Julie, the daughter of the count who owns the manor, is dissatisfied with her position in the upper class. She continuously spends time with the servants because she seeks a simpler life. It brings Julie satisfaction to act more powerful and dominating around the servants. Though she believes she wants simplicity, she is oblivious to the truth of her life. No matter how many times she attempts to control the servants or spend time with them, satisfaction eludes her because she is a member of the upper class. She becomes intimate with the servant, Jean, and confides in him but he also only decides to use her to experience her life status. Julie refuses to accept the truth that her opinions are merely what she was raised to believe. Her obsession with experiencing life in the lower class results in a loss of integrity. As Zola emphasizes "events arise fatally, implacably, and men, either with or against their wills, are involved in them" (Zola). Julie indeed brings her demise upon herself. She is so heavily involved in the events of her life that her excessive desire allows Jean to take advantage of her. Here, Julie is vulnerable and a victim of her circumstances. Strindberg shows that a
Julie, the daughter of the count who owns the manor, is dissatisfied with her position in the upper class. She continuously spends time with the servants because she seeks a simpler life. It brings Julie satisfaction to act more powerful and dominating around the servants. Though she believes she wants simplicity, she is oblivious to the truth of her life. No matter how many times she attempts to control the servants or spend time with them, satisfaction eludes her because she is a member of the upper class. She becomes intimate with the servant, Jean, and confides in him but he also only decides to use her to experience her life status. Julie refuses to accept the truth that her opinions are merely what she was raised to believe. Her obsession with experiencing life in the lower class results in a loss of integrity. As Zola emphasizes "events arise fatally, implacably, and men, either with or against their wills, are involved in them" (Zola). Julie indeed brings her demise upon herself. She is so heavily involved in the events of her life that her excessive desire allows Jean to take advantage of her. Here, Julie is vulnerable and a victim of her circumstances. Strindberg shows that a