The technique the sculptor used was starting with a block of limestone which was the medium
The technique the sculptor used was starting with a block of limestone which was the medium
from marble as was custom of Grecian sculpture. He too was also at one time…
Egyptian stance. It also was used in funerary purposes and can be seen by the…
Ø "Nefertiti: Will the Real Mummy Please Stand Up?." Mummy Tomb. Mummy Tombs, n.d. Web. 25 Apr 2012. .…
6. Sculpture that has grooves of various depths cut into the surface plane of stone while the surface remains clearly perceptible is…
This work of art is from the Greek, Hellenistic period, c. 270- 250 B.C.E. This fifteen inch marble bust corresponds to a member of the Ptolemaic dynasty according to the typical facial features of the ruling family at that time. The Ptolemaic dynasty occurred when there was a succession of Macedonian Greeks over Egypt from the death of Alexander the Great in 323 B.C. until the annexation of Egypt by Rome and the suicide of Cleopatra VII in 30 B.C. Therefore, this head was most likely created to symbolize a Ptolemaic Queen. Its subject matter, the themes or ideas in a work of art distinct from its form, is not evident immediately. At first, one believes this to simply be a portrait of a woman typical of the time. Upon further research, it is believed that this head was created to represent a queen or even perhaps a goddess. Recently, it has been identified by different scholarly organizations as the head of Arsinoe II, who ruled with her brother Ptolemy II from 278 B.C.E. until her death in 270 B.C.E.1 (Met)…
These two statues are famous to the Egyptian art era. They represent the woman's position and the man's position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.…
carving- technique for creating 3d work, artists remove unwanted material from a large black of stone or wood or a synthetic product…
This is a statue of Aphrodite de Milos (Venus De Milo) that is believed to have been by Alexander of Antioch due to the plinth missing they cannot be certain. The statue is regarded as the most beautiful model of a woman’s body (Bermosa 2008, Para 2). The sculpture is a little bigger than life size, it stands 203 cm high and is currently at the Louvre Museum in Paris. This statue was created in the Hellenistic period, but the form of the statue. Some have said that the sculpture has Classical style characteristics. One of the characteristics of Hellenistic is the carving of the cloth draped around the waist of the sculpture.…
After going through the chapters of the textbook I have come across two sculptures that has both similarities and differences. In chapter three I came across the Seated Scribe, it originated in ancient Egypt and was carved in limestone. The seated scribe stood out the most because majority of the sculptures in Egypt were kings or queens standing straight up with their hands placed firmly against their sided. Instead, the seated scribe was very relax with his legs crossed underneath each other.…
5. This term identifies a sculptural technique in which figures are carved out of a block of stone, part of which is left to form a background.…
Akhenaten deserted Thebes, the capital of Egypt since the start of his reign, and moved further north creating a new capital called Akhetaten or “Horizon of Aten”. With the shift in location , the art became less excessive, while some may distinguish as naturalistic, it continued eminently stylized in its representation of the body. It was at this time that Nefertiti’s face ,as we know it today, had surfaced. The works from this time are probably some of the most acclaimed of Egyptian art. Akhenaten’s image was also reestablished. His features became delicate, curved, and fleshy than in prior…
This statuette was created from a fine porous oolitic limestone that does not belong to…
This statue is made from Granite which is a type of stone found from earth, so it is believed that the artist used some sort of chisel and hammer to create this art piece, since modern machinery was not available at the time.…
Just like many other pieces of art, this sculpture has many symbols. King Senwosret III is shown with a very firm body, this symbolizes that he is powerful. He is wearing a head cloth called a nemes. Pharaohs in ancient Egypt wore Nemes. The nemes is another symbol to show the kings power. On the front of the nemes there is a cobra. The cobra represents that he is royalty. King Senwosret III is wearing a short kilt, which was traditional Egyptian royal clothing so that is also used to show he is royalty. If you look down at his feet, under them you see nine bows. These nine bows are also symbolic. They…
Ancient Egyptian and Greek statues have many similarities. Hatshepsut in a Devotional Attitude is an Egyptian statue from 1473-1458 BCE. It is almost 8 feet tall and almost 2.5 feet wide. It is made of granite and is a statue of Queen Hatshepsut, the wife of Tutmose III, one of the most dynamic egyptian kings of the eighteenth dynasty. The Marble Statue of a Kouros (youth) is an Archaic Greek statue from 590-680 BCE. It is a little over 6 feet tall and about 20 inches at its widest. It is the representation of a nude male figure and is made of marble. However, the artists of both the statues are unknown.…