As the book begins, Mariatu is a happy little girl growing up in Magborou, a village of 200 near Port Loko, Sierra Leone. The first chapter teaches the reader about life in extended families where children may grow up under the care of relatives, men may have two or more wives and several generations live and work together. Mariatu tells us about her friends, her attraction to a possible boyfriend, Musa, her hopes of going to school one day, and her scary dream of standing in palm oil, a signifier of bad things to come. We learn about village life from preparations for a funeral, rotating crops of cassava and rice, dances, secret societies, and a child's daily chores of carrying water and collecting firewood.…
It is said that the Africa culture stands out more than any other culture In the World. With a rich and diverse culture African culture is known to change from county to county, many cultures along with traditions are found in Africa which makes Africa diverse, unique and mesmerizing in many ways to the world. Africa culture is all about the ethnic group’s family traditions, the literature, art and music shows the religion along with the social paths of their culture. (Nafisa Baxamusa, 2011)…
In this book, the author talks about the challenges of raising African children in a foreign country. I can personally relate to the topics discussed in the book. Born and raised in Ghana, my culture and beliefs defines 95% of me. I lived in Ghana till the age of 14, when I was asked to join my parents here in the United States. Everything is so different here, one of the…
Place: The music, art, literature, and cultural practices of Africa have provoked interest and respect throughout the world. The old belief that Africa is somehow childlike in its cultural development has been denounced as people become more familiar with the rich traditions of the continent. The music and literature of the people have found their way into houses and classrooms around the globe. We are beginning to learn through the works of scholars, film makers, and writers that Africans can teach us much more than we can show them.…
In addition to these items, it is common to have Mazao(crops), and kikombe cha umoja(the unity cup) lie upon the mkeka. Lastly, there are normally African paintings on the rugs and cloths, in order to symbolize the remembrance to African history and…
‘Our World Bardi Jaawi, Life at Ardiyooloon’ is a considerably long book, in comparison to what could generally be found in early stage 1 classrooms. Therefore, the teaching approach must be appropriate and engaging. To avoid uninterested students, studying the book over a school term, would be appropriate, for both early stage 1 and stage 1 classes. The text details the lives of children in a remote Indigenous community. The book features language that students may not be familiar with, which may result in a tenuous understanding of the content. Upon considering this, my approach to studying the book would be to immerse the students in Indigenous culture. This would involve accompanying the text with…
Cited: "African Folklore and Legends." African Folklore, Myths and Legends. N.p., n.d. Web. 20 Nov. 2012. <http://www.victoriafalls-guide.net/african-folklore.html>.…
Furthermore, the books contain an emotional depth that draws the viewer in. The illustrations portray a sense of dark, yet humble beauty with several layers of meaning and rich sentiment. Tan’s distinguished mixed media illustrations contain an infusion of riveting metaphors, fantasy, subtle symbolism and a mixture of art techniques ranging from cut paper collages to surrealist paintings. The combination of figurative language and imagery communicates to the reader a strong sense of emotion and feeling, yet the meanings are left to ones interpretation and imagination. It is a journey of self discovery.…
For more information, please contact the Special Markets Department at the Perseus Books Group, 2300 Chestnut Street, Suite 200, Philadelphia, PA 19103, or call (800) 810-4145, ext. 5000, or e-mail special.markets@perseusbooks.com. Designed by Timm Bryson Library of Congress Cataloging-in-Publication Data Ngugi wa Thiong’o, 1938– Something torn and new : an African renaissance / Ngugi wa Thiong’o. p. cm. Includes bibliographical references and index.…
In Suzanne Preston Blier’s article Enduring Myths of African Art, she articulates seven of the most common myths believed around the world surrounding African art. Of those seven myths, one that stands most true is the myth that African art is bound by place; the idea that African art in particular travels nowhere and its ideas are constrained to just the cultures they are sculpted in. Blier states, “The African art of myth is also frequently presented, incorrectly again, as an art rigidly bound by place.”1 She continues to express how most of the African art objects and styles studied are judiciously ascribed to particular regions and cultures as if they have no ability to circulate…
Carmody, Pádraig. "Unit Three: Studying Africa through the Humanities." Exploring Africa. N.p., 4 Nov. 2002. Web. 12 Dec. 2012.…
The magical power of African Art, illustrated in the nkisi nknode figure is unfamiliar to Westerners because we don't know the context of the art and the intention of the artist. Westerners are interpreting that illustration without any real knowledge of the culture. Due to these figures been in museums in West, the culture has lost a great deal of their history and memory. The Westerners in return have gained some knowledge and have created there own interpretation of the figures. The culture also suffered a great loss because the figures that were designed to evoke awe in the spectators were destroyed by European Missionaries because they saw their work as witchcraft and direct evidence of African Idolatry.…
Culture, which is a word that is very difficult to define, is very much engrained in the African people. The culture and art of African people expresses values, attitudes, and thoughts which help to represent the products of their past experiences and it also provides a way of learning about their history. Throughout this paper, you will learn about the culture and art of Africa and its people.…
Okara recites his view of the spirit of Africa as a form of the Nature Goddess in the poem The Mystic Drum. Okara worships her to revive the spirit of Africa, and the way he seemed to be doing it is by being more and more close to the nature. This closeness can be found in most of the poems of this African poet Gabriel Okara. The Mystic Drum, The Call of The River Nun, The Snow Flakes Sail Gently Down, Moon in The Bucket, You Laughed and Laughed and Laughed are only a few of them. The nostalgic poet tries to summon and bring back the pre-colonized Africa and to bring back this lost spirit of Africa he mingles himself with the only unchanged element of the pre-colonial Africa: nature. Okara not only finds nature as a mode to revive the spirit of Africa but also a way to find one’s roots, one’s heredity, one’s true identity in the artificial world, and mostly the purpose of being a human. The poems of Okara satiate a reader’s mind with the warmth and blessing of the nature with all its beauty alongside.…
mase Baba Medahochi who is a true friend. A special thanks to Iyanla who reached out and offered me some kind words at a time when I needed a little encouragement. In terms of making this book possible I want to extend a special thanks to Francis Charteris for her unrestrained suggestions as an editor to Aboyade Omobola (www.windshispers) for her persistent encouragement, to Esubiyi (http://www.galleryesubiyii.com) for his inspired artwork, and to Ron Williams for having the vision to make this series possible to all of you I say a dupe pupo. Ire Awo Falokun Fatunmbi Egbe Ifa Ogunti Ode Remo…