Both also use abstraction in space to tilt the viewer's interpretation. Cezanne does this by showing multiple views of the table, pushing the perspective so that the table appears to be tipped toward the viewer to create a feeling of tension as if it's all going to come toppling forward. Gauguin instead creates a different sort of tension through color - abstracting the river in front of his figures so that it becomes a pool of swirling colors instead of water. Both of these abstractions pull a viewer in and ask them to question why the painter may have painted it
Both also use abstraction in space to tilt the viewer's interpretation. Cezanne does this by showing multiple views of the table, pushing the perspective so that the table appears to be tipped toward the viewer to create a feeling of tension as if it's all going to come toppling forward. Gauguin instead creates a different sort of tension through color - abstracting the river in front of his figures so that it becomes a pool of swirling colors instead of water. Both of these abstractions pull a viewer in and ask them to question why the painter may have painted it