Nolan also uses lighting to convey the storyline. In the color scenes, there is realistic lighting. In the black and white scenes with Sammy Jenkins there is soft lighting emphasizing that it is a flashback. In the black and white scenes with Leonard talking on the phone in the hotel room, there is low key lighting where there is a sharp contrast between light and dark.
Nolan makes use of short takes to further emphasize the point of relating to the character. The Sammy Jenkins scenes show us how Leonard used to be. He seemed to be a professional insurance worker that had a beautiful wife. Now he is only associated with his disease, he lost his wife, and he lost his successful life that he had. Each film sequence is short, lasting only about five minutes and dissolves into another film sequence. The lengths of these sequences emphasize the disease especially in combination with the varying chronological and reverse-chronological orders.
In conclusion, the focal point of the film was to place the viewer in the mind frame of the main character with the use of three different film stocks, lighting, and the use of short takes. It was a highly engaging and suspenseful film where the viewer was eager to figure out the puzzling storyline.
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