like him, but his actions prevent her from doing so.…
• Summarise your main points about Maupassant’s use of language to create atmosphere and tension. You may want to mention again the Gothic influences of this tale. Give your opinion as to what makes this a good read which has stood the test of time.…