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Much Ado About Nothing Beatrice And Benedick Analysis

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Much Ado About Nothing Beatrice And Benedick Analysis
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The main examples of deception we see are from the characters of Beatrice and Benedick.. We as the audience are exposed to their ‘merry war; ad they exchange witty and sarcastic banter, providing the humor throughout Shakespeare’s comedy and very interesting comparisons to be commented onIn act 1, we are introduced to Beatrice who Beatrice tends to take charge of every conversation, not reluctant to state her own views on a subject regardless of whom she addresses. Her wit and sarcasm are wasted on the messenger, who doesn't know what to make of her. Her uncle, Leonato, acknowledges her ongoing "merry war" with Benedick. Finally, she engages Benedick himself, who can give back as good as he gets.Benedick too is mentioned before he appears, but only by Beatrice, who is clearly bitter toward him, apparently as the result of previous experience with him. In his battle of words with Beatrice, Benedick puts up a noble fight, finally putting her on the defensive, but while Benedick has the last word this time, Beatrice ends the conversation …show more content…

As the dancing commences, we learn a great deal about their personalities. Beatrice, who recognizes her own rebelliousness and bluntness and their effects on others, especially men, has been hurt by Benedick sometime in the past; Benedick is vulnerable to Beatrice's insults (by the end of the scene, Benedick is at his most infuriated with Beatrice's insults, referring to her as a Harpy and as Lady Tongue; he asks Don Pedro to send him on any errand, no matter how ridiculous, just to get him away from Beatrice). This shows the clear divide in attitutdes however , if analysed deeper it seems as if there are evident similarities between Benedick and Beatrice. They’re both exposed to each other’s abuses and somehow feel threatened by

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