Modest Mussorgsky and His Sunless Song Cycle
Modest Mussorgsky and his Sunless Song Cycle
Modest Petrovich Mussorgsky was one of the biggest innovators in Russian music during the Romantic Period. Constantly striving to achieve a distinctive Russian musical identity, he never once hesitated to defy the orthodox qualities and trends of western music. Born March 21, 1839, into a wealthy family living in Karevo, Russia, it was not long before Mussorgsky discovered his love for music. He began playing piano at the age of 6 and showed promising development. However, he was obliged to take on the family tradition of serving in the military, and was sent to cadet school when he was 13. After 4 years, he successfully graduated and was sent to serve at a military hospital in Saint Peterburg. Here, he became close with several other composers including Mily Balakirev, who heavily influenced Mussorgsky to learn more about music. The two worked together over the next few years developing his musical intelligence. After only several months, in 1858, Mussorgsky suffered from an emotional crisis, forcing him to resign from his commission, and devote his time entirely to music composition. He began to develop as a composer but was unfortunately preoccupied as his family’s fortune began to dwindle. He was forced to accept a low-level civil service position in order to help manage his family’s estate. In 1863, Mussorgsky returned to Saint Petersburg and began composing his first opera. During this time, he was exposed to a heavily creative and intellectual atmosphere where a variety of artistic and scientific ideas were brought to his attention. He soon came to embrace the ideal known as musical realism. With this mind set, Mussorgsky sought to depict life through music as it was truly lived. He rejected the repetition of symmetrical musical forms just as life itself is completely unpredictable. His style came to be known as erratic and exhibited a raw sense of individuality. Unfortunately, this concept of ‘real life’ hit him
Modest Petrovich Mussorgsky was one of the biggest innovators in Russian music during the Romantic Period. Constantly striving to achieve a distinctive Russian musical identity, he never once hesitated to defy the orthodox qualities and trends of western music. Born March 21, 1839, into a wealthy family living in Karevo, Russia, it was not long before Mussorgsky discovered his love for music. He began playing piano at the age of 6 and showed promising development. However, he was obliged to take on the family tradition of serving in the military, and was sent to cadet school when he was 13. After 4 years, he successfully graduated and was sent to serve at a military hospital in Saint Peterburg. Here, he became close with several other composers including Mily Balakirev, who heavily influenced Mussorgsky to learn more about music. The two worked together over the next few years developing his musical intelligence. After only several months, in 1858, Mussorgsky suffered from an emotional crisis, forcing him to resign from his commission, and devote his time entirely to music composition. He began to develop as a composer but was unfortunately preoccupied as his family’s fortune began to dwindle. He was forced to accept a low-level civil service position in order to help manage his family’s estate. In 1863, Mussorgsky returned to Saint Petersburg and began composing his first opera. During this time, he was exposed to a heavily creative and intellectual atmosphere where a variety of artistic and scientific ideas were brought to his attention. He soon came to embrace the ideal known as musical realism. With this mind set, Mussorgsky sought to depict life through music as it was truly lived. He rejected the repetition of symmetrical musical forms just as life itself is completely unpredictable. His style came to be known as erratic and exhibited a raw sense of individuality. Unfortunately, this concept of ‘real life’ hit him