Bram Stoker’s book Dracula begins with a journal entry by Jonathan Harker. Harker is an English lawyer traveling to Transylvania, an Eastern European country, to meet with Count Dracula for business purposes. In his first journal entry, Jonathan records his trip to Dracula’s castle. Along the way local peasants warn him not proceed on to his destination especially so late at night. The worried peasants keep repeating the word “vampire” and give him crucifixes to ward off evil. Harker does get a bit scared but he still decides to continue on to the castle. When Jonathan arrives to his final destination, the friendly and gently Count greets him. During his stay at the castle, Harker feels more and more uncomfortable as certain events take place.…
Stoker’s Dracula, by contrast, is refined and enthralling. He has transmutated from a monster of sorts to a mysterious seducer, from a coldhearted “beast” of incontestable evil to a complex human arousing a strange sympathy and blurring the lines between good and evil. Count Dracula is now an attractive, sophisticated aristocrat who moves about easily in polite society. Dracula’s motivation throughout the film is the pursuit of his lost love, reincarnated in Mina Harker.…
In an analysis of Bram Stoker’s Dracula and one of many film adaptions, Coppola’s Bram Stoker’s Dracula, it is very evident that the female characters within the movie and the book are remarkably different. Not only is the love interest between Mina (Ryder) Harker and Dracula (Oldman) an addition to the movie, but the extreme sexualization of all the female characters within the film adaption portray the women in a new light. Through the distinction in character portrayal between the movie and the book, the underlying contrast between the “New Woman” and the Victorian Woman become very identifiable.…
Since the beginning of the moving picture, directors have been recreating books into movie. More often than not, the directors will change the original plot line of the book. In Bram Stoker’s Dracula the director changes the plot in a few different instances but for the most part, the director keeps the same plotline. Some similarities between the book and the movie are: the genre and setting, loss of personal power, and the gothic features. Francis Ford Coppola, director of Bram Stoker’s Dracula, changed a few minor parts of the plot from the book. Even though the movie and book differ slightly, they both are great works.…
Vampire stories have been popular for years. One such vampire is Dracula of Bram Stoker’s novel. Dracula drives the plot in many ways, but he is not always the nice guy. Not everyone like him; in fact most are scared of him. Dracula is dynamic, but the antagonist for several reasons. Dracula is evil, scares everyone, and he kills a lot of people.…
I read Dracula as a criticism of an individualistic search for power. Take away the supernatural elements and the story is of a man who gains power by ruining the lives of others. Bram Stoker’s motivation for writing Dracula was likely not one-dimensional. While there is the obvious attempt to play on the fear of foreigners, I think it is incredibly important to remember that Dracula is not the typical foreigner. Even when you disregard the fact that he is a vampire, he is still a count. There is quite plainly an element of class warfare. The story is interesting because it paints Dracula as evil and makes sure to leave out any elements of his past. He is pure evil with no redeeming factors. He doesn’t have the innocent start of Frankenstein, the upstanding alter ego of Dr. Jekyll, or some…
Nosferatu was the first adaptation in 1922, followed by Hammer’s Dracula Collection (1958-1974) featuring Christopher Lee, Dracula Lord of the Dammed (2011), Dracula Reborn (2012), Dracula (2013) and many more. All of these adaptations have had varying amounts of success, but so many have been made so it begs the question did we really need another to add to this long list? Throughout the years Dracula’s character has been revised so many times, transforming dependent on Hollywood’s needs at the time. Original representations of Dracula are one dimensional and the silent figures are given no human qualities. Christopher Lee who was famously given very little lines for his portrayal said in an interview with Total Film, “all they do is write a story and try and fit the character in somewhere, which is very clear when you see the films. They gave me nothing to do! I pleaded with Hammer to let me use some of the lines that Bram Stoker had written. Occasionally, I sneaked one in.” More recent adaptations tend to have a more contemporary take on the character. In a more advanced society we aspire to have more open minds and therefore it is natural for a modern audience to want to understand why Dracula does the things he does. What makes this recent adaptation stand out from the others is its setting. In Dracula Reborn (2012) the whole film is set in the present day and it has not been much of a success because it completely loses the character of the narrative. Meanwhile, Dracula Untold is set in 15th Century Transylvania and therefore emulates the success of Lord of the Rings and Game of Thrones because we are transported into an equally mysterious world from a different time period. It suffices our need for historical knowledge and the pleasure we get from taking a look at how people lived in another time. The representation of 15th Century Transylvania is not an accurate one because it is sexed…
This revolting image of Dracula is entirely absent in the film. By contrast, Bram Stoker’s Dracula is refined and enthralling. He has evolved from a monster of sorts to an enigmatic seducer, from a coldhearted “beast” of incontestable evil to a multifaceted human arousing a strange compassion and blurring the lines between monster and man. He is now an attractive and sophisticated aristocrat who moves about effortlessly society and whose only impetus is in the search for his beloved revitalized as Mina Harker.…
Since the eighteen century, vampire stories have played a strong role of popularity in literature and cinematic environments. The continuous changes of vampires have taken the vampire legend from something feared to something desired. Between Dracula and Twilight it has been over a hundred years. These two novels are a great example of vampire’s evolution. However, both novels have elements of narrative device, they are both written from multiple perspectives, and both were turned into a film. Although Twilight and Dracula are pieces of literature that share a vampire story, there are three important differences that characterize each one.…
Other than being remade into other forms such as movies and cartoons, Dracula was a relatively new concept during the time of its publication and had a major impact to its surrounding society. Today, the novel’s uses of multiple unique elements of writing such as dramatic irony, the everyman, and suspense/mystery continues to speak to interests of readers. In addition, the character itself, like any other supernatural beings including ghosts and witches, naturally intriguing us just based on many people’s love of getting scared; Dracula is portrayed in the novel as a completely evil and manipulative character that feasts upon the lives of mortals for his survival. Throughout the course of “Dracula,” Stoker used an epistolary form of writing not only for its prevalence in the Victorian era, but also for its effectiveness in portraying first person point-of-views and first-hand accounts for multiple characters. By doing so, he was able to make readers feel as if they themselves could have been in the characters’ shoes. Because it was an epistolary format and readers knew exactly what each character knew and did not know, his application of dramatic irony became clearer than other literary pieces as well. Dramatic irony was used in the course of the novel in multiple ways. The Victorian readers already knew of the vampire concept by the 18th century and Dracula was written in the early-mid 19th century. As they read the novel, they generally would have known what Dracula was, and had a similar idea to what we think now, before Jonathan Harker’s realization of Dracula’s intentions (Stoker 22). Another way dramatic irony was added in the novel was the placement of each journal. For instance, readers were notified first of Jonathan’s experiences in his journal and then Mina’s journal was revealed with her wondering about the condition of her finace (Stoker 27,…
In the novel, Dracula by Bram Stoker, he developed the writing of his novel by addressing the struggles between a modern society of progress, science, and technology with superstitions, folk beliefs and from the past. Bram stoker became interested in ancient superstitions including one from Cluj in Transylvania, Romania. He was a sickly child whose mother used to tell him ghost stories. Throughout the novel, two characters addressed these behaviors, Abraham Van Helsing, a Dutch professor who is a doctor and a lawyer and a philosopher and metaphysician. Also, Dr. John Seward a young doctor who studies psychological and owns his own asylum. Both of them showed their work by stopping the Count Dracula and killing him and going through rough obstacles.…
Dracula, a vampire that serves as an anti-Christ, is a human embodiment that the Victorians fear and hope to destroy. Stoker describes him as a prominent figure of grieving evil, a curse that is a disgrace to the Victorian society. Having seen Count Dracula being ostracized from deviating from Christianity and creating his own religion, Stoker intends to persuade readers that believing in such religion is required and essential to human survival.…
Dracula by Bram Stoker is a story about a vampire, Count Dracula, that holds Johnathan Harker captive in his castle and he eventually escapes after he has witnessed events that change him forever. Also in this story, Count Dracula bites two ladies Lucy and Mina. Lucy turns into a vampire after multiple encounters with Dracula and Dr. Steward, Dr. Van Helsing, Lord Godalming, and Quincy Morris free her from her vampire state. Then, Dracula forces Mina, who is happens to be Johnathan Harker’s wife, to drink his blood to become his slave. Dracula flees from the men after they decide to hunt and kill him. The men follow him back to his castle and catch him along the way killing him by cutting off his head and freeing Mina from her captivity to Dracula. Throughout this story, Stoker uses several elements…
Throughout Stoker’s Dracula, a central theme is evident, Competition. The term competition refers to a test of skill or ability. Most of the competitions in Dracula are those between Dracula and the “good” men. Stoker’s novel can be seen as a similar version of the “Primal Horde” theory in which Freud created. A primal horde is a group of people arranged around a single dominant male, who has total authority over the group and holds claim over the females. Though this theory is also connected with incest, I would like to re think the sexual competition that takes place in this novel in terms of interracial competition. Though Dracula has his own women, he is interested in the women who belong to someone else. Dracula strives to be the single dominant male, by hoarding women around him and claiming them as his own. In this sense, Dracula can be seen as “the ultimate adulterer, whose purpose is nothing if it is not to turn good Englishwomen like Lucy and Mina away from their own kind and customs.” (Stevenson) Stoker does an amazing job of illustrating vampire sexuality as a “doubled phenomenon”. (Stevenson) In this essay I will look at the dual interpretations between “feeding” and “sex” and how they intertwine.…
The film Nosferatu is a typical German movie from the early 1920's that loosely based on the novel Dracula by Bram Stoker. Simply to avoid the piracy the name of the main character was changed but the plot remained the same as the original. However the changed were not made enough and the movie faced with the lawsuit caused all copies to be destroyed. Gradually in 1960s one print of Nosferatu was found in the U.S. and from that onward other films of Nosferatu was created from that one print. Unlike Dracula that is handsome and charming, Nosferatu is more of an obvious hideous monster type. It later becomes famous horror classic film.…