Narrative Report on the Wizard of Oz
Narrative Report on The Wizard of OZ Story and Plot
When differentiating between story and plot in narrative film, we can identify the story as a series of all the events presented to us within the narrative, inclusive of all elements that have been overtly presented to us, as well as events that the viewer may infer or conceptualise. In contrast, the plot can be described as all the elements that are presented to us throughout the screen duration. That is everything that we see and hear and includes nondiegetic elements, such as on screen credits and music that the characters cannot hear which are considered as extraneous to the story itself. In theory, the filmmaker creates a plot out of the story, and has the opportunity to begin the plot at any point throughout the story, focus on certain sections of the story and completely ignore others. The story and the plot in the Wizard of Oz are of very close proximity, with all the elements presented to us within the narrative running in chronological story order. The temporal duration of the film seemingly spans across a single day, however Dorothy’s dream is stretched out throughout most of the screen duration, exemplifying the significance of her dream within the film’s overall narrative. The overall story of the Wizard of Oz is largely balanced between the explicit and implicit interpretations presented to us within the dialogue. The notion of Dorothy absconding from the troubles of her home, to ultimately appreciate her family and friends is explicitly presented to us. However, we are also implicitly presented with an additional interpretation; that Dorothy is constantly battling with adolescence and the pressures of growing up, and her desire to run away cements her wish to continue living a carefree, youthful life. However, Dorothy soon recognises the demands of growing up. Opening and Closing Scenes The narrative material presented in the opening of scenes of The Wizard of Oz not
When differentiating between story and plot in narrative film, we can identify the story as a series of all the events presented to us within the narrative, inclusive of all elements that have been overtly presented to us, as well as events that the viewer may infer or conceptualise. In contrast, the plot can be described as all the elements that are presented to us throughout the screen duration. That is everything that we see and hear and includes nondiegetic elements, such as on screen credits and music that the characters cannot hear which are considered as extraneous to the story itself. In theory, the filmmaker creates a plot out of the story, and has the opportunity to begin the plot at any point throughout the story, focus on certain sections of the story and completely ignore others. The story and the plot in the Wizard of Oz are of very close proximity, with all the elements presented to us within the narrative running in chronological story order. The temporal duration of the film seemingly spans across a single day, however Dorothy’s dream is stretched out throughout most of the screen duration, exemplifying the significance of her dream within the film’s overall narrative. The overall story of the Wizard of Oz is largely balanced between the explicit and implicit interpretations presented to us within the dialogue. The notion of Dorothy absconding from the troubles of her home, to ultimately appreciate her family and friends is explicitly presented to us. However, we are also implicitly presented with an additional interpretation; that Dorothy is constantly battling with adolescence and the pressures of growing up, and her desire to run away cements her wish to continue living a carefree, youthful life. However, Dorothy soon recognises the demands of growing up. Opening and Closing Scenes The narrative material presented in the opening of scenes of The Wizard of Oz not
Bibliography: * Bordwell, David, & Thompson, Kristin (2008), ‘Film Art: An Introduction’, 9th edn, McGraw Hill, New York * The Wizard of Oz, (1939), motion picture, Director Victor Fleming