Preview

New Typography and Art

Good Essays
Open Document
Open Document
519 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
New Typography and Art
New Typography and Art

In the early twenties the Bauhaus style was a revolutionary way of creating new artwork; its elementary principles consist of functionality, short and simplified content, organised design. But just a while before the period of Bauhaus the revolution started in Russia, where constructivist themes – often geometric, experimental and rarely emotional – were expressed, amongst others by the two revolutionary artists El Lissitzky and Kazimir Malevich. They both believed the expressive qualities of a painting developed from the intuitive organisation of elemental forms and colours.

The visit of the first Bauhaus exhibition made a huge impact on Jan Tschichold’s work. Tschichold, who was actually a traditionally trained typographer, had attracted radical ideas from both artists. Interestingly, all three carefully balanced their layouts in terms of colour and weight. Although some of Malevich’s art pieces seem more chaotic, whereas geometric character can be recognised in Tschichold’s posters and book designs. The way Lissitzky searched for a geometric system for treating type, geometric elements, and the photographs as a whole, also shows a more structured layout.

Asymmetry is an element appearing in Lissitzky’s work. Tschichold’s work for the phoebus palast represent a similar approach in the movie posters. Meanwhile, Malevich developed visual ideas about balance, space, and form in his paintings, which became the basis for his artwork.

Another similarity between Tschichold and Malevich is especially the use of cubic forms and round elements. Paintings with single shapes, such as a black square, a black circle or a black cross, changed the way of seeing the future – creating, designing and expressing as simple as possible. This guideline is still been applied on today’s art and design.

When looking at Malevich’s artwork you can recognise the poor colour pallet he used, for example in his work ‘Black Square’. This colour reduced approach can

You May Also Find These Documents Helpful

  • Powerful Essays

    His work strongly features texture and reduction of form. There are strong emotions from the figure with engagement of the eyes. His works are constructed by…

    • 1733 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    DBQ Civil War

    • 954 Words
    • 1 Page

    When the north and south fought in the war, the Union (North) had more people than the…

    • 954 Words
    • 1 Page
    Good Essays
  • Good Essays

    Simon Schama Summary

    • 251 Words
    • 2 Pages

    Simon Schama begins with rhetorical questions to make the readers thinking about the power of art and give a statement of how most of art’s history being assumed. He moves on to give detailed description of Mark Rothko and his arts. Schama then uses his personal experience of not being interested in Rothko’s arts to illustrate the process of the change of his perspective. Schama purposely writes, “The longer I started, the more powerful was the magnetic pull through the block columnar forms towards the interior of Rothko’s world” to make a transition of his point of views towards Rothko’s arts (401). He continues to develop the point of what makes Rothko’s arts so powerful. Schama organizes his writing in this particular order to better show…

    • 251 Words
    • 2 Pages
    Good Essays
  • Powerful Essays

    It seems that the Renaissance (1300-1700), methods of presenting the surrounding world in a flat pictorial plane using linear perspective, has dictated the way artists have worked for countless centuries. Linear perspective is a technique used by artists that uses line to create the illusion of depth and space within their work. However this approach is only a representation created using a singular eye. This method of working is suggested to have originated from Leon Battista Alberti’s (1404-1472) metaphor of painting, he proposes that a work of art can be comparable to ‘… an open window through which the subject to be painted is seen’ (1435-6). Alberti’s statement seems to be the explanation to why flat works of art, are repeatedly presented in a rectangle or square shape. Nevertheless something interesting started happening in the twentieth century, a sparse number of individual artists started challenging this manner of working. Since the birth of photography there was no need for art to serve a documentation purpose anymore or to be representational, traditional ways of…

    • 1389 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    The second half of Leo Steinberg’s Other Criteria focuses on the differences between past artists and modern artists. Steinberg introduces the reader to the idea of having many objects merge into each other, instead of having many distinct objects in the piece with distinct lines and colors. He also brings up the idea of the flatbed picture plane. Instead of composing a piece with the idea of human posture in mind, these “flatbed” pieces are composed more like a worktable or a bulletin board.…

    • 1079 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The sculptors who created Blue Woman in Black Chair and Untitled (Large Man) used many aspects to give life and meaning to their creations. Lines are used distinctly in both sculptures. The artists take advantage of space when creating their pieces along with a little naturalism. One sculptor uses color on his figure. Their technique, although different, brings individuality and texture to their works.…

    • 964 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Liubov Popova

    • 315 Words
    • 2 Pages

    The rhythm of visual elements in this painting gives continuity and flow that leads the eyes in a left-to-right direction. Fluid, curving lines cut through the angled shapes suggesting motion across the keyboard. The patterned, recurring alternations of contrasting organic and inorganic shapes create rhythm and time suggesting beat of the music the pianist is playing. The painting is composed to give a dynamic rhythm that gives it an uncharacteristic kind of unity. The space between the lines, forming shadows, gives three dimensional mass to the painting.…

    • 315 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    A change in style was apparent, nevertheless, it is difficult to differentiate between innovation and culmination of past tendencies. While in Paris, he will be choosing larger canvases, using more biomorphic forms, adding sand to his oil paintings and introducing new hues into his palette (Barnett). In a certain respect, his first Paris paintings will be a continuation of his work at the Bauhaus that he will take further and modify; for instance “Accompanied Center” was transformed from a watercolor to a major painting. During his Paris period, Kandinsky continued to write, limiting himself to shorter texts expressing familiar points of view on the correspondence between painting and music as he states in “L’Art Concret”, or his belief in abstract art which he now preferred to call “concrete art” in “Abstract Concrete”. He will also be rather isolated, as impressionism and cubism dominated the artistic scene at that time, and his geometric abstract paintings will receive suspicion and would not be recognized before some time. Nonetheless, he played an important role in the philosophic foundation for later modern movements, in particular abstract expressionism and its variants like color field painting. His work had a large influence on artists such as Gorky (which also helped shape the New York School’s aesthetic), but was also of interest to Pollock, Rothko and…

    • 1876 Words
    • 8 Pages
    Good Essays
  • Better Essays

    In this paper, I will discuss the form, content, and subject matter of three different paintings. Each of the paintings represents the following: representational painting, abstract painting, and a portrait. The paintings I have chosen are: Edward Hopper’s Nighthawks 1942, Wassily Kodinsky’s Colour Studies: Squares and Concentrentic Circles 1913, and Pablo Picasso’s Self-Portrait 1907.…

    • 1759 Words
    • 8 Pages
    Better Essays
  • Good Essays

    The Bauhaus movement began in 1919 when Walter Groplus started a school with a perception to bring together the gap between the art and industry and it was famous for the access to design that advertise and taught. This school was introduced with the idea of combining all the work of art together in which all the arts, including architecture, would finally be brought together. With the help of Bauhaus, it had an enlightened influence upon consecutive expansion in art, architecture, graphic design, interior design, industrial design and typography.…

    • 249 Words
    • 1 Page
    Good Essays
  • Satisfactory Essays

    Louise Bourgeois

    • 344 Words
    • 2 Pages

    The contemporary artist that I chose to discuss in this paper is Louise Bourgeois and her piece of art ‘Eyes". This abstract sculpture is made of marble and dated 1982.…

    • 344 Words
    • 2 Pages
    Satisfactory Essays
  • Better Essays

    Art History Week 8

    • 1119 Words
    • 5 Pages

    Arshile Gorky (1904 – 1948) was “the Abstract Expressionist painter who was most instrumental in creating a transition from European Abstract Surrealism to American Abstract Expressionism.”(1) “Somewhere between the years 1926 and 1936, Gorky painted The Artist and His Mother which suggested the influence of early cubism.”(1) In a completely different form than that of The Artist and His Mother in his oil canvas Garden in Sochi (1943).(1) this piece “exemplifies Gorky’s most characteristic innovations.”(1) Arshile Gorky took his own life at the age of 44.(2)…

    • 1119 Words
    • 5 Pages
    Better Essays
  • Best Essays

    Royal Academy of Arts. (February 05, 2013). Building the Revolution: Soviet Art and Architecture 1915-1935. Retrieved February 05, 2013, from http://www.royalacademy.org.uk/exhibitions/building-the-revolution/…

    • 2361 Words
    • 10 Pages
    Best Essays
  • Powerful Essays

    Art Work

    • 6190 Words
    • 25 Pages

    issue. Since Einstein, we have come to recognize that the space in which we live is fluid. It takes place in time. We have developed new kinds of space as well— the space of mass media, the Internet, the computer screen, “virtual reality,” and cyberspace. All these new kinds of space result, as we shall see, in new media for artists. But first, we need to define some elementary concepts of shape and mass.…

    • 6190 Words
    • 25 Pages
    Powerful Essays
  • Satisfactory Essays

    Minimalism

    • 332 Words
    • 2 Pages

    MINIMALISM “SIMPLICITY-­‐THE ULTIMATE SOPHISTICATION” MULTIPLE EFFECTS RECONSTRUCTION OF VAN DER ROHE’S GERMAN PAVILLION IN BARCELONA • Also known as ABC art • Started in 1960s & 1970s in NEW YORK • Use of simple & few elements to create maximum effect • EliminaUng non essenUal forms , elements • Uses simple,elegant designs • OrnamentaUon are quality than quanUty •…

    • 332 Words
    • 2 Pages
    Satisfactory Essays