This article was about man that graduated from Sky Line High School. He got lousy SAT scores. He applied to great colleges M.I.T and Villanova. Knowing he wasn’t going to get accepted but decided to give a try. With that in mind he applied to Chabot Community College and got accepted. The school had allot of opportunities for him. The college provide art, science, nursing program and journalism etc. In two year being in Chabot Community College he transfer to State University in Sacramento only to study for his major in theater arts. The films act he it was “Golden Coach” he played Joan Renoir’s and Luis Bunue’s “Simon Of The Desert.” .He hopes that the idea of President Obama makes 2 years of community college for free. Few years ago he passes…
In this article, Rula Quawas examines how the North and South despite their differences agree on one issue; a woman’s place. Quawes sees this issue as a cult like belief. She compounded ideas of what a man would think true womanhood consisted of in the 19th century. A few ideas was that a woman should have an understanding that the home is where she belongs and the economic world is for the man, the home is the only proper sphere for the female, and have knowledge about the functions as a mother and a wife. It is then seen if a woman does not partake in that belief system, she can simply be treated.…
With great excitement this book is written to share my analysis of artwork from the three time periods that I was so fortunate to visit during my recent time travels.…
ATIVE ANALYSIS PART TWO It is not surprising that Steven Vincent was stopped by Oldenburg’s Store sculptures because the Guggenheim museum is one of the last places you would expect to find his objects, especially those that were originally intended for his storefront in the Lower Eastside of Manhattan. The irony of ‘the commodity object as art versus the art object as commodity’ set much of the stage for Oldenburg’s Store because he, like Allan Kaprow, understood that art changes accordingly to the thoughts, attitudes, and environmental factors of its audience (94). With this in mind, Vincent’s criticism of Oldenburg’s work not only makes sense, but can be expected.…
The Melbourne Theatre Production ‘Red’ by John Logan, provides a potent dramatization into the life of the famous painter Mark Rothko and his notorious withdrawal of his last commission. The play gives insight into a hubristic and didactic man who “wants to be heard” and his art “to be understood” by the world. Through Friels’ clever acting choices; the manipulation of space and lighting; and the revealing ending scene, the production effectively engages the audience in the telling of his story. This production grippingly explores Rothko’s emotional struggle with the value of his work in the rapidly contemporizing world around him.…
The second half of Leo Steinberg’s Other Criteria focuses on the differences between past artists and modern artists. Steinberg introduces the reader to the idea of having many objects merge into each other, instead of having many distinct objects in the piece with distinct lines and colors. He also brings up the idea of the flatbed picture plane. Instead of composing a piece with the idea of human posture in mind, these “flatbed” pieces are composed more like a worktable or a bulletin board.…
Sykes analyzes two stories in which the artists ( the protagonists) were unsuccessful, because “For neither writer was the role of artist a major preoccupation,” rather both characters took as an ultimate goal personal aspects. According to Sykes, in order to achieve the goal of the arts, the artist should divide the arts of the other aspects to “honor the autonomy of the arts and win through to the goal of beauty that is the art´s telos.” (Sykes) This way, the arts can be corrupted by external purposes, that instead of expanding the beauty of the arts, disrupt the discipline itself. However, this concept can be applied beyond the arts realm, the lack of concentration of the ultimate goal can disturb a certain…
Through the use of bright “modern” neon colors, the character's physique and posture, and adaptation of modern “pop-art” style, the artist portrays the message of rebelling against the classical American society's norms and promotes the importance of trying new things. The painting oozes with bright colors and happiness, but behind all that sends one important message. The message of not being afraid to stand out. Berger, a world-known art critic, had this belief that pictures help us jump to conclusions before words can. We tend to believe what our eyes see, more than what our mind reads.…
I went to the Norton Simon Museum in Pasadena to visit the “Duchamp to Pop” exhibition. The theme of this exhibit was to demonstrate Marcel Duchamp’s influence and sway over the development and emergence of Pop Art and its artists. Besides many pieces by Marcel Duchamp, there was a variety of other artworks on view by artists such as George Herms, Claes Oldenburg, Tom Wesselmann, Andy Warhol, Robert Rauschenberg, and Jim Dine. This exhibit was displayed in a space of three rooms, where the first room was greatly focused on Marcel Duchamp but also featured a few pieces from local artists from Southern California. The following two rooms featured the pieces by the artists more associated with the Pop Art movement and greatly ranged from smaller…
Artists throughout time are subjected to changing their practice due to context and issues within this time period. Artists that center around performance art, who use shock to convey their artworks, are subjected to change. Changes within the world inspire artists to create artworks that reflect these evolving aspects. Different developments in terms of practice have changed the world that we know. Advancements with technology, science and environment have influenced performance artists such pioneers in performance art Yves Klein, Stelarc and Ron Mueck who creates life like figures artworks that in their own way perform for the audience. These influences have shaped the performance artists practice, Klein’s use of monochrome art to represent the empty space surrounding the earth; the void, by using his own mix of the colour blue; Klein creates artworks to represent the empty space in the environment. In Klein’s later years he began to work with naked female models to create body prints. Likewise to stelarc’s use of incorporating technology within the body to make a hybrid or cyborg to reflect of what humans will become in the future, Stelarc looks at the body’s ability to expand or be altered as well as the mental capabilities of being fused with the cybernetic world. Technology has had a dramatic influence on Stelarc’s practice. Mueck creates life like sculptures often altering the size of the figures. Mueck’s use of creating grotesque, eerie life like sculptures shocks the audience, sometimes thinking that they would be real if they were the proper size ratio. Mueck’s art work ‘Dead Dad’ shocked audiences into believing that there could have been a real dead man lying on the floor. If the artwork were to be resurrected, friends and family would recognise the sculpture straight away, and to the…
The Art Story Foundation . (February 05, 2013). Alexander Rodchenko. Retrieved February 05, 2013, from http:\thearthistory.orgartist-rodchenko-alexander.html…
“If we, citizens, do not support our artists, then we sacrifice our imagination on the altar of crude reality and end up believing in nothing and having worthless dreams” (xi)…
Mexican muralism offers us one of the most politically charged and expressive art forms of the 20th century. David Alfaro Siqueiros and Jose Clemente Orozco are two of the three so called triumvirate of Mexican Muralists, the third being Diego Rivera. Both of the artists have a unique style and a strong sense of morals and political ideals. Their styles are similar in the sense of the amount of expression and movement in their pieces They also share a common ideology that shows up often in their work. Siqueiros’ Portrait of the Bourgeoisie and New Democracy along with Orozco’s American Civilization and Catharsis show you a great cross section of Mexican Muralism, revealing the passions and beliefs of the time period.…
Perhaps family itself was the value that we were missing the most—a sense of togetherness that would unify us much more than anything else could. Yet we never did make that connection. Instead we found it best to try and act as though we knew what a functional family was as though we were doing a bad game of Simon Says. As Gary Soto recalls from his childhood, “I tried to convince them that if we improved the way we looked we might get along better in life” (Soto, 29). That was the way my fake family was. We knew the meaning of values, but in reality we did not put them into practice, whether it be out of laziness or simple antagonism for those we may or may not have viewed as inferior to our bloodline. Seldom attention was given to the values…
Art has been created by all people at all times; it lives because it is liked and enjoyed. Art involves personal experiences of an individual accompanied by some intensity of emotion. Art is made of man, no matter how close it is to nature. Although each work of art is evidently the expression of an artists’ personal thoughts and feelings it may be inferred that, like any other individual, he belongs to a million, and he cannot free himself from the influence of his social, economic, political, cultural, geographic, scientific, and technological environment.…