Preview

Michelangelo's David Analysis

Good Essays
Open Document
Open Document
329 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Michelangelo's David Analysis
Michelangelo’s David
"David" is the great sculptor of the Italian Renaissance painter Michelangelo 's masterpiece, created in 1501-1504, academy of fine arts collection in Florence now. The statue is considered to be the western art history one of the male human statues to boast about. As 2.5 meters high, even the base is 5.5 meters high, with the whole piece of marble. Michelangelo live from 03/1475 to 02/1564, he was an Italian sculptor, painter, architect, poet and engineer of the High Renaissance who exerted an unparalleled influence on the development of Western art.
David is biblical hero young, handsome, strong and firm manner, on her left hand, hold draped over the shoulder "stone", right hand drooping, seem

You May Also Find These Documents Helpful

  • Good Essays

    APEH Semester 1 Study Guide

    • 4048 Words
    • 14 Pages

    Micaelangelo-> (1475 – 1564) Renaissance sculptor, painter and architect. Michelangelo is often thought of as embodying the spirit of the renaissance. His greatest works include the statue of David and his painting of the Sistine Chapel.…

    • 4048 Words
    • 14 Pages
    Good Essays
  • Good Essays

    (Figure 22-36) His remarkable sense of color and his ability to convey light through color emerge in the altarpiece, Assumption of the Virgin. Who was this artist? How did Michelangelo's David become a political statement?…

    • 1001 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Dutch Republic DBQ

    • 457 Words
    • 2 Pages

    Humanism, during the Renaissance period not only involved the study of ancient culture, but it also instilled a sense of respect towards human beings. Many artists at the time focused on the beauty and elegance of the human body. One of these artists was Michelangelo, a sculptor and painter. One of his most famous pieces of work was “David”, a 17 foot tall statue of a man. Michelangelo focused on making the statue as realistic as possible, in order to capture said elegance and beauty. Also, due to the context of the statue being directly after David had slain the goliath, Michelangelo chose “David” to be in a victorious pose. This…

    • 457 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Art101 Comparison

    • 520 Words
    • 3 Pages

    If we add into the comparison the sculpture of David done by Donatello we see some similarities to both Michelangelo’s version and to Bernini’s version and we also notice differences from both other sculptures, as well. The first and foremost major difference of Donatello’s David as…

    • 520 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Michelangelo Buonarroti (Michelangelo di Lodovico Buonarroti Simoni) was born on March 6, 1475, in Caprese, Italy. His father worked for the Florentine government, and shortly after he was born his family returned to Florence, the city Michelangelo would always call his true home. His mother past away when he was 6, and at first his father did not approve of his son’s interest in art as a career. At 13, Michelangelo was apprenticed to painter Domenico Ghirlandaio, mainly known for his murals. A year later, his talent drew the attention of Florence’s leading citizen and art patron, Lorenzo de’ Medici, who enjoyed the sensible encouragement of being surrounded by the city’s most literate, poetic and talented men. He long an invitation to Michelangelo…

    • 852 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Michelangelo and Verrocchio both have incredible artistic talents and show it in each of their David sculptures, yet they both convey a different meaning of David in their own ideal and using their own medium. Michelangelo and Verrocchio both represent David in different ways through the meaning they convey, the skills and techniques they use, and the beauty that they each portray . Michelangelo and Verrocchio are both artists from the city of Florence, Italy. In this piece both artists were trying to portray the biblical scene of David fighting Goliath, and winning. Their backgrounds have a major influence on the way they…

    • 1044 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Michelangelo Dbq

    • 315 Words
    • 2 Pages

    There were many great Renaissance artists such as Leonardo, Raphael, Michelangelo, Donatello, and many others but the greatest of these is Michelangelo. He was great at painting, sculpting, architecture, and poetry. He also had famous sculptures and paintings.…

    • 315 Words
    • 2 Pages
    Good Essays
  • Good Essays

    During the Renaissance there were many influential sculptures. Artists during the Renaissance experienced a renewed interest in classical Greek and Roman civilization. Christianity played a major role in Renaissance art. David was an important figure in more than one religion. In the Christian religion David was depicted as the youngest son of Jesse, who was a descendant of Jesus Christ, that was sent o the battle lines to bring new of his brothers. While at the front of battle he heard the giant Goliath’s defiance instill fear in the men of Israel. David unexpectedly offered to fight Goliath and actually killed him using only his sling shot and a pouch full of stones. Three artists depicted this biblical story in the Renaissance and those artists were Michael Angelo, Donatello, and Bernini. Donatello’s depiction of David best illustrates the story of David.…

    • 574 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Renaissance Art Influence

    • 1347 Words
    • 6 Pages

    Therefore, “David,” is a fit symbol of courage and civic duty to guard the city. Standing 13’5″ tall, the double life-sized David is depicted patiently waiting for battle, prepped with slingshot in one hand and stone in the other. Michelangelo, in his mid twenties, carved the David after he had already carved the Pieta in Rome. He carved this sculpture from a huge block of marble that had been abandoned decades earlier by another sculptor: Michelangelo took on the challenge of living up to Donatello and other precursors who had sculpted the same heroic figure. Instead of creating David to look relaxed and confident after his victory, Michelangelo's David looks tense and ready for combat. His brow is furrowed, the tendons in his neck are taut, as are the muscles in his nose and lips, and his eyes are focused on something in the distance. Despite this mental concentration, he stands in a relaxed “contrapposto” position, with his sling casually thrown over his left shoulder. This combination of intense expression and calm pose is intended to capture the short period between the decision to fight and the fight itself. The statues hands and head appear to be disproportionally large for his body, possibly because they were deemed more visually important for viewers who would see the statue high up…

    • 1347 Words
    • 6 Pages
    Powerful Essays
  • Powerful Essays

    During the dates 1475-1564 there were many famous painters working all around the world. One of which was Michelangelo. He painted and sculpted many famous items that are still talked about today. Michelangelo led a very busy life, as of which you will be reading about today. Michelangelo was born in 1475 in a small village of Caprese near Arezzo At the age of 13 Michelangelo's father Ludovico Buonarroti placed Michelangelo in the workshop of the painter Domenico Ghirlandaio through connections with the ruling Medici family. About two years later Michelangelo studied at the sculpture school in the Medici gardens. Shortly thereafter he was invited into the household of the magnificent, Lorenzo…

    • 1782 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Art 101 Week 8 Checkpoint

    • 363 Words
    • 2 Pages

    Donatello’s and Michelangelo’s David are similar in many ways. Both sculptures being from the Renaissance, they share some characteristics in form. Each artist positioned the body of David in the contrapposto position. Their bodies are curved, relaxed and shown in the nude. This reflects the popular style of sculpture of the culture and relates the ideas about the human form. Donatello’s David is different from Michelangelo’s most in the physical attributes of the body. Michelangelo’s David has more of the sculpted bodies of the Greek gods. The sculpture is muscular, mature and his physical beauty is not to be overlooked at. Donatello’s David has the body of a young man still developing into his body. Instead of appearing strong and confident, David appears to have a young boy facing a task much harder and larger than him.…

    • 363 Words
    • 2 Pages
    Good Essays
  • Better Essays

    Michelangelo choose one of the most famous story of David, facing a nine foot, bronze…

    • 1250 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Michelangelo's David

    • 779 Words
    • 4 Pages

    When thinking of sculptures, one of the first that comes to mind is David. This statue was created of marble between 1501 and 1504 and stands over 14 feet high. David is a symbol that represents strength and anger. The statue had intended political connotations for the ruling of the Medici family. Michelangelo used David as model of "heroic courage" to demonstrate that "spiritual strength can be more effective than arms". Michelangelo insisted that David should stand as a symbol of the republic and act as a warning that Florence shall be governed justly and bravely". This was the first time since antiquity that a large nude statue be exhibited in a public place.…

    • 779 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Donatello Art

    • 840 Words
    • 4 Pages

    The David by Donatello in Museo Nazionale del Bargello. Florence. The height of the bronze statue of David by Donatello is 158 cm. David was the chosen subject of the statue as he had become a symbol of the…

    • 840 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Bacchus is a marble sculpture approximately 72 ½ inches in height made in around 1497 by one of the High Renaissance masters, Michelangelo di Lodovico Buonarroti Simoni. The sculpture itself shows two figures, a god and a faun or panisc: a half-man, half-goat figure in Greek culture. It is one of young Michelangelo’s earliest sculptures and it is arguably also one of his roughest. The figure, Bacchus, stands in a sway, an “s” curvature to his stance that is referred to as contrapposto. Contrapposto made a comeback during the High Renaissance and Michelangelo paid attention to the elements of art to accomplish lifelike features and volume of the human form in his sculpture.…

    • 307 Words
    • 2 Pages
    Good Essays