For my essay on mise-en-scene, I will be talking about Sin City, written and directed by Frank Miller, Robert Rodriquez and Quentin Tarantino. In this film, there are many unique techniques used by the directors to portray emotions, hidden meanings and to determine mood. Sin City is a bold and brutal adaptation of the graphic novels written by Frank Miller. Mise-en-scene is a cinematic term, which refers to techniques used by directors to help construct a specific onscreen representation. It consists of the setting of the film, costume and make up, lighting, staging, and last of all, time and space.
The scene that I will be analyzing would be the scene in which Marv confronts Cardinal Roark and forces him to confess, after which Marv kills him. Marv, a brute of a man, is one of the protagonists in this film. He wakes up after a one-night stand with a prostitute ‘Goldie’ and she lies beside him dead. Marv realized that he has been framed and goes on a vengeful rampage to uncover the truth. He kills Kelvin who is a cannibal who murders and consumes people, and finds out the Kelvin was the cardinal’s ward.
The setting of this scene is in the Cardinal’s room where it is dark and we can barely make out the furniture present inside. Color symbolism is extreme in the entire film; the film is almost entirely inked in black and white. The directors created the film using the visually stunning black and white style of film noir to emphasize cynical and extreme attitudes and sexual motivations. Film noir is used to depict the darker aspects of modernity, and is usually set in a criminal milieu; exactly what this film needed. The narrative and existential angst that drives a male protagonist and a voluptuous femme fatale who seduces the protagonist for her own benefits are the gist of film noir, which are present in Sin City. Goldie used Marv for his huge size and brute strength to protect her, while Marv had feelings for Goldie. Her murder