The Wicker Bar is a pompous place that normally features two French girls singing dirty songs, though the girls don't seem to be there when Holden arrives to meet Carl Luce. Carl, who is a bit older and certainly considers himself in another planet than Holden as far as wisdom goes, comes across as a pretty stiff and snobby guy. He drinks extra-dry martinis and dismisses most of Holden's attempts at conversation, which are admittedly a bit juvenile. Holden is particularly agitated about sex in this scene, and has his first bout of homophobia, calling gay men "flits." Carl Luce apparently knows some things about girls and sex. He says, for instance, he's currently dating a foreign sculptress in her late thirties. Holden keeps trying to get some details out of him. Carl Luce refuses to answer these "typical Caulfield questions...." (pg. 146) When Holden tries to be honest and explain how the problem with his sex life is that he can't get turned on by a girl unless he really likes her, Carl advises he go to a psychoanalyst. Luce's father is a psychoanalyst, and apparently Carl has made this suggestion before.
The Catcher in the Rye Chapter 20
With Luce gone, Holden turns to his drinks and before long is quite drunk. Valencia, the singer who's replaced the French girls, belts out a few tunes, and Holden first gets dramatic, doing his bullet-in-the-guts routine, then a little maudlin, wanting to get a girl on the phone. He staggers out of the bar and calls Sally, who is surprisingly nice and patient with Holden, who last left her to find her own way home from the ice skating rink. Holden is rambling and slurring, though, and Sally ultimately hangs up on him.
The Catcher in the Rye Chapter 21
Holden's got the good luck to find a substitute elevator boy on duty, and he makes it up to his parents' apartment without attracting too much attention. Phoebe is asleep in D.B.'s room, where she likes to stay when he's away, and Holden