Michelangelo Buonarroti Analysis
Michelangelo Buonarroti (Michelangelo di Lodovico Buonarroti Simoni) was born on March 6, 1475, in Caprese, Italy. His father worked for the Florentine government, and shortly after he was born his family returned to Florence, the city Michelangelo would always call his true home. His mother past away when he was 6, and at first his father did not approve of his son’s interest in art as a career. At 13, Michelangelo was apprenticed to painter Domenico Ghirlandaio, mainly known for his murals. A year later, his talent drew the attention of Florence’s leading citizen and art patron, Lorenzo de’ Medici, who enjoyed the sensible encouragement of being surrounded by the city’s most literate, poetic and talented men. He long an invitation to Michelangelo
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Critics suggest that the way Michelangelo depicts the prophet Ezekiel as strong yet stressed, determined yet unsure is symbolic of Michelangelo’s sensitivity to the intrinsic complexity of the human condition. The most famous Sistine Chapel ceiling painting is the emotion-infused The Creation of Adam, in which God and Adam outstretch their hands to one another. Michelangelo continued to sculpt and paint until his death, although he increasingly worked on architectural projects as he aged: His work from 1520 to 1527 on the interior of the Medici Chapel in Florence included wall designs, windows and cornices that were unusual in their design as well as proportions and introduced startling variations on classical forms. Michelangelo also designed the iconic dome of St. Peter’s Basilica in Rome. Among his other masterpieces are Moses The Last Judgment and Day, Night, Dawn and Dusk. From the 1530s on, Michelangelo wrote poems; about 300 survive. Many incorporate the philosophy of Neo-Platonism–that a human soul, powered by love and ecstasy, can reunite with an almighty God—ideas that had been the subject of intense discussion while he was an adolescent living in Lorenzo de’ Medici’s household. After he left Florence permanently in 1534 for Rome, Michelangelo also wrote many
Critics suggest that the way Michelangelo depicts the prophet Ezekiel as strong yet stressed, determined yet unsure is symbolic of Michelangelo’s sensitivity to the intrinsic complexity of the human condition. The most famous Sistine Chapel ceiling painting is the emotion-infused The Creation of Adam, in which God and Adam outstretch their hands to one another. Michelangelo continued to sculpt and paint until his death, although he increasingly worked on architectural projects as he aged: His work from 1520 to 1527 on the interior of the Medici Chapel in Florence included wall designs, windows and cornices that were unusual in their design as well as proportions and introduced startling variations on classical forms. Michelangelo also designed the iconic dome of St. Peter’s Basilica in Rome. Among his other masterpieces are Moses The Last Judgment and Day, Night, Dawn and Dusk. From the 1530s on, Michelangelo wrote poems; about 300 survive. Many incorporate the philosophy of Neo-Platonism–that a human soul, powered by love and ecstasy, can reunite with an almighty God—ideas that had been the subject of intense discussion while he was an adolescent living in Lorenzo de’ Medici’s household. After he left Florence permanently in 1534 for Rome, Michelangelo also wrote many