Music of Asia
Cambodia Music
Cambodian Art music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pai au(flute), sralai (oboe), chapey (bass banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each movement the dancer makes refers to a specific idea, including abstract concepts like today (pointing a finger upwards). The 1950s saw a revival in classical dance, led by queen Sisowath Kossamak Nearyrath Cambodian pop music, or modern music, is divided into two categories: ramvong and ramkbach. Ramvong is slow dance music, while ramkbach is closely related to Thai folk music. In the province Siem Reap, a form of music called Kantrum has become popular; originating among the Khmer Surin in Thailand, kantrum is famous for Thai and Cambodian stars like Darkie.
THE PINPEAT
Indonesia Music
The music of Indonesia demonstrates its cultural diversity, the local musical creativity, as well as subsequent foreign musical influences that shaped contemporary music scenes of Indonesia. Nearly thousands of Indonesian islands having its own cultural and artistic history and character.[1]This results in hundreds of different forms of music, which often accompanies dance and theatre. The musics of Java, Sumatra, Bali, Flores and other islands have been documented and recorded, and research by Indonesian and international scholars is ongoing. The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musics instruments in their rituals. Today the contemporary music of Indonesia is popular in the region, including neighboring countries; Malaysia, Singapore and Brunei GONGS OF INDONESIA
Myanmar Music
Orthodox Theravada Buddhism frowns upon music as being decadent, but the Burmese monarchy as well
Cambodian Art music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pai au(flute), sralai (oboe), chapey (bass banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each movement the dancer makes refers to a specific idea, including abstract concepts like today (pointing a finger upwards). The 1950s saw a revival in classical dance, led by queen Sisowath Kossamak Nearyrath Cambodian pop music, or modern music, is divided into two categories: ramvong and ramkbach. Ramvong is slow dance music, while ramkbach is closely related to Thai folk music. In the province Siem Reap, a form of music called Kantrum has become popular; originating among the Khmer Surin in Thailand, kantrum is famous for Thai and Cambodian stars like Darkie.
THE PINPEAT
Indonesia Music
The music of Indonesia demonstrates its cultural diversity, the local musical creativity, as well as subsequent foreign musical influences that shaped contemporary music scenes of Indonesia. Nearly thousands of Indonesian islands having its own cultural and artistic history and character.[1]This results in hundreds of different forms of music, which often accompanies dance and theatre. The musics of Java, Sumatra, Bali, Flores and other islands have been documented and recorded, and research by Indonesian and international scholars is ongoing. The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musics instruments in their rituals. Today the contemporary music of Indonesia is popular in the region, including neighboring countries; Malaysia, Singapore and Brunei GONGS OF INDONESIA
Myanmar Music
Orthodox Theravada Buddhism frowns upon music as being decadent, but the Burmese monarchy as well