The concept metaphysical deals with the philosophical view of the nature of things. Metaphysical poetry is often mentioned as poetry inspired by a philosophical concept of the universe and the role assigned to the human spirit in the great drama of existence. Metaphysical poetry is involved with the whole experience of man, but the intelligence, learning and seriousness of the poets. Metaphysical poetry has an amazing power to explore and express ideas and feelings about the world and its diverse phenomena in a rational way to captivate the readers. Metaphysical poems are lyric poems. A group of 17th-century poets, whose work is characterized by the use of complex and elaborate images or conceits, typically using an intellectual form of argumentation to express emotional states are denoted as metaphysical poets. Members of this group include John Donne, George Herbert, Henry Vaughan, Andrew Marvell, Robert Herrick and Richard Crashaw who explored the nature of the world and human life, and who used images that were surprising at that time. Their poetic works have been abundant with the various perspectives of human life especially – like love, romance and sensuality; about man's relationship with God - the eternal perspective, and to a less extent, about pleasure, learning and art.
The metaphysical poetry presents innovative and wondrous use of puns, paradoxes and employs cunning logical propositions; Metaphysical poem is brief but intense and embodies a style that is energetic and vigorous. A metaphysical poem is an expanded epigram, characterized by the striking use of wit and irony. Metaphysical poetry demands concentration. Moreover a metaphysical conceit makes the poetry more vibrant and notable. It is largely used to make a comparison of cleverness and justice and its invention is often more impressive than its justness. A metaphysical conceit is used to persuade, or