Current ratio can measure the ability of the company to paid its short-term debt with their currently resources. The rule of thumb indicated that a company should have the ratio between 1.0 and 2.0. The current ratios of Beacon Lumber during November 2009 to January 2010 are 40.06886782, 4.384552725 and 4.551608547 respectively.…
Note the use of foreshadowing: “each object of value replacing the weight freed up by some frivolous thing…My father, of course, was bringing the Word of God – which, fortunately weighs nothing at all” (18)…
This article analysis Brown decision towards his journey into the forest. In the opening paragraphs one does not know the nature of the impending mysterious journey into the forest, but Hawthorne generates a great sense of urgency. The author reveals to the reader that this journey will be taken at sunset, but his wife Faith attempts to dissuade her husband. Furth more Brown disregards Faith wishes and goes on by saying, “of all nights in the year, this one night must I must tarry away from thee.” This gives a sense to the reader that Brown had already made up his mind towards the direction his journey will go.…
In “The Technology of Simplicity”, the narrator has developed an appreciation for simplicity, and contempt for materialism in modern society. Through years of meditative hours of hunting the narrator gains clarity on how to savour moments. The narrator exemplified this when he describes the long tedious time in the forest saying, “I felt a contentment so deep that it seemed I was absorbed in a timeless dream.” His appreciation manifests into distaste for consumerism. He believes appreciation is lost stating, “the very rate at which consumption proceeds virtually negates the possibility of attentiveness and mindfulness.” He witnesses this lack of mindfulness as his children open presents on Christmas. Although the children are intrigued by the beauty of the wrapping paper and ribbons, they are hastily shown to forgo the packaging in favour of what was inside. Once they opened their presents and began to play they where quickly bombarded with another gift, leaving no time to appreciate and enjoy each object. The narrator, observing the Christmas mourning festivities, denounces “life in the consumer society [as] the moment of newness, the adrenaline rush of discovery”, and lack of attentiveness. Throughout the story it is evident the narrators dislike for consumerist society stems from the rate of consumption and lack of appreciation associated with it.…
Complex in nature, one’s search for atonement is critical in the journey of self-exploration and understanding. Kazan’s classic On the Waterfront follows the protagonist, Terry in the multifarious and multifaceted changes he undergoes in the hostile environment to seek redemption. Certainly, his metamorphosis is driven by his burgeoning conscience to atone for his culpable part in Joey’s death and his ethical imperatives to be a good citizen. Kazan explores the idea of gaining acceptance and acknowledgment in the sacrificial deaths of Dugan and Charley. Father Barry’s liturgical role also elicits the deliverance of others. However, whilst Kazan imbues the importance of individuals seeking liberation from one’s past, it would be remiss to consider that the collective redemption of united longshoremen ultimately influences their long awaited victory. These paths taken by individuals may not in fact be the resulting impact of their squalid and sordid world, but the means of coming to grips with their respective pasts.…
*Throughout my childhood my yard possessed a tree, a wonderful oak tree filled with life and virtue. This tree capturing the eye with its beautiful and destructive properties. This symbol of life and nature constantly…
In section 4 of the novel “of mice and men”, George and the ranchers have left the “weak ones” at the ranch and gone into town. Although Curley’s wife is the one who refers to them as the “weak ones”, she herself is included in this group. The theme which is emphasised in this section is the overriding theme that humanity is small and fragile in comparison with the forces that control our lives. Steinbeck shows great compassion to this group of people, he describes is great detail before this section of the hopes and dreams of each and every one of “the weak ones” and how they will never be achieved. In this group are four people, each with their own problems, stories and hopes, this actual event occurs in Crook’s room where crooks, Lennie and candy are talking about their dream of owning a small farm and “live on the fatta the lan’.”. Before Candy enters, Crooks denies lennie’s dream, telling him “nobody gets no land.” But when Candy defends Lennie and tells Crooks “we got the money right now” Crook’s mind is changed completely when he realises they might be able to get this land, “if you…guys…would want a hand to work for nothing – just his keep, why I’d come an’ lend a hand.” All “the weak ones” are united by this single dream and brought together in shared happiness and anticipation. “The thing they had never really believed in was coming true.” Until curley’s wife walks in and shatters the mood as she is just as unwanted as the men, but she is alone, very similar to Crooks and also she uses very similar words as him “think I don’t like to talk somebody ever’ once in a while?” this shows her and Crooks are the most lonely characters in the novel.…
E.M. Forster’s novel Howards End is often referred to as one of the key realist texts of the 20th century, yet the presence of the uncanny significantly alters the texts main realist themes, be it by strengthening or weakening these ideals. Bennett & Royle’s characteristics of the uncanny are pertinent to Howards End, though five are more relevant than the others. All five aspects can be seen to make the realist tendencies of the novel more potent while at the same time subtly undermining key points. Howards End conveys several facets of the uncanny, the most distinct of these being repetition, fate or coincidence, silence, death and the all-important death drive. Howards End is laced with lashings of fate, and is almost haunted by the death drive.…
A central focus in the novel “Of Mice and Men” is the idea of inherent human loneliness. This manifests itself in many different ways for each character, but is collectively expressed as an unshakeable sadness or worry. Crooks states early on in the novel "I seen hunderds of men come by on the road an' on the ranches, with their bindles on their back an' that same damn thing in their heads. Hunderds of them. They come, an' they quit an' go on; an' every damn one of 'em's got a little piece of land in his head. An' never a God damn one of 'em ever gets it. Just like heaven. Everybody wants a little piece of land'. I read plenty of books out here. Nobody never gets to heaven, and nobody gets no land. It's just in their head. They're all the time talkin' about it, but it's jus' in their head" This is an accurate representation of the general feeling of never-ending sadness expressed by the characters in this novel. Steinbeck’s approach to this feeling ventures outside the realm of just a plot device, because he uses it as a way to enable the reader to better understand each character’s self discovery and viewpoints on the world they live in.…
Throughout “Thou Blind Man’s Mark” Sidney uses metaphors that clearly illustrates the effects of desire on one’s life. He begins with the metaphor of desire as a “blind man’s mark“, the title of the poem, that shows desire is aimless. He then goes on to call desire “fools chosen snare” illustrating that desire is an act of foolishness, moreover he adds weight to his accusations by comparing desire to the “web of will” a difficulty brought by men upon themselves.. The use of these metaphors allows the reader to understand his views that to desire could be counted as the biggest mistake of a person’s life.…
The two themes are fundamentally inseparable, and “house” here is the self, product of toil and prey for destruction. In the end, both literal and figurative houses are intentionally destroyed, but out of ashes and dissolution a new self and life emerge. (388)…
AT A CERTAIN season of our life we are accustomed to consider every spot as the possible site of a house. I have thus surveyed the country on every side within a dozen miles of where I live. In imagination I have bought all the farms in succession, for all were to be bought, and I knew their price. I walked over each farmer's premises, tasted his wild apples, discoursed on husbandry with him, took his farm at his price, at any price, mortgaging it to him in my mind; even put a higher price on it — took everything but a deed of it — took his word for his deed, for I dearly love to talk — cultivated it, and him too to some extent, I trust, and withdrew when I had enjoyed it long enough, leaving him to carry it on.(1) This experience entitled me to be regarded as a sort of real-estate broker by my friends. Wherever I sat, there I might live, and the landscape radiated from me accordingly. What is a house but a sedes, a seat? — better if a country seat. I discovered many a site for a house not likely to be soon improved, which some might have thought too far from the village, but to my eyes the village was too far from it. Well, there I might live, I said; and there I did live, for an hour, a summer and a winter life; saw how I could let the years run off, buffet the winter through, and see the spring come in. The future inhabitants of this region, wherever they may place their houses, may be sure that they have been anticipated. An afternoon sufficed to lay out the land into orchard, wood-lot, and pasture, and to decide what fine oaks or pines should be left to stand before the door, and whence each blasted tree could be seen to the best advantage; and then I let it lie, fallow, perchance, for a man is rich in proportion to the number of things which he can afford to let alone.…
Laurence’s essay evokes the feeling of pride and compassion for the home that I live in because it reminds me that this is the area that I grew up in and is the first place that I can ever truly call my home. Her essay also reconstructs memories of the familiarities that I see on a day-to-day basis. Laurence also recognizes that “the oddities of [her] place were endless” (Laurence 329). This idea that “all of us cast stones in one shape or another”, touches me most because it reminds me that everyone is…
The first seeds for an Italian novel were planted during an extended trip to Florence that Forster and his mother took in 1901. This journey not only unleashed Forster's creativity, but also provided a source of spiritual release from the rigid moral codes of English society. His depression over his own self-deception and his increasing mistrust of English middle-class society are mirrored in the conflicted relationship between the cautious, thoroughly English Honeychurches and the impulsive, free-spirited, socialist Emersons. Forster was tormented, like Lucy, with the possibility of becoming one of "the vast armies of the benighted, who follow neither the heart nor the brain, and march to their destiny by catch-words."…
In “Aunt Jennifer’s Tigers”, Rich creates a fantastic image of the aunt’s nonverbal communication through her tapestry. The poem opens with a vivid picture of the colourful, energetic alive world depicted on the tapestry. The aunt infuses the world of the tigers with many of the attributes she misses in her own life: a sense of being truly alive and in tune with the environment, and a state of fearlessness: “They do not fear the men beneath the tree/ They pace in sleek chivalric certainty.” The ee- sound in these lines introduces a note of terror that heralds what is to come. Indeed the phrasing suggests a reason for fear from men. The feelings that the aunt is projecting into her artwork, her own fears and desires are developed in the middle stanza. Her shaking, fearful hands “fingers fluttering” are very vivid and the fact that they find the “needle hard to pull” suggests physical weakness and contrasts very much with the tigers.…