Preview

Narmer Palette Analysis

Satisfactory Essays
Open Document
Open Document
189 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Narmer Palette Analysis
Egyptian art begins in the Predynastic Period (c. 6000-c.3150 BCE) through rock drawings and ceramics but is fully realized by the Early Dynastic Period (c. 3150-c.2613 BCE) in the famous Narmer Palette.
The Narmer Palette (c. 3150 BCE) is a two-sided ceremonial plate of siltstone carefully carved with scenes of the unification of Upper and Lower Egypt by King Narmer. The importance of symmetry is represented in the piece which features the heads of four bulls (a symbol of power) at the top of each side and balanced representation of the figures which tell the story. The work is considered a masterpiece of Early Dynastic Period art and shows how advanced Egyptian artists were at the time.
The later work of the architect Imhotep (c.2667-2600

You May Also Find These Documents Helpful

  • Good Essays

    By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…

    • 391 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    outline

    • 396 Words
    • 2 Pages

    a. The Narmer Palette dates from the early Dynastic period and was found in the temple of Horus at Hierakonpolis…

    • 396 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    The desire for the finer things in life is eternal, and the strive for beauty and elegance can be seen in all ages. In regards to Islamic pottery, the elaborate and decorative nature of pieces from Kashan cannot be beaten. Now I will analyze a specific production from Kashan, a lustre bowl produced during the Seljuq Period (11th to 13th centuries), labeled as “Object D-12” in the UCSB Jewel Room and depicted below: In this image one can see the same line of eyebrows, drawn out eyes, and thin lips on the center figure that can also be seen on the polo player of Object D-12. Both men also have a halo surrounding them, enshrining them with a sense of importance and holiness. In this piece, dated at the early 13th century, the center figure appears…

    • 1089 Words
    • 5 Pages
    Good Essays
  • Good Essays

    During the reign of the 18th Dynasty, Akhenaton had made his kingdom very wealthy and powerful, but at the same time he also changed art in his time period which became known as the Amarna Period. Art in the Amarna period was very different from the stiff and unemotional art from the earlier Egyptian dynasties. Akhenaton was very influential on the art; it seemed that he wanted the art to convey real life taking place. Even though portrayal of Akhenaton himself seems exaggerated it seems more life-like then the earlier art, all Pharaohs seemed to look exactly the same with the same body and the same stance. Amarna art shows Akhenaton with a very elongated face, full lips, cat-like eyes and a pudgy stomach. All of…

    • 320 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Chapter 17 Roman Art

    • 446 Words
    • 2 Pages

    The first work of art I found was earliest art which was from 120,000 BCE-100 CE. IT had the most depicting animals including large and powerful creatures that suggested the artists desire to imitate the actual appearance of the animals represented. Giving the animals a sense of volume by using gradation of color. It also created sculptural objects small and carved figures of people mostly of women and animals. It reflected a more abstract and less naturalistic approach to representation.…

    • 446 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    The Ancient Egyptians were very artistically innovative. They could almost build anything. Sculptures, casket art, pyramids are minute shards of the various artworks of the ancient Egyptians. Another artwork is canopic jars. These jars were made out of…

    • 185 Words
    • 1 Page
    Satisfactory Essays
  • Satisfactory Essays

    Established around 3200 B.C., Cuneiform writing in Sumeria is a wedge shape script made of clay material to act as the first written communication contract between humans. The earliest form of Cuneiform writing began in South Mesopotamia which is in Europe. Cuneiform writing is how humans guaranteed interactions between one another that went beyond talking. Cuneiform wedge writing is made of symbols to record keep agreements and or daily events such as travel, the purchase of animals and so on. The Palette of Narmar 3100 B.C. is a form of Cuneiform on two tablets that depicts the rise of King Narmer and the unity of the higher and lower divisions of Egypt. Both ceremonial palettes function as a tool for grinding makeup and a historical marker for the Kings takeover. The first palette shows King Narmar holding a weapon in one hand and the head of his intended victim on the other. The second palette shows King Narmar wearing a read crown that represents the takeover of the lower division of Egypt. Both of these palettes tell a story of military victory of the King Narmar. The second palette shows feline bodies with snake heads entertained together to once again represent the unification of the lower and upper divisions of Egypt.…

    • 268 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    The Narmer Palette

    • 638 Words
    • 3 Pages

    “The Narmer Palette is a double-sided carving made of green siltstone,” and often referred to as a cosmetic palette. A cosmetic palette that Egyptians used as make-up, ranging in different colors. It was created most likely around c. 3100, during the Archaic Period (Early Dynastic Period) and while the palette was discovered in the year 1897 by archaeologists in the temple of god Horus at Nekhen, the capital of Upper Egypt it is unknown of who the actual author is. Even though, the creator is unknown to us, we can likely say that the person was likely from Egypt, either the Upper or Lower. Could have served under King Narmer, recording his triumphs or his princess Neithheotep of Lower Egypt. With that, he or she political, economic, social, and religious status remains unknown as well. Though, one can concur that it is similar to other Egyptians unless they were a part of a hierarchy. The intended audience of the Narmer Palette was most likely his followers, those to come after him, for others to know of him, and/or for the afterlife. The purpose of…

    • 638 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The Egyptians were the first to cultivate beauty in a extravagant fashion, and became well-versed in the art of makeup and hairdressing. The ancient Egyptians also were the first to use cosmetics as part of their personal beautification habits, and in religious ceremonies when preparing the deceased for burial. Ancient records show that coloring matter was made from berries, the bark of trees, minerals, insects, nuts, herbs, leaves and other materials that were used on the skin, hair, and nails. Even though eye paint was the most popular of all cosmetics, henna (a dye extracted from the leaves of an ornamental shrub) was used to impart a reddish tint to the hair that is still used to this day. The first recorded use of henna as a coloring agent was in 1500 B.C. Excavations from Egyptian tombs also have revealed combs, brushes, mirrors, and razors made of tempered copper and bronze. Hairdressing was an art for the Egyptians who liked to wear elaborate hairdo's and cosmetics, as well as wigs. Egyptian women, and the Roman women were known to apply a mixture of soil and water to their hair. They then wrapped their hair on wooden made rollers to bake in the sun, creating a temporary wave. The first evidence of nail care recorded in history was prior to 3,000 B.C. in Egypt and China. Ancient Egyptian men and women of high social rank stained their nails with red-orange henna. The color of a person's…

    • 750 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Throughout Egypt, during the middle empire art evolved as a symbol for power and permanence featuring straight lines and powerful figures; as time passed art evolved again morphing from simply representational images of man to the more idealized and anatomically correct style of Roman art. As art became more and more prevalent through the late 3rd and early 4th century’s artists began to focus more on anatomical perfection and realism borrowing artistic elements from other cultures such as the Greeks. Though the artistic styles of ancient Egypt and early Roman art vary widely, the underlying symbolism remains the same. This is clear in both the Egyptian Sculpture Vizier (Figure 1) and the Roman sculpture Bust of and Unknown Man (Figure 2). Where the ideas and concepts of both sculptures are essentially the same, their vastly different styles are evident of the time periods in which they were made.…

    • 656 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Palette Of Narmer

    • 438 Words
    • 2 Pages

    Throughout the history of art, there are many objects such as: sculptures, paintings, buildings, etc.. that talk for themselves in one glance, but there are many others with an interesting history to tell with the analysis of each element. Like the Palette of Narmer, it’s a palette for ceremonial purposes. This kind of objects were very common in ancient egypt, but the Palette of Narmer was a unique piece showing the unification of Lower and Upper Egypt. One side of the Palette shows Narmer wearing the “white crown” ( the crown used in upper Egypt) grabbing a foe by the hair ready to strike him. Right to these action there’s the God Horus (a symbol of the king)…

    • 438 Words
    • 2 Pages
    Good Essays
  • Better Essays

    Herodotus Primary Sources

    • 1400 Words
    • 6 Pages

    My primary source is Herodotus’ description of Egypt and the Egyptians. I found this primary source on our supplemental moodle page under the Egypt heading, as it was an assigned reading for us when we were discussing Egypt in class. This primary source comes from the ancient Greek philosopher Herodotus. He was born in 484 BCE, and lived to 425BCE.…

    • 1400 Words
    • 6 Pages
    Better Essays
  • Satisfactory Essays

    In this essay we’ll discuss the similarities and differences between two pieces of art from different civilizations. One difference that we’ll take note of beforehand is that the Stele of Naram-Sin is an Akkadian piece while the Palette of King Narmer is Egyptian. Now just because they’re from different cultures, you’d be surprised what they have in common. And thus, we start with the similarities of both pieces.…

    • 405 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Another factor that makes Egyptian art special is their color pallet. The Egyptians used many warm colors such as various shades of brown, red, yellow, and orange. The frescos done by the Egyptians were done with egg and vinegar. One thing I found that was very interesting is that the Egyptians painted males with a dark reddish skin tone, and they painted the women a lighter yellow color. This shows that men were very active outdoors and they women were mainly indoors. This shows how important detail was to Egyptians and that their paintings were very accurate to how they were living.…

    • 425 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The earliest known examples of writing in Egypt have been dated to 3,400 BC. The latest dated inscription in hieroglyphs was made on the gate post of a temple at Philae in 396 AD.…

    • 1142 Words
    • 5 Pages
    Good Essays