William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The main examples of deception we see are from the characters of Beatrice and Benedick.. We as the audience are exposed to their ‘merry war; ad they exchange witty and sarcastic banter, providing the humor throughout Shakespeare’s comedy and very interesting comparisons to be commented onIn act 1, we are introduced to Beatrice who Beatrice tends to take charge of every conversation, not reluctant to state her own views on a subject regardless of whom she addresses. Her wit and sarcasm are wasted on the messenger, who doesn't know what to make of her. Her uncle, Leonato, acknowledges her ongoing "merry war" with Benedick. Finally, she engages Benedick himself, who can give back as good as he gets.Benedick too is mentioned before he appears, but only by Beatrice, who is clearly bitter toward him, apparently as the result of previous experience with him. In his battle of words with Beatrice, Benedick puts up a noble fight, finally putting her on the defensive, but while Benedick has the last word this time, Beatrice ends the conversation…
Love, hate, fair and foul are tightly entwined around the core of drama. Although they are extreme opposite, they blur together to create the perfect partnership, which allows characters to appear different to their internal feelings. Whether it’s through the ‘barbed banter’ of ‘Much Ado About Nothing’ or the ‘saucy doubts and fears’ of Macbeth, Shakespeare presents scenarios where central characters place their credence where they should have agnosticism and their doubts where they should act with surety.…
The Shakespearean comedy, Much Ado about Nothing encompasses themes such as the importance of honour, the ideal of social grace, nevertheless uses a plot which primarily revolves around the theme of deception re occurring in various forms. On one hand deception is used throughout Much Ado About Nothing in a malicious manner, however on the on the hand it can be portrayed in a benevolent and beneficial manner such as the fooling of Beatrice and Benedick and deceiving them into proclaiming their love for each other. The use of both forms of deception often makes it difficult to distinguish between the two, such as when Claudio announces his desire to woo Hero, however Don Pedro takes it upon himself to woo her for Claudio. However Shakespeare’s use of deception is neither completely a means of malice nor a mean of showing traits of kindness between characters, the use of deception aids the development of the plot and creates a path for other elements necessary in the play such as its comical elements.…
Archetypes are defined as universally understood symbols, terms, or behaviors. They are often used in stories to define characters and influence the reader. In David Lindenfeld’s article, “Jungian Archetypes and the Discourse of History,” Carl Jung is accredited with saying that archetypes are like plastic sets of dispositions whose specific manifestations are shaped by culture and situation (217). In Much Ado about Nothing, three types of archetypes can be clearly seen. These are symbolic, characteristic, and situational.…
Within the play, Much Ado About Nothing, there is a central theme of deceitfulness, as a way to solve a problem or an issue amongst the characters. Though deception is inherently perceived as evil, it led to positive endings after several conflicts throughout the play. In the creation of this theme, Shakespeare uses both negative and positive examples to contribute to his lesson on ruses. Within this particular scene, all of the cons that the various characters have put on are officially disclosed to each other. This scene highlights that deception is not always evil, nor is it always moral, but can be means to an end that can be beneficial or detrimental to a character’s arc. Shakespeare’s use of honesty within this particular scene, establishes the deconstruction of illusions within human relationships in order to complete a story.…
From the mastermind of this tragic comedy, these once brothered bachelor's, wed to their mistress, slowly uncovering their differences. William Shakespeare’s play, Much Ado About Nothing, showcases characters, Claudio and Benedick, to further elaborate each other’s and the play’s features. The story follows townspeople of Messina, and their troubles which Don John places upon them. Claudio and Benedick foil each other in order to show the mishaps’ results and how it had affected the overall resolution from harmless gossip, which could have been avoided in the grand scheme of things, for a change of events.…
The time period in which “Much Ado About Nothing” was written directly pertains to its plot, thoughts, and mannerisms of the audience that they play was written for. The play was written in 1598 and produces two plots one being an unconventional love plot involving a strong woman named Beatrice who does not conform or choose to conform to the societal expectations put upon her in a traditional way. “Much Ado About Nothing” highlights the negative female stereotypes, magnifies the connotations that men should overpower and control woman,and that women are evil “cuckholds”, whom no one should trust. Beatrice’s character portrays these negative expectations of gender, deceptions of the opposite gender, and gender prejudices using her love story with Sir Benedick and with the addition of her witty nature, and…
Much Ado About Nothing opens in a liminal situation with a war that has just ended. The men enter a "golden world" in Messina where the women are already located. In this situation, people fail to take things seriously, causing the war of the wombs to soon turn into a war of words. Benedick and Beatrice are the main examples of male/female rivalry that converts into belligerent wordplay.…
In the words of Mitch Albom, “Some parents smudge, others crack, and a few shatter childhoods completely into jagged little pieces beyond repair.” In Arthur Miller’s play Death of a Salesman, he examines the extent to which parents can create conflict in a child’s life. Willy’s affair, misguided upbringing of his children, and delusions create a strained relationship with Biff.…
Even though love and marriage was a major ideal in Shakespearean England, we can get views from Much Ado about Nothing which oppose this idea. From the two main couples' in this play we can understand their different views on commitment throughout and because of this we as readers and viewers can learn about each relationship separately and watch the thoughts and ideas change throughout the play.…
“Much Ado About Nothing”, a comedy written by Shakespeare, tells us the story of a complex love story between two pairs of lovers. Recently, I had watched two adaptations of this play. One was the original play written by Shakespeare and directed by Branagh. The other adapted by David Nicholls and directed by Brian Percival. The Shakespearean adaptation takes place in the Renaissance era of Messina, Italy. The adaption by David Nicholls takes place in the modern era, in England. Clearly, the Shakespearean version is much older, and so it differs from the modern adaption greatly. In terms of setting, feminism and language, distinct differences can be found.…
Cited: Shakespeare, William, and Roma Gill. Othello. New ed. Oxford: Oxford University Press, 2009. Print.…
Shakespeare’s Much Ado about Nothing is fueled by deception. Without lies, Benedick and Beatrice would never have admitted their mutual love and married their respective equally stubborn soulmates. A small deception also lead to a faked death, a public shaming, and a man swearing to his love that he would kill his close friend. The difference in these deceptions is in the motive. Proper deception “leads to social peace” and is done with the intention of alleviating self deception (Henze 188).…
Arthur Miller’s play Death of a Salesman is clearly a character study and tragedy that focuses on an everyday salesman, Willy Loman. Despite the story’s focus on Willy, it is his contact with other characters in the play that truly defines him. His interactions with his neighbor Charley, his brother Ben, and his own son Biff are what develop the character of Willy Loman.…
People have argued about the various themes, symbolism, and most every other element of Arthur Miller’s Death of a Salesman for decades. From the play’s opening scene where Willy Loman (the principle character) states cryptically, “I’m tired to the death” to the play’s conclusion, scholars have dissected most every portion of Miller’s play but are still in disagreement where the overall work is concerned. “Ever since Lee J. Cobb first dropped those sample cases on the stage of the old Morosco Theatre on a cold February night in 1949, the role of Willy Loman in Death of a Salesman has been a magnet to American actors” (Hampton). But even the actors appearing in this legendary play cannot fully agree on much of what Arthur Miller is trying to say in Death of a Salesman.…