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Michelangelo La Pieta

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Michelangelo La Pieta
Respective artists Michelangelo and William-Adolphe Bouguereau’s give their perception of Virgin Mary cradling the descended Jesus in her arms. These artworks take their inspiration from the cycles of the Life of Christ, during the Lamentation of Christ when he is removed from the cross. Two specific types of Lamentation were created by Michelangelo between 1498-1499 and Bouguereau during 1825-1895. These types of artwork are known as in French La Pietà, and in Italian La Pitié, both meaning "The Pity”.

Michelangelo: La Pieta #1
Carved from a single slab of Carrara marble, Michelangelo’s La Pieta is a really intimate image, which is an adaptation of the lamentation of Christ, his descent from the cross. There is an extraordinary relationship Michelangelo constructed between the body of the dead Christ and Mary. Since its creation before the birth of the 15th century, Michelangelo's Pietà has inspired emotion, faith, and imitation through its elegant depiction of the Virgin Mary and Jesus Christ in contemporary
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She is focused on the viewer, presenting her concern towards the viewer that she is questioning everything. Her eyes are filled with sorrow and condemnation, searching for answers. Coming to grips with the death of her son she blames others. This painting portrays Mary accusing both the heavens and the earth for the pain she and her son has suffered through her expression. The torment Jesus went through is displayed with the crown of thorns lying on a white cloth, covered in the blood of Christ. This represents the sacrifice that was made for humankind to attain salvation. In contrast to Michelangelo's Pieta where Mary is offering Jesus as a sign for salvation, she instead clutches him close from the sinful world, undeserving in her mind of his sacrifice. This painting helps the believers to be mindful and forgive those who make mistakes, challenging believers to show praise for Jesus’, God’s, and Mary’s

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